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Brett R In Studio
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Instruments: Guitar, Acoustic Guitar
Styles: Classical, Jazz, Pop, Rock, Blues, Folk, Country, R&B, Gospel, Latin, Funk, Reggae, Latin Jazz, Swing, Bossa Nova, Soul, Avant-garde

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Brett R   In Studio
Instruments: Guitar, Acoustic Guitar
Styles: Classical, Jazz, Pop, Rock, Blues, Folk, Country, R&B, Gospel, Latin, Funk, Reggae, Latin Jazz, Swing, Bossa Nova, Soul, Avant-garde

Where I Teach:
My Studio
Ages Taught: 10-80
Levels Taught:

EMAIL US OR CALL 877-687-4524

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ABOUT
Degrees / Training / Special Info:

Bachelor Degree: Berklee College of Music

Awards:

Kremona Guitars Artist

2022 Banger TV Shredders of Metal Competition Winner

Featured on Billboard Blues Top 10 album - Katie Knipp "Take Me With You"

National touring musician

Overview:

I have been surrounded by music's influence my whole life, being that my father was a guitarist, my grandmother a classical singer, and my great uncles were conductors and cellists in orchestras. My initial influences were rock, hard rock and heavy metal, being exposed to and enamored with blues and jazz. While earning my degree at Berklee College of Music in Boston, I was steeped in the jazz tradition as a guitarist and arranger, studying also classical, blues, funk, jazz fusion, American roots music, gypsy jazz, and more. My recording credits span a wide variety of albums, including a Top 10 Billboard Blues charting album (Katie Knipp's "Take Me With You"), folk/Americana, pop, jazz fusion, funk, progressive rock, metal, hip hop. I've performed and toured across the US and internationally both as sideman as well as with my own original projects. The end result of this background is that I am highly experienced at being versatile, and that I see connections across all genres. I enjoy listening to as well as playing many styles of music, and so my repertoire of knowledge is specialized across a wide spectrum of music.

EXPERIENCE

I have been teaching professionally for a decade, and what has been most consistent throughout my experience is to learn to adapt to each student. Every student has a unique background, goals and specific learning style. What I do is get the student on track with fundamental knowledge of music, so that they can stand on their own two feet musically, and then with these tools, lead them towards whatever vision they wish to realize. When learning the language of music, ultimately multiple perspectives come into play, such as history, philosophy, science and math. Music is a special discipline in this regard, and the study of music broadens our view of the world. It is truly a pleasure to see a student become inspired or to witness an "A-ha!" moment take place. I'm always pushing my students to reach for higher goals, and celebrate them when they have earned progressive developments of their abilities.

METHODS USED

My methods are specific to a student's goals. For beginners, I usually like to use Hal Leonard's Guitar Method series to get them reading music and playing guitar in the first (or open) position. Beginners need to learn fundamental music theory, such as the major scale and how to build chords. Intermediate students that already understand basic theory usually desire to learn the techniques and vocabulary specific to a certain genre. Intermediates are also responsible for learning to play the entirety of the guitar neck, so practicing in all positions becomes a focus. "Theory, Technique and Application" sums up the process. Students should be learning the concepts and structure of music (theory), developing various techniques to enhance their abilities and then applying them to music they wish to learn about. I also prioritize creative projects for students to apply what they learn into their own original songs.

LESSON STYLE

Studying music and a specific instrument is not a straight line. There are multiple lines that cross and support each other's continuation. As mentioned previously, "Theory, Application and Technique" sums it up. We can't focus on everything all at once, so we have to prioritize what makes sense to emphasize now so that it will help us prioritize something else later. We set tangible goals when focusing on technique ("play A major scale in 8th notes at 120 bpm, for example), and can do this with music theory to an extent as well ("write out the notes of the B minor scale"). Every student is different and has unique goals, so I help them meet these goals as well as make sure that they are learning what is required for them to be self-sufficient musicians.

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