Annalisa E  
Instruments: Guitar
Styles: Classical, Folk

THE TEACHER Annalisa Ewald, classical and baroque guitarist, studied with Segovia’s colleague, Sophocles Papas, then at the San Francisco Conservatory and Bard College, initiated the Cosmos Club Concerts in Washington, D.C., and won five grants from the New York State Council on the Arts. She feels privileged to also have been mentored for twenty years by the profound Patrick O’Brien, Juilliard Department Head and internationally recognized authority on early music. Her first live solo album, well-received by critics, garnered the No. 8 spot on the Billboard Traditional Classical chart. Her collected transcriptions of Argentine tangos is pending publication by her independent publishing company. THE TEACHER Annalisa Ewald, classical and baroque guitarist, studied with Segovia’s colleague, Sophocles Papas, then at the San Francisco Conservatory and Bard College, initiated the Cosmos Club Concerts in Washington, D.C., and won five grants from the New York State Council on the Arts. She feels privileged to also have been mentored for twenty years by the profound Patrick O’Brien, Juilliard Department Head and internationally recognized authority on early music. Her first live solo album, well-received by critics, garnered the No. 8 spot on the Billboard Traditional Classical chart. Her collected transcriptions of Argentine tangos is pending publication by her independent publishing company. She is a soloist and ensemble player in the NY metropolitan area and recently launched Circe’s Consort, an ensemble exploring music of the 16th and 17th centuries. Over decades of teaching, The Ewald Suzuki Guitar Method evolved, her own approach to learning guitar the classical way. She enjoys making students of all ages happy with their instruments. She is a soloist and ensemble player in the NY metropolitan area and recently launched Circe’s Consort, an ensemble exploring music of the 16th and 17th centuries. Over decades of teaching, The Ewald Suzuki Guitar Method evolved, her own approach to learning guitar the classical way. She enjoys making students of all ages happy with their instruments.

For children under the age of 9, I recommend a Suzuki-based method which involves the parents at each lesson and for at-home practice. For children 9 and up, I offer a more traditional classical approach which shows them how to read, interpret and gives them the technical skills on the instrument to enjoy themselves and keep on growing musically. Adults are wonderful students and for each one I craft a path of study to allow them to grow in skill as they master new levels, from absolute beginner to advanced musician.