President of the Central Florida Cello Association
Performances in the Steinmetz Hall and Walt Disney Theatres at the Dr. Philips Center
Performances with the Orlando Philharmonic and Naples Philharmonic
Overview:
Hello! My name is Dylan and I have over 15 years of experience playing the cello. My musical career has lead me both through a vast number of performances and within the inter-workings of music academia. During my undergrad at UCF, I had the opportunity to perform with multiple professional orchestras in Florida such as the Naples and Orlando Philharmonic, along with playing inside the Walt Disney Theater and the new Steinmetz Hall at the Dr. Philips Center. I also founded the Central Florida Cello Association at UCF, which brings in top professionals from outside the state for masterclasses and workshops. Some top cellists I've worked with and under included Dr. David Ying from the University of Rochester, Mihai Tetel from the University of Hartford, and Richard Narroway all the way from the University of Melbourne in Australia! The cello and I are one in the same, and being able to share my passion with professionals and beginners alike has been a joy that I hope will endure for my entire life. Be it in a lesson or one stage, if I have my cello with me, I'm right at home!
EXPERIENCE
I have always been an avid cello teacher, even in my beginning days as a cellist. From the first weeks in my middle school orchestra, the best way I learned a new concept was by showing it to someone else. From then until my high school graduation, I constantly sought out ways to help myself learn outside of the class room and lessons, and teaching was my go to source for additional resources beyond daily practice. Once I was accepted into the UCF program under David Bjella, a busy schedule and the other cellists having more experience than me saw a sharp decline in my cello tutelage. It was supplanted however by the wide variety of classes and music education electives available to all the music majors, which I quickly signed up for to further my teaching abilities. As my skilled were honed and the creation of the Central Florida Cello Association garnered interest from those outside the studio, students slowly returned seeking guidance for their own cello careers. Armed with an array of instructional techniques, my students quickly grew from subpar cello players to serious contenders for whatever musical auditions came their way!
METHODS USED
For students of all levels, introducing the necessary techniques for their development as a cellist through pieces they find enjoyable and challenging is my top priority. Beginners I typically progress quickly through a variety of beginner books such as the Essential Elements or the Susuki method depending on the age and determination of the student, with a focus on learning recognizable and enjoyable tunes. Intermediate cellists will have either Goltermann or Bach works sprinkled in between pieces and arrangements they'd like to play. Adept cellists will begin Etudes, showpieces, and simple concerti along with harder arrangements and chamber/duet works if desired. Finally, advanced cellists will work on staple cello concertos, Popper etudes, and audition material.
LESSON STYLE
Turning the cello from an uncomfortable, difficult instrument to fun, easy and enjoyable instrument can seem like a long and arduous process for students who haven't had proper tutelage on key problem areas beyond what's on a piece of paper in front of them. To ensure a full and successful development of a student, I typically spend as much time focusing on longevity as I do on learning how to play the cello itself. I do this by making sure common tension points are relaxed and not overstressed especially after long playing sessions. The milestones in cello pedagogy are much more linear than people tend to believe; what many students struggle with the most are issues that are self inflicted. Tense shoulders and hands, incorrect cello placement, and breath holding are just a few of the problems many cellists struggle with as they advance as a musician. For my students, on top of moving through their assigned material at a pace which they find engaging and eager for more, they will also be the monitored keenly to make sure they aren't forcing themselves through the material at the expense of their long term playing ability!
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