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Here are just a few of the many teachers offering Cello lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Cello
I have taught a small studio of private students for over six years. Before I entered college, I was the co-founder and former director of the Wilton and Congers Roots of Music Camps, where I led a team that provided free music instruction to young instrumentalists for three years. I am also currently on the faculty at The Cello Camp in Westport, CT, and previously taught as a summer volunteer instructor at the Harmony Program in NYC. Read More
Instruments: Piano Violin Cello Viola Double Bass Keyboard
Since I was a little kid I always wanted to be a teacher. My earliest memory is being 3, sitting at the piano bench, giving my mom a pretend lesson. My teaching experience began seriously in high school, when other kids in my cello section asked me to help them with the orchestra music. When their parents started paying me, they started telling their friends, and things totally took off from there! Read More
Instruments: Guitar Cello Bass Guitar
For 10 years I have held a private studio where I teach students of all ages, backgrounds and skill levels including very advanced children and adult beginners. My teaching style is tailored for each student as everyone is an individual and we all learn at different rates and require different techniques. I do however have a few principals that carry over to all students. First and foremost music should be fun! Read More
Instruments: Piano Cello
For beginning students, i'll typically start with Suzuki books. It's important for students to learn the left and right hand separately before putting everything together. Once a student has progressed to have a grasp of the fundamentals, I'll introduce some simpler solo repertoire appropriate for his or her skill level. For advanced, I'll be happy to talk about more advanced musical techniques and theories. I play the piano as well, and I will be happy to accompany my students playing repertoire that needs an accompanist. Read More
Instruments: Cello
My teaching experience dates back to when I was a senior in high school. I would teach local cellists ranging from Elementary School ages to College aged students. Outside of teaching cello, I spend my time as a Choir Director and a Religious Education Teacher. As for other music experience, I've participated in various orchestras, ranging from the New York University Philharmonia to the Metropolitan Chamber Orchestra. While I love experiencing new things, I also love passing what I've learned on. Read More
Instruments: Cello
I have been teaching for about six years, working with students of a wide range of ages and levels of experience. I currently maintain a small private studio, and also work with larger groups of students in workshop or masterclass settings. I love to help students play the music that they want to play, to instill one of the purest joys of music making. This comes hand in hand with a solid technical foundation however, which we will work to incorporate. Read More
Instruments: Cello
Usually in my lessons I like to hear the student play something from start to finish just so I can listen and take in what exactly a student's strengths and weaknesses are. Encouraging strengths, and praising accomplishments, is a great way to help a student to progress. I try not to dwell on mistakes or weaknesses but try to demonstrate or push the student in the right direction. Read More
Instruments: Guitar Cello Electric Guitar Acoustic Guitar
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think that it is important for a teacher to be well versed in books but also recognize what is important for the student as an individual. People learn differently and at different rates. I am experienced in a number of books but also believe that the relationship between the teacher and the student is of significant importance. It is the responsibility of the teacher to see what works for the student and make appropriate choices in terms of repertoire and books. Also theses choices have to be made in terms of keeping the student motivated.
If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician I would be somehow involved with sports. I very much believe that excellence must be maintained and appreciated in society. Both sports and music teach you patience, work ethic and life lessons that can carry you through many other occupations. Sports are great because they teach you how to use your mind. They teach you how to continue through adversity and they teach you to never give up. I have taught sports and enjoy seeing all of those lessons learned. I was a very hard working athlete and sports teach you work ethic.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been very lucky to have many great teachers and musicians that have inspired me. I think the teachers that have meant the most to me have been able to recognize the person that I am and keep me motivated and focused. I have been as lucky as anyone in finding people that I have been able to relate to and understand how important music has been in my life. I think that it is a unifying force in the world and teachers have given me insight into what it means to be a part of that and continue its legacy.
What advice do you have about practicing effectively?
I think it's the teachers job to keep effective practice happening. I also think that for students that are just beginning music that quality is more important than quantity. I think that focused practice is a skill in and of itself and that teachers must find ways to keep students interested. That said, I also think that encouragement goes a long way. If a student is stuck in a piece or song, then the teacher must find a way to keep them interested. I think it is a necessary challenge for any teacher to continually think about how to improve their students efficiency.
How do I know if my child is ready to start lessons?
I think that it varies according to instrument. I think that if the chid has a desire to learn then they can start. I also think that it is difficult to know if a child is ready. Generally, if the child is able to put in some work, a lot of other aspects that might get in the way can be overcome. It's very important that a child does not strain himself or herself but generally I don't think that happens if the teacher is paying proper attention to the development of the student. Many aspects of playing music that might be ostensibly difficult can be fixed.
When will I start to see results?
I believe that music can be learned quickly. However usually students get out what they put in. I'm confident that I can get results at a fast pace. It does require getting used to how the student learns. The teacher always has to adjust to the student and analyze what is working and what isn't working. I think that immediate results are possible if the right amount of work and the attentiveness of the teacher are one and the same. I would like for all of my students to learn quickly but music people learn music at different paces.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in NYC, New York to students of all ages and abilities.
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