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Featured Piano Teachers Near Tampa, FL

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Here are just a few of the many teachers offering Piano lessons in Tampa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Amy S

Instruments: Piano Voice

Technique is certainly at the centerpiece of my teaching, for both voice and piano. You are your instrument, and training your body to produce music easily and efficiently is the primary goal. But I by no means think Classical music is the only genre of music a student should study. Both my voice and piano students are pushed to explore their musical boundaries, and learn how to play and sing a large variety of styles, from rock, to pop, jazz, and theatre. Read More

Elena A

Instruments: Piano

I started taking piano lessons at age of five and already knew that it would be my career’s path. I always loved everything that related to music: dancing, composing, and singing in a school choir. I participated in many recitals, competitions winning some prizes, so it became clear I could not see my life without music. I enjoyed playing many different types of concerts in Russia getting the best experience as a piano player. Read More

Carrie D

Instruments: Piano

Each student is different, so I use different method books to suit how he or she learns.  One student may learn quickly in note reading while another is stronger in memorization.  I use classical repertoire to give the students a solid foundation, and then as they progress, I will introduce popular songs that they love.  I incorporate music theory in all of my lessons because knowing theory opens many doors to what one can do with music! Read More

John P

Instruments: Piano Guitar Voice Violin Cello Viola Drums Bass Guitar Banjo Ukulele Mandolin Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I really covered this in the above information,so continuing in more detail,it really depends on each individual student,their level of ability and age that determine the course of study.It also depends on the instrument.Some instruments like piano,violin or viola,books are more practical because the music is notated.With most fretted instruments,music is written in tableture which was originally used for the lute and brought back i think in the 1970s.Its easier than reading music and is more practical for those instruments. Read More

William Z

Instruments: Piano Music Keyboard

The most rewarding thing to see is a student play their first full song and realize they did it with ease. My teaching style is why my students do well - it's because I tailor the lesson to each individual student. I want students to feel progress with each lesson. I truly never want to leave a lesson without seeing a student progress. My style is laid-back and incorporates multiple different tips that have proven effective in teaching new piano players. Read More

Katie N

Instruments: Piano Voice

For pianostudy I use traditional book methods.The booksI teach from are Bastien Levels Primer to Adult Beginner. My vocal methodsare taughtusing interactivemulti-media and traditional methods combined building a repetoire of songs while focusing on technique. Read More

Erin S

Instruments: Piano

All of my students learn piano classically, but I focus on finding other genres and styles that will help the student become connected with the music they learn to create. Students can expect to have structured lessons that incorporate technique exercises, rhythmic foundations, music theory, and repetoire that is appropriate for their age and ability. Each student will be assigned "homework" every week that is encouraging and motivates them to practice on their own. Read More

Teacher In Spotlight

Erik S

Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Everyone loves to say, "Practice!" Few people seem to want to translate this idea into something manageable, practical, encouraging, realistic, psychologically fitting, etc. Furthermore, many (young) people who are interested in music are also NOT naturally inclined towards discipline or "high-energy" goal-setting; therefore, they could use even MORE help than normal to actually DEFINE what it means to "practice." (Hint: It doesn't mean just looking at your music and trying to "get through" a song or piece -- although that's better than nothing!) Here's something I recommend to almost all of my students. Try 15 minute chunks each day. See if you can ACTUALLY get through a week doing this EVERY DAY (with perhaps one day off), instead of just telling yourself you "practiced this week." Getting motivated to do these 15 minutes is pretty easy when you know WHAT TO DO with the 15 minutes. Here goes: 1 Take stock of whatever you're working on. How many pieces or exercises are there? If one, that's no problem. 2 Rank these "pieces" by difficulty (and be honest, and don't overthink). "What do I not feel like playing?" Start with that one. If have only one piece, continue to Step 3. 3 Continue the same process WITHIN each piece. "Which part of this do I not feel like playing?" Do it!!! Your "dessert" will be playing the parts you DO like better for now. 4 The first 10 minutes of your practice time should be spent on Steps 1-3, repeating as much as makes sense. There is almost NO LIMIT to how "small" you can get while focusing on "difficult passages." 5 Try to insure you have time (within the 10 minutes) to reincorporate these "trouble spots" into the surrounding material. Hopefully, play/sing through the whole piece/song (assuming it's short enough), so you can enjoy the satisfaction of seeing what your very recent work afforded you. 6 (IMPORTANT AND UNDER-RATED) Spend 5 full minutes playing your instrument with "no rules," except the rule that you "can't" play your "actual pieces." Get to know your instrument on more personal terms: "What happens if I do this? What does this sound like? How does this feel physically? How do I play that thing I heard from a friend the other day?" If everything you do on your instrument was "following directions," you are missing out on creativity, on freedom, on mastery, on expertise, on enjoyment, on MUSIC. If you don't SET ASIDE TIME to have fun on your instrument, you may never do so, and you may "rebel" and use other time that should be used on your pieces to have fun instead. Besides, knowing that it's "play time" at the end makes "working" on your pieces less of a threat to the lazy part of your brain. Notice, please, that I recommend 1/3 of your DAILY music time to be spent in a "free" way. This wasn't an accident. Notice also, that I didn't recommend 1-2 hours' worth of daily practice time. Also not an accident. . . . If you've ever seriously taken up a fitness routine, you may have encountered the advice that you should "leave yourself wanting more" as opposed to constantly draining yourself and inviting burnout. I believe it's the same with music. I also believe that anyone who ASPIRES to an hour or more of practice time should have no trouble committing to 15 minutes . . . and that our beliefs about how we're spending our time are often far removed from reality . . . ! Therefore, make yourself "faithful in small things" before moving on to bigger things.

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