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Here are just a few of the many teachers offering Piano lessons in Tampa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
I've had quite extensive experiences in teaching. Teaching and tutoring began during my high school days. I would help out after classes or teach piano on the side. Coming up will be my 6th year in teaching piano. I've also tutored my peers all throughout college in music theory, musicianship, and ear/aural training. I've interned at an elementary school for a semester teaching general music. I was even able to get the opportunity to go to Japan for three months and teach English and translate for the United States Navy. Read More
Instruments: Piano Synthesizer Accordion Keyboard
I have taught since 1998 and played since 1988. My students are from all over the world. I was fortunate enough to work with students from following places Georgia, Florida, New York, China, Korea, Germany, Brazil, Alaska, Turkey, Bosnia, Serbia, Croatia, Austria, England, Argentina, Ghana, South Africa, Japan, Egypt, Marocco, Canada, US, France, Spain, Switzerland, Sweden, Finland, Russia, India, Vietnam, Pakistan, Greece, Lebanon and many more. So, with these students, they have had such a variety of skills which made me a better teacher. Read More
Instruments: Piano Trumpet Trombone Euphonium French Horn Tuba Music Keyboard
I would also bring in different levels of books and studies for their specific level and instrument that they play. Air flow is a factor through all experiences since it helps with sound and tone so much. For upper levels we would work on specific music that they are working on as well as experiment with different techniques. Overall, my goal is for my lessons to be fun, informative, and engaging. Read More
Instruments: Piano Violin
I have found some terrific methods that get students playing VIOLIN well right away and building up their muscles and endurance. For the first 4 books students get to play along with CDs so their intonation is honed; they learn to "keep up with others playing" and they are encouraged to stick with it through each piece. Later, the harder things like reading music notation, scales, vibrato and the positions are added. Read More
Instruments: Piano Violin Viola
I use multiples methods. One of them is the Susuki method. I consider that is a good method for beginners with a lot of techniques exercises and also includes pieces. For me it is essential that a student learn first all the techniques exercises and then start to create music. After that I started to teach how to respect the essential aspects in a piece: the fingering, the bowing, the dynamics, the tempo and others. Read More
Instruments: Piano
I lead structured lessons but work with each individual to determine a lesson style that best meets their need. As a music therapist, I am trained and qualified to work with a variety of individuals with different abilities. Through my years as a music therapist and piano teacher, I have honed my skills in patience, encouragement, flexibility, understanding, and compassion for every person I work with. My goals are always to lead students towards developing their own understanding of, and passion for, the music they learn to create. Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar
What advice do you have about practicing effectively?
Everyone loves to say, "Practice!" Few people seem to want to translate this idea into something manageable, practical, encouraging, realistic, psychologically fitting, etc. Furthermore, many (young) people who are interested in music are also NOT naturally inclined towards discipline or "high-energy" goal-setting; therefore, they could use even MORE help than normal to actually DEFINE what it means to "practice." (Hint: It doesn't mean just looking at your music and trying to "get through" a song or piece -- although that's better than nothing!)
Here's something I recommend to almost all of my students.
Try 15 minute chunks each day. See if you can ACTUALLY get through a week doing this EVERY DAY (with perhaps one day off), instead of just telling yourself you "practiced this week."
Getting motivated to do these 15 minutes is pretty easy when you know WHAT TO DO with the 15 minutes.
Here goes:
1 Take stock of whatever you're working on. How many pieces or exercises are there? If one, that's no problem.
2 Rank these "pieces" by difficulty (and be honest, and don't overthink). "What do I not feel like playing?" Start with that one. If have only one piece, continue to Step 3.
3 Continue the same process WITHIN each piece. "Which part of this do I not feel like playing?" Do it!!! Your "dessert" will be playing the parts you DO like better for now.
4 The first 10 minutes of your practice time should be spent on Steps 1-3, repeating as much as makes sense. There is almost NO LIMIT to how "small" you can get while focusing on "difficult passages."
5 Try to insure you have time (within the 10 minutes) to reincorporate these "trouble spots" into the surrounding material. Hopefully, play/sing through the whole piece/song (assuming it's short enough), so you can enjoy the satisfaction of seeing what your very recent work afforded you.
6 (IMPORTANT AND UNDER-RATED) Spend 5 full minutes playing your instrument with "no rules," except the rule that you "can't" play your "actual pieces." Get to know your instrument on more personal terms: "What happens if I do this? What does this sound like? How does this feel physically? How do I play that thing I heard from a friend the other day?" If everything you do on your instrument was "following directions," you are missing out on creativity, on freedom, on mastery, on expertise, on enjoyment, on MUSIC. If you don't SET ASIDE TIME to have fun on your instrument, you may never do so, and you may "rebel" and use other time that should be used on your pieces to have fun instead. Besides, knowing that it's "play time" at the end makes "working" on your pieces less of a threat to the lazy part of your brain.
Notice, please, that I recommend 1/3 of your DAILY music time to be spent in a "free" way. This wasn't an accident. Notice also, that I didn't recommend 1-2 hours' worth of daily practice time. Also not an accident.
. . . If you've ever seriously taken up a fitness routine, you may have encountered the advice that you should "leave yourself wanting more" as opposed to constantly draining yourself and inviting burnout. I believe it's the same with music. I also believe that anyone who ASPIRES to an hour or more of practice time should have no trouble committing to 15 minutes . . . and that our beliefs about how we're spending our time are often far removed from reality . . . ! Therefore, make yourself "faithful in small things" before moving on to bigger things.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Tampa to students of all ages and abilities.
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Anthony
1. I would prefer to be contacted via e-mail, not via phone. 2. I am looking for someone who is capable of teaching two students (myself and my fiancee) in each lesson.
Maheen
I would like to know your class schedule rates and timings for Violin and Piano classes. I have an eight year old daughter who has had no musical classes. Thanks
Elizabeth
I am interested in weekly piano lessons for my 5 year old son. He has been taking private lessons for a year now, but we are not happy with the progress.