Andrew P  
Instruments: Bass Guitar, Double Bass, French Horn
Styles: Classical, Jazz, Pop, Rock, Blues, R&B, Latin, Funk, Salsa, Reggae, Latin Jazz, Swing, Soul, Marching Band, Avant-garde

I hope to emulate some of my great teachers including Robert Hurst, Cecil McBee, John Lockwood and others. Of course regular practice is necessary, but listening is also key to advancement. Besides regular warmups and technical workouts, I encourage every student to transcribe, sing and play along with music they like. My students will not only learn the ins and outs of their instruments, but also will learn to make their own music through improvising and composing.--Some of my experience includes almost a decade of national and international touring plus several years teaching ensembles and in classrooms at the university leve.

Depending on a student's interests, I could start with several books like Rufus Reid's Evolving Bassist (for all-around bass playing). If reading skills are a main goal of a student's focus, I use repertoire from the standard canon and IMSLP. I feel that improvisation is an often overlooked key to self-expression and mastery of one's instrument, so I introduce concepts used in making up solos and some theory as soon as possible. A few other other technique methods I use especially on double bass are Fred Zimmerman's Contemporary Method of Bowing Technique and Ray Brown's bass method.