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Associate Degree: Western Connecticut State University
Hello! I'm Audie, a college student studying Music Education at Western Connecticut State University. I believe that music has the capacity to be an agent of change, both within and outside one's self. Learning a musical instrument can be a very satisfying opportunity to grow as a person and as a musician. My method of instruction is individualized to both a student's goals and their unique interests or aptitudes. Together, I work with a student to figure out what they intend to achieve with their music and how to get there, while building musical skills (such as ear training, rhythm, and phrasing) and lifelong skills (such as discipline, focus, and self esteem). Whether you intend to play in a band, get extra support with your orchestra class homework, build a foundation for years of lifelong practice, or simply check off an item from your bucket list, I would be more than happy to instruct you and guide you on your way.
I began teaching during high school as a supervised intern observing and teaching both small groups of orchestra students and private lessons. Since then, I've gained independence and have taught students in a variety of settings, both individual and group, and to ages ranging from young beginner to adults. Self growth and striving for self improvement is an important tenet of my teaching, and I encourage it in both my students and myself. I make an effort to observe and learn from my fellow music teacher colleagues whenever possible, and have attended a wide range of professional development workshops dedicated to furthering music education.
With beginner students, regardless of age, I start with the Suzuki pre-twinkle exercises to build a solid foundation of technique, as well as starting ear training exercises and note reading practice. Once a student has mastered the pre-twinkle fundamentals, I move to the first two Suzuki books, and supplement with etudes tailored to the student's level and musical interests. My philosophy is that learning should be organic and enjoyable, so I do my best to introduce repetitive and uninteresting exercises only when necessary, and to make them as entertaining as possible when I do so. When a student has reached this level of proficiency, whether they have been started with me or by another teacher, my instruction plan becomes unique to the student. We work together to identify what their needs and wants in their playing are, and put together a plan of pieces, etudes, and a practice schedule that best suits them.
I love nothing more than to see a student come into or leave their lesson beaming with a sense of pride and self-accomplishment. What that means to a student is as unique as they are. My beginner students may feel overjoyed to have learned their one-octave D major scale played pizzicato, my more experienced students could be proud to announce that they figured out a tricky passage on their own using skills they learned in a lesson. Growth is individual, and I support and encourage my students every step of the way; no matter where they start or where they plan to go.