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Featured Piano Teachers Near Bellflower, CA

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Here are just a few of the many teachers offering Piano lessons in Bellflower . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Milica S

Instruments: Piano Voice Cello

I've been teaching music for more than 20 years in many different institutions and schools. Group classes with "Musical Minds", individual lessons in my home, at '' Wilshire Music Academy", with "Aimee's Art Production" etc. completed 9 units in Early Childhood Education at WLAC. Read More

Rich A

Instruments: Piano Drums

My first love is drums, but playing piano gave me a different kind of joy. Learning drums at 11 and piano at 15, studying Music Composition at Cal Poly Pomona, I found I had different experiences with each instrument. I was the drummer for the band Euforia and enjoyed the performance aspect of playing this instrument. Whereas, on the piano, I played more often for churches, and saw that as utilizing that talent for God. Read More

Lori L

Instruments: Piano Voice

Aside from Faber and Alfred, I also have Bastien method books that I have taught from during my decade of piano teaching experience. Of course, these aren't the only method books I have come to uncover. As for voice, I have a set of vocal warm up scales from major and minor scales and patterns that my own former voice teacher has provided me. I am very familiar with all the warm up techniques as well as breathing and how warming up techniques need to closely connect with the breathing. Read More

Josh S

Instruments: Piano Keyboard

For my younger learners I use elements of the Orff and Suzuki Technique, balanced with a play-based approach. The main feedback I get from parents is kids forward to my lessons because I do lots of games, use a light approach, and are always very encouraging. The most important aspect is keeping kids motivated. I believe reading music important, but only one part of playing music. We learn to speak before we learn to read, and I believe in encouraging kids to listen, improvise, and explore the keyboard. Read More

Chris C

Instruments: Piano Drums Orchestral Percussion Conga

During college, a woman and her son saw a Jazz combo show I played drum set in and after the set, She asked me if I would teach her son. I agreed. I taught her son for a year. Sadly, they moved away but the word spread and the next year I had two more students. It contuied that way as I progressed in college my teaching improved. When I moved to California in 1997, I had seven students to teach on the weekends. Read More

Angelo M

Instruments: Piano Voice Synthesizer Music Keyboard

Music Culture come from 3 different sides: Classical ( i was a classical piano concertist for so many years) Rock ( like a pianist a composer i still have several Cd's on the international rock charts) aNd Music Therapy ( European style to use The Sound That Heal). A powerful mix of these 3 things is my personal method of teaching. my students will enjoy the music in a different, easy way , starting from the basics of reading and writing music ( we will learn to compose in a real short time ) to reach the Highest level to play and arrange song of every kind requested. Read More

Corbin M

Instruments: Piano Guitar

I teach to inspire fun and love in music and to give the student a sense of accomplishment in their progress. Once I know the student I can cater the teaching style to their individual needs. In my experience, a young student must see results, they need to know they aren't treading water, so I believe it's imperative to keep the student engaged and fully aware of how they're progressing. Read More

Teacher In Spotlight

Nathan P

Instruments: Saxophone

When will I start to see results?
Every day! Results are not necessarily tied to me, or any instructor, for that matter. Rather, it is my job to provide material, instruction, and benchmarks to assess, and it is the student that progresses in their own unique way. Music is a journey, with no destination, and results are highly subjective. I am deeply passionate about understanding how "results" are a personal aspect of learning, and while they can certainly provide motivation to continue the journey, they're not always something tangible - sometimes, simply sounding a note a bit clearer, or having a better understanding of breathing, and how it affects all aspects of playing is a huge result, yet the outward projection of the sax (to the audience) changes little. Results are produced every time the student picks up their saxophone.

What advice do you have about practicing effectively?
Have a goal in mind. This doesn't have to be a formal goal, such as playing Charlie Parker's "Donna Lee" at 300BPM - while that would be noteworthy, the goal of practicing is simply doing something. An example could be playing mid-A, holding it for as long as possible, while maintaining solid intonation from soft (piano) to loud (fortissimo). Keep it simple, but know the goal. Sometime just playing for 15 minutes is a goal, as time doesn't allow for much more - great! Now, go do it! Again, the goal is simply as stated, nothing that someone else deems important - it's all about you!

What do you think is the hardest thing to master on your instrument?
The fact that I/you will never master our instrument - there is always something to learn, something to improve, and something to incorporate new into our musical portfolio. For many students, this is a difficult barrier to overcome, as they are accustomed to a general formula that suggests "x" amount of "y" will equal "xy." With music, it's not that simple - nor should it be! Music should be seen as a high-personal, enjoyable medium for expression, and what is accomplished today only continues to build upon the musical arsenal, not a step toward a finite end.

What musical accomplishments are you most proud of?
Along with awards from my school and various awards from Berklee College of Music, I am most proud of my ability to share the saxophone with others seeking to learn. I understand that the ability to effectively teach is a gift, and I feel as if I've been awarded a lifetime honor of having the privilege to do just that, all the while enjoying it and laughing along the way. Years of commitment to the saxophone and music pays off in many ways, chief of which is the ability to share my experiences and teach people of all ages and abilities.

Why did you choose your primary instrument?
I chose the saxophone because, to me, nothing sounded like it, and I wanted to create music with that sound. It's also the reason I incorporate demonstration into my teaching methods, as I want to inspire others in the same manner - if they hear something they love, they'll be more motivated to achieve their goals. The saxophone is also an incredible versatile instrument - from 12-bar blues to funk rock, there is a place for the sax, and, to me, that's an excellent reason to know how to play it.

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