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Featured Trombone Teachers Near Los Angeles, CA

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Here are just a few of the many teachers offering Trombone lessons in Los Angeles . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alan P

Instruments: Trumpet Trombone French Horn

I always vary my teaching methods to accomodate each of my student's needs.  However, my lesson format stays fundamentally the same.  I always begin with some mouthpiece buzzing, which incorporates ear-training, then move to rhythm exercises, scales and technical studies, method book, and any other music the student is working on at the time. Most beginning students will start out with Book 1 of a standard method book; I recommend the Standard of Excellence series. Read More

Rebecca H

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Euphonium Oboe Bassoon

I've been teaching in the greater Los Angeles area for almost 20 years, teaching students from ages 4 - 92 (yes, really! 92!). Levels range from beginning to professional, with advanced students having won scholarships and awards. I encourage all of my students to learn the language of music; to learn about their instrument and the best means of expression using that instrument.  For the past 8 years, lessons have been supplemented with an annual holiday recital where students have the opportunity to perform, which is an important part of the learning process! Read More

Jorge G

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Drums Bass Guitar Synthesizer Accordion Ukulele Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

I have more than 20 years in the Music. I m a Singer- Songwriter, Composer, Arranger and Producer. I had play in all sorts of different events and different people. From theaters, Stadiums, Bars, party events. I had played and work with world famous musicians and artists. From the Jazz scene as from the Pop scene. I worked as a Guitar player with famous producer and Disco Music Legend Bob Esty. Read More

Marc P

Instruments: Trombone

Regardless of level I cater and build a lesson plan for YOU. No two lesson plans will be the same. I also take your own preferences into mind upon what I feel you should study as well. For example, a younger student might focus on technique and theory but a higher level student might focus on their own creative voice or sound, or an audition. I also want to make sure these individuals are succeeding in what they want to do, so I will offer suggestions or help finding playing opportunities or work. Read More

Sal M

Instruments: Trombone

I always start with a warm up, followed by scale studies. From there we move to etudes, and solos or concerti, and end with excerpts from books like the Mueller technical study or Arban book. For more advanced students and jazz players, I like to start with a warm up, scale study, learn tunes and the blues, big band charts, and end with listening and transcriptions. Overall, the most important thing a student can develop is a full tone and personal sound. Read More

Forrest P

Instruments: Guitar Trumpet Trombone

Forrest gained traction throughout the Bay Area as a lead player and soloist for Frankie Valli and the Four Seasons, Tito Puente Jr., Momotombo, Luis Enrique, Tito Puente, Jr., Mendocino Music Festival Big Band, and Transcendence Theater Company. Additional recording and live performance credits include The Queen Latifah Show with Karmin, Center Stage Opera, Southern California Brass Consortium, Louie Cruz Beltran, Latin Sol, Son Mayor, Jungle Fire, Echo Park Project, For The Record: Scorses, 3D Theatricals, Musical Theatre West, Marin Mazzie and Jason Danieley, Steve Huffsteter Big Band, Dirk Fischer Nonet, Bruce Lofgren Big Band, Skip Spiro Little Big Band, Urban Renewal Project, Jens Lindemann, Golden State Pops Orchestra, and Philip Lassiter. Read More

Alexander W

Instruments: Piano Violin Trombone Saxophone Clarinet

Nothing is more rewarding than seeing one of my students develop a passion for music. Therefore, it is important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a student's desire to progress, and makes students eager to learn more. By trying to find out what truly inspires the student, I can successfully tailor my instruction to their wants and the needs. Read More

Teacher In Spotlight

Feliciano D

Instruments: Trumpet Trombone Euphonium Tuba

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I can't remember a defining moment where I felt like something really kicked in. My junior and senior year in high school I started regularly practicing my trumpet and tuba. I also got my first tuba teacher who opened a lot of aspects of music to me. Because of how much I started to improve during those years, I started taking myself and my playing more seriously. When deciding what I wanted to do in college, I felt like music was my strongest point. I felt it was the right way to go since I had put so much into my playing.

Does music run in your family? Tell us a little about your musical family members.
Music has a small history in my family. My brother plays the clarinet, my mom used to play the flute and saxophone, and my dad used to play the saxophone and trumpet. My parents no longer play anymore, however my brother and I still participate in my high school's 4th of July Parade which is open to any musician. My brother and I used to play in high school together in the same concert band and marching band. However I am the only one in my family that actually pursues music professionally however.

What does a normal practice session look like for you?
This routine is what I do for tuba since it's what I play on the most. I play Remingtons in my middle all the way down to my extreme low register. I play flexibility exercises like lipslurs. I take a small break because I do the hardest exercises at the beginning. I then do all of my major scales with two octaves. I then do all my minor scales in all forms with two octaves. Right now I'm working on learning my modes too. Specifically I focus on learning one of the dorian modes every three days. Then I play an etude from Bordogni Complete Solfeggi and then I play that etude an octave lower. Then I practice whatever solo piece I'm working on at the time. Right now I'm relearning the Sonata for Bass Tuba and Piano on CC tuba.

What do you think is the hardest thing to master on your instrument?
I personally think the hardest thing to learn on trumpet is resonant tone. I cannot begin to express how many trumpeters, students and peers, have a hard time getting the best tone. On tuba the most difficult thing is agility, flexibility, and clarity. Because the instrument is pitch so low, these three things are difficult to achieve. Since I have been practicing regularly for the past four years, I have made significant progress, however I still have a long way to go. This brings up the last point which applies to all kinds of musicians. Something that is difficult to learn is patience.

What musical accomplishments are you most proud of?
I am most proud of my maestro award from Heritage Festivals. I received this award in 2012 as a recognition of my achievements in that festival as a soloist. I am one of ten who received this award out of over one thousand other students. That same festival I received an Outstanding Soloist from the California Alliance for Jazz. Later that year I received the Louis Armstrong Award, a nationally recognized jazz award. I also have received multiple merit based scholarships three years in a row from the Cal Poly Pomona Music Department.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have three students who have gone on to lead and teach in their high schools. These students have been recognized by their peers as well as their director. All three have gone on to become section leaders for their marching bands, concert bands, and symphonic bands. One has gone off to college where he has been playing in the concert band there. Another has been pushing for support of his music program at his high school. The other has made so much improvement I have heard from band parents how much he has stepped up his game.

Why did you choose your primary instrument?
I chose trumpet in Elementary school because I wanted to follow my brother's footsteps as a musician. My dad had an old trumpet so I picked it up and went to class. As the years went on I realized I was quite good at playing music. I tried out other instruments like baritone and french horn. Halfway through high school, the marching band needed tubas, so I switched over and received lessons from a teacher over the summer. I fell in love with tuba when I found out how beautiful and impressive the tuba could be.

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