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Here are just a few of the many teachers offering Cello lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Guitar Voice Cello Synthesizer Banjo Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar
jackdylan is a multi-versed vocalist, songwriter, producer, instrumentalist, and composer from Bridgewater, NJ. He has built his following through social media and intimate collaborations with friends, online and in person. This unknown sensation has the range of a modern day Beck to the experimental qualities of Bach & Radiohead. Citing Kid Cudi and Weezer as early influences, jackdylan embraces his future as a renaissance musician in the digital age of over-saturation. primary genre(s): indie/pop/hip-hop/acoustic Read More
Instruments: Cello
I very much believe in a dialogue between student and teacher - the relationship is very much a two-way street, as we can both learn from one another in many ways. I dont have a dogmatic, one size fits all approach; rather, I adjust to each individual student and his or her own needs. I do believe in laying the groundwork through fundamental technical training, however I approach this in different ways with each student based on learning styles. Read More
Instruments: Cello
I am a college student who is very passionate to share my knowledge in music. Playing cello since the age of 4, I have competed in all levels of NYSSMA including All-State. I have been the principle cellist of my high school chamber orchestra, nominated for top ten in the country, for a few years. I have also been a principle cellist in the New York Laureate Orchestra as well as a performing soloist. Read More
Instruments: Piano Violin Cello Viola
Nothing is more rewarding than seeing one of my students develop a passion for music! I strive to find an individual approach to each student and it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. While daily practice is necessary for quicker progress, not every student has the time for it. So I teach my students how to use the time allocated for personal practice more effectively and how to develop good practice habits. Read More
Instruments: Piano Cello
For beginning students, i'll typically start with Suzuki books. It's important for students to learn the left and right hand separately before putting everything together. Once a student has progressed to have a grasp of the fundamentals, I'll introduce some simpler solo repertoire appropriate for his or her skill level. For advanced, I'll be happy to talk about more advanced musical techniques and theories. I play the piano as well, and I will be happy to accompany my students playing repertoire that needs an accompanist. Read More
Instruments: Cello
My teaching pulls from the Suzuki method and the great cello pedagogue Irene Sharp. I emphasize ear-training and a physically relaxed and technically accurate approach to cello playing so that students are free to create music without limitations or physical discomfort. Though playing an instrument takes hard work, it should be a fun and enjoyable experience too! We will work together to ensure that you or your child are learning pieces that interest you and inspire you to reach the next level. Read More
Instruments: Cello
I have been playing the cello for forty years and teaching for twenty. I love helping students of all ages realize their goals of playing and performing cello music. Although I do not have an academic background in music, I have studied privately with teachers who have been members of the New York Philharmonic and Juilliard faculty. In addition to playing and performing chamber music for the past thirty years in local venues, I am also a co-founder of the American Chamber Orchestra, a community orchestra that has performed for twenty seasons and toured Europe with performances in many countries. Read More
Instruments: Guitar Cello Electric Guitar Acoustic Guitar
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think that it is important for a teacher to be well versed in books but also recognize what is important for the student as an individual. People learn differently and at different rates. I am experienced in a number of books but also believe that the relationship between the teacher and the student is of significant importance. It is the responsibility of the teacher to see what works for the student and make appropriate choices in terms of repertoire and books. Also theses choices have to be made in terms of keeping the student motivated.
If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician I would be somehow involved with sports. I very much believe that excellence must be maintained and appreciated in society. Both sports and music teach you patience, work ethic and life lessons that can carry you through many other occupations. Sports are great because they teach you how to use your mind. They teach you how to continue through adversity and they teach you to never give up. I have taught sports and enjoy seeing all of those lessons learned. I was a very hard working athlete and sports teach you work ethic.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been very lucky to have many great teachers and musicians that have inspired me. I think the teachers that have meant the most to me have been able to recognize the person that I am and keep me motivated and focused. I have been as lucky as anyone in finding people that I have been able to relate to and understand how important music has been in my life. I think that it is a unifying force in the world and teachers have given me insight into what it means to be a part of that and continue its legacy.
What advice do you have about practicing effectively?
I think it's the teachers job to keep effective practice happening. I also think that for students that are just beginning music that quality is more important than quantity. I think that focused practice is a skill in and of itself and that teachers must find ways to keep students interested. That said, I also think that encouragement goes a long way. If a student is stuck in a piece or song, then the teacher must find a way to keep them interested. I think it is a necessary challenge for any teacher to continually think about how to improve their students efficiency.
How do I know if my child is ready to start lessons?
I think that it varies according to instrument. I think that if the chid has a desire to learn then they can start. I also think that it is difficult to know if a child is ready. Generally, if the child is able to put in some work, a lot of other aspects that might get in the way can be overcome. It's very important that a child does not strain himself or herself but generally I don't think that happens if the teacher is paying proper attention to the development of the student. Many aspects of playing music that might be ostensibly difficult can be fixed.
When will I start to see results?
I believe that music can be learned quickly. However usually students get out what they put in. I'm confident that I can get results at a fast pace. It does require getting used to how the student learns. The teacher always has to adjust to the student and analyze what is working and what isn't working. I think that immediate results are possible if the right amount of work and the attentiveness of the teacher are one and the same. I would like for all of my students to learn quickly but music people learn music at different paces.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in NYC, New York to students of all ages and abilities.
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