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Featured Piano Teachers Near Tampa, FL

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Here are just a few of the many teachers offering Piano lessons in Tampa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Katie N

Instruments: Piano Voice

I received private piano instruction with Professor Linda Rodriguez and was graded before a jury whereI received an A formy efforts. I also received private piano instruction with Professor Kenneth Hanks of Hillsborough Community College.I received private vocal instruction at the University of Tampa with Dr. Yvonne Rene Dechance, Dawne Wisner Eubanksof Hillsborough Community College, and Margaret Lampasi of SUNY Adirondack in Upstate New York.In 2010I graduated SUNY Adirondack with an Associate of Artsin Liberal Arts Social Sciences with honors as an inductee of Phi Theta Kappa. Read More

Erin S

Instruments: Piano

I began to take music lessons 20 years ago. When it came time for me to choose a degree and career path, I sought the idea of music therapy - using music to benefit and help others. After learning that career did exist, I completed my education and training to become a board certified music therapist (MT-BC). I understand deeply on a personal and cognitive level the importance of music, and how it shapes and moulds a person's personality and ability to connect with the world around them. Read More

Elena A

Instruments: Piano

I am teaching different styles of music: classical, pop, rock, jazz and encouraging my students not only play well, but also develop their passion for music and art in general. I am singing with my students for 3-5 minutes each lesson which help them to hear music in a better way. My little players really love it. After each recital all my students go to the stage and sing and I reward them with different types of chocolate. Read More

Adam B

Instruments: Piano Guitar Ukulele

I've always loved the power of music and sharing my knowledge and experience of it with others. I've been playing the piano and guitar since I was in high school, either with friends or just playing solo pieces. I've been reading music since middle school, when I picked up the trombone in the school band and was introduced to what music can do you for you as well as whatever group you're in. Read More

Menjalah T

Instruments: Piano Violin Viola

I use multiples methods. One of them is the Susuki method. I consider that is a good method for beginners with a lot of techniques exercises and also includes pieces. For me it is essential that a student learn first all the techniques exercises and then start to create music. After that I started to teach how to respect the essential aspects in a piece: the fingering, the bowing, the dynamics, the tempo and others. Read More

Kate L

Instruments: Piano Voice Trumpet French Horn Music

I also heavily believe in the integration of different subjects of learning in order to enhance the application of knowledge. For instance, learning about counterpoint is the perfect opportunity to include music history to track trends and usage of counterpoint and encourage practical application in the form of composition (also creating the opportunity to learn a little about orchestration). In that example alone, there are four areas of music education wrapped up in one topic. Read More

Dorothea H

Instruments: Piano Guitar Voice Harmonica Ukulele Mandolin Acoustic Guitar

I use some custom lesson plans, including some of the following: For piano, I explain the music score to start elementary reading, work on hand and finger positioning, and move to simple scaler melodies. I introduce chord theory and understanding including triads, position changes, an later on sevenths and ninths. Exercises include scales for 1 and the 2 hands, Hanon exercises, and more. And we progress through elementary books. For guitar, I work on left hand positions and posture first, then right hand work - wrist position, pick strokes. Read More

Teacher In Spotlight

Erik S

Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Everyone loves to say, "Practice!" Few people seem to want to translate this idea into something manageable, practical, encouraging, realistic, psychologically fitting, etc. Furthermore, many (young) people who are interested in music are also NOT naturally inclined towards discipline or "high-energy" goal-setting; therefore, they could use even MORE help than normal to actually DEFINE what it means to "practice." (Hint: It doesn't mean just looking at your music and trying to "get through" a song or piece -- although that's better than nothing!) Here's something I recommend to almost all of my students. Try 15 minute chunks each day. See if you can ACTUALLY get through a week doing this EVERY DAY (with perhaps one day off), instead of just telling yourself you "practiced this week." Getting motivated to do these 15 minutes is pretty easy when you know WHAT TO DO with the 15 minutes. Here goes: 1 Take stock of whatever you're working on. How many pieces or exercises are there? If one, that's no problem. 2 Rank these "pieces" by difficulty (and be honest, and don't overthink). "What do I not feel like playing?" Start with that one. If have only one piece, continue to Step 3. 3 Continue the same process WITHIN each piece. "Which part of this do I not feel like playing?" Do it!!! Your "dessert" will be playing the parts you DO like better for now. 4 The first 10 minutes of your practice time should be spent on Steps 1-3, repeating as much as makes sense. There is almost NO LIMIT to how "small" you can get while focusing on "difficult passages." 5 Try to insure you have time (within the 10 minutes) to reincorporate these "trouble spots" into the surrounding material. Hopefully, play/sing through the whole piece/song (assuming it's short enough), so you can enjoy the satisfaction of seeing what your very recent work afforded you. 6 (IMPORTANT AND UNDER-RATED) Spend 5 full minutes playing your instrument with "no rules," except the rule that you "can't" play your "actual pieces." Get to know your instrument on more personal terms: "What happens if I do this? What does this sound like? How does this feel physically? How do I play that thing I heard from a friend the other day?" If everything you do on your instrument was "following directions," you are missing out on creativity, on freedom, on mastery, on expertise, on enjoyment, on MUSIC. If you don't SET ASIDE TIME to have fun on your instrument, you may never do so, and you may "rebel" and use other time that should be used on your pieces to have fun instead. Besides, knowing that it's "play time" at the end makes "working" on your pieces less of a threat to the lazy part of your brain. Notice, please, that I recommend 1/3 of your DAILY music time to be spent in a "free" way. This wasn't an accident. Notice also, that I didn't recommend 1-2 hours' worth of daily practice time. Also not an accident. . . . If you've ever seriously taken up a fitness routine, you may have encountered the advice that you should "leave yourself wanting more" as opposed to constantly draining yourself and inviting burnout. I believe it's the same with music. I also believe that anyone who ASPIRES to an hour or more of practice time should have no trouble committing to 15 minutes . . . and that our beliefs about how we're spending our time are often far removed from reality . . . ! Therefore, make yourself "faithful in small things" before moving on to bigger things.

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Recent Articles from the Musika Blog

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...The world of hand drums is a vast one indeed, with distinct types emerging in all parts of the world as some of nearly every culture’s earliest instruments. But what is meant by the term ‘hand drums’, you might ask. Quite simply, ‘hand drum’ refers to any drum that is primarily played with the hands or fingers, as opposed to some kind of stick, mallet, or other beater. Furthermore, we’re going to use a strict definition of drum here- i.e., a shell of some kind with at least one membrane striking surface- to avoid any confusion with instruments that are not proper drums, and yet are sometimes... Read More

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Introduction to Hand Drums: Frame Drums
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The Art of Voice Classification

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