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Here are just a few of the many teachers offering Cello lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Cello
I work with beginners book sting builder and Suzuki. Students who start need to learn how to take a Bow first so I work how to take a Bow most time and play each sting slowly one count note only low part of Bow then 2 count slowly until half bow and then 4 count while bow. Intermediate work with klengel scale book,lee Methods Suzuki 3-5 Working make good sound and practice sight reading a tenor clef. Read More
Instruments: Cello
My teaching style is totally focused on the goals and aptitude of the student, as well as any personal matters that might interfere with the learning process. An example of the latter is a student who might have a high level of anxiety due to their past learning experiences. Every effort is made to understand the students anxiety, and help them overcome it, rather than add to it, in any way. Read More
Instruments: Cello
I match my teaching with the goals of the student and ensure that results arrive in the optimal time frame. Learning an instrument can be difficult, but I do my best to constantly encourage students. In music, I am a believer in realistic positive reinforcement. Unearthing mistakes and discussing them is quite uncomfortable for anyone. However, more times than not, students fail to see how much they've progressed and how much they've accomplished. Read More
Instruments: Piano Cello
A Production Assistant in Primavera Consulting LLC 02/2018-03/2018• Chinese Music Teacher in Asian-American Coalition for Education 07/2017-09/2017 • Conductor of the chorus of college of fine arts at Tsinghua University 10/2014-12/2014 • Part-time job as a tutor teaching piano, cello, solfeggio and ear training, and music theory since 2010 Duties: taught students of different age piano and cello; taught students preparing for exams solfeggio and ear training, and music theory; intrigued students’ great interest in music. Read More
Instruments: Violin Cello Viola Double Bass
I am a violinist of 20 years, originally from New Haven, CT. My passion for helping each student reach his or her highest potential has led me to an extensive career in public school teaching. I have taught violin, viola, cello, and double bass privately for over 10 years. I have spent the last 5 years focusing on reaching students of all abilities through teaching in the public classroom- working with students of all ages, and teaching general music, band, and orchestra. Read More
Instruments: Cello
I have been teaching for over 10 years. I have experience teaching students of all levels and ages. I have taught for a number of institutions in the New York City metro-area, including The Harmony Program, Tone Academy of Music, Hunter Elementary Music School, MusicWise, Silver Music School, Brooklyn Conservatory and I currently hold a private studio at my home and travel to my students homes. Before moving to NYC, I was a substitute teacher for the New England Conservatory of Music Preparatory School. Read More
Instruments: Cello
For beginners, I usually start with Hal Leonard's Essential Elements books and Suzuki books 1-3 and supplement them with technical exercises. Once the student is comfortable with the fundamentals, I introduce appropriate cello solos and etude books. For children, I like to assign a well-rounded repertoire from various time periods and styles. Students of all ages can request to learn music that they find exciting. With adult students, I prefer to let the student direct repertoire choices according to their particular musical passions. Read More
Instruments: Guitar Cello Electric Guitar Acoustic Guitar
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think that it is important for a teacher to be well versed in books but also recognize what is important for the student as an individual. People learn differently and at different rates. I am experienced in a number of books but also believe that the relationship between the teacher and the student is of significant importance. It is the responsibility of the teacher to see what works for the student and make appropriate choices in terms of repertoire and books. Also theses choices have to be made in terms of keeping the student motivated.
If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician I would be somehow involved with sports. I very much believe that excellence must be maintained and appreciated in society. Both sports and music teach you patience, work ethic and life lessons that can carry you through many other occupations. Sports are great because they teach you how to use your mind. They teach you how to continue through adversity and they teach you to never give up. I have taught sports and enjoy seeing all of those lessons learned. I was a very hard working athlete and sports teach you work ethic.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been very lucky to have many great teachers and musicians that have inspired me. I think the teachers that have meant the most to me have been able to recognize the person that I am and keep me motivated and focused. I have been as lucky as anyone in finding people that I have been able to relate to and understand how important music has been in my life. I think that it is a unifying force in the world and teachers have given me insight into what it means to be a part of that and continue its legacy.
What advice do you have about practicing effectively?
I think it's the teachers job to keep effective practice happening. I also think that for students that are just beginning music that quality is more important than quantity. I think that focused practice is a skill in and of itself and that teachers must find ways to keep students interested. That said, I also think that encouragement goes a long way. If a student is stuck in a piece or song, then the teacher must find a way to keep them interested. I think it is a necessary challenge for any teacher to continually think about how to improve their students efficiency.
How do I know if my child is ready to start lessons?
I think that it varies according to instrument. I think that if the chid has a desire to learn then they can start. I also think that it is difficult to know if a child is ready. Generally, if the child is able to put in some work, a lot of other aspects that might get in the way can be overcome. It's very important that a child does not strain himself or herself but generally I don't think that happens if the teacher is paying proper attention to the development of the student. Many aspects of playing music that might be ostensibly difficult can be fixed.
When will I start to see results?
I believe that music can be learned quickly. However usually students get out what they put in. I'm confident that I can get results at a fast pace. It does require getting used to how the student learns. The teacher always has to adjust to the student and analyze what is working and what isn't working. I think that immediate results are possible if the right amount of work and the attentiveness of the teacher are one and the same. I would like for all of my students to learn quickly but music people learn music at different paces.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in NYC, New York to students of all ages and abilities.
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