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Carolyn S In Studio
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Instruments: Voice
Styles: Classical, Pop, Folk, R&B, Musical Theater, Showtunes, Spirituals

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Carolyn S   In Studio
Instruments: Voice
Styles: Classical, Pop, Folk, R&B, Musical Theater, Showtunes, Spirituals

Where I Teach:
My Studio
Ages Taught: 5-50
Levels Taught:

EMAIL US OR CALL 877-687-4524

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ABOUT
Degrees / Training / Special Info:

BFA in vocal music from Carnegie Mellon University, Pitts. PA

Overview:

With 20 years experience in vocal music as a teacher and performer, Carolyn continues to prepare students for a life-long love of singing.  Carolyn's students earn excellent scores at competitions such as the National Association of Teachers of Singing (NATS).  They enjoy major roles in school musicals and are ready for college level auditions.  Carolyn started musical training in Baltimore, Maryland's Peabody Conservatory where she studied piano, ear-training, and  classical dance. Carolyn  was a voice major in the Fine Arts Department  of Carnegie  Mellon University and graduated with a BFA.  Carolyn continued to study with Mme Duchat at the Peabody Conservatory of Music and then with several other private teachers in Albuquerque and Pittsburgh.

EXPERIENCE

I  began singing at the age of 7, winning a talent competition in Miami, FL.  With the knickname, "Song Bird",  I performed as school choir soloist and as  leads in various Rodgers and Hammerstein productions at summer camp.  I spent nearly every Christmas in New York City where I gained a love of the Broadway musical.   During the summers, I performed with a folk trio in Washington, D.C. venues and learned how to connect with an intimate audience.  During my college years, I fell in love with the Italian and French art song, while performing in the college's musical theatre as well. After graduation, I was employed for three years as a music teacher with the Baltimore Public Schools, demonstrating for teachers how to teach and help students interpret music.  I also conducted the school choirs.  Later, I earned a degree in Communicative Disorders and served as a Speech and Language Pathologist for seven years.  This experience brought me more knowledge of the breathing mechanism, articulation, resonance, and more.   At the same time, I enjoyed working with the Albuquerque Civic Light Opera Company and Vortex Theatre.  I  also sang with the Albuquerque Civic Orchestra.  Moving back to Pittsburgh, I became a soprano soloist with the South Hills Chorale, performing oratorio, traditional hits, and musical theatre.  I  also  performed leads with a local summer stock company  as well as serving as musical director.  I taught  creative dramatics for the company as well. Moving to Colorado Springs, I taught choral music and musical theatre for fifteen years, while offering private voice lessons.  I directed numerous Broadway musicals in the public schools and enjoyed working with choreography.  My choirs won top scores  consistently in choral competitions.  Students entering the Solo and Ensemble competitions received top scores and praise from their judges.  Now in New Mexico, I continue to enjoy sharing my passion for singing. 

METHODS USED

My teaching methods involve a mind-body experience.   I believe that a strong foundation in  body alignment, breath support and management will allow students to build the skills they desire, regardless of  musical style or genre.   With an eye always on healthy singing,  I encourage  students to experience many styles of vocal repertoire.   Each student brings a set of perceptions about singing.  Some of these are helpful, while others are habits that students work to eliminate. I believe that students need to understand the physical, emotional, and mental components of singing.  Through explanation, reading, focused vocal exercises, and observation of others,  I will  prepare students for auditions, competitions, chorale groups, karaoke, jazz jams, or just the satisfaction of singing with confidence. My  approach to teaching is patient, positive, and motivational. 

LESSON STYLE

My studio exists to help the everyday singer or  the gifted vocalist with aspirations of a music career.  Many people wish to sing better but never do anything about it.  People often try to imitate established singers, hoping to produce  the 'sound' that these others  have accomplished.  In  my studio,  each student will know the excitement of discovering his or her uniquely beautiful sound.  Learning to sing better should always be an uplifting, activity, though my  'kids', regardless of age.  In order to sing with ease and freedom,  a singer must feel free to explore.  My  lessons encourage personal freedom so that learning can take place. 

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