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South Australian Music Awards x 4
Los Angles Department of Cultural Affairs Reimagine Public Art fund.
Featured in Bass Player Magazine
Emily Retsas is a musician who currently based in Los Angeles. Since 2018 Emily has been playing bass for Phoebe Bridgers as well as having played for artists such as Kim Gordon, Boygenius, Better Oblivion Community Center, Shirley Manson(Garbage), Fiona Apple. Emily recorded bass on the four time Grammy nominated album “Punisher” by Phoebe Bridgers. In her young career Emily has become a regular on the international festival circuit, playing on huge stages including Glastonbury, Coachella Lollapalooza and Primavera as well as appearances for Saturday Night Live, Ellen, Conan O’Brien, The Late Show with Stephen Colbert, The Late Late Show with James Corden, Late Night with Seth Meyers, Last Call with Carson Daly, KEXP Radio, Tiny Desk NPR, Google and Spotify. She has appeared in commercials for Fender, Ernie Ball and Earthquaker Devices and Captain Morgan and has been featured in multiple issues of Bass Player Magazine US and Bass Player Magazine Japan. Emily was Nominated for 4 South Australian Music Awards as well as a recipient of Los Angles Department of Cultural Affairs Reimagine Public Art fund.
Certificate III Music (Bass Performance) Certificate IV Ensemble Performance Certificate III Music Business Certificate Taylor Swift Eras Tour Punisher Album Cycle Tour Stranger in the Alps Album Cycle Tour Rosa Linn 2023 -I Heart Radio Forum ALTer EGO Festival Lizzy Mc Alpine -2022 Ellen Performance - Kim Gordon 2021 -No Home Tour -Better Oblivion Community Center 2019 (Phoebe Bridgers & Conor Oberst - boygenius 2018 (Phoebe Bridgers/Lucy Dacus? Julien Baker) TV Appearances Saturday Night Live, Ellen, Conan O Brien, The Late Show with Stephen Colbert, The Late Late Show with James Corden, Late Night with Seth Meyers, Last Call with CarsonDaly, Tiny Desk, KEXP Recording Highlights Jeff Schroeder (Smashing Pumpkins), Rod Castro (Beyonce, Bebe Rexa) Nick Zinner(Yeah Yeah Yeahs) Your Old Droog (MadLib/MF DOOM) Vice Cooler (Peaches, The Raincoats). PRESS & EXPERIENCE 2023 Bass Magazine Japan Feature 2023 Guitar World Magazine Feature 2022 Bass Magazine Feature 2020 Bass Magazine Feature 2019 Mous Magazine Feature 2019 Adelaide UNESCO City of Music -featured 2019 Play On Radio Melbourne -The Artists Hour Featured Artist The AU Review Meet the Industry 03. Emily Retsas Rip It Up Magazine “15 Female Musicians You Need To Hear”
For students who are just starting out and happen to be children, I typically employ a teaching approach that begins with the acclaimed Hal Leonard's Essential Elements. This comprehensive method lays a solid foundation by covering the essential musical fundamentals. Once a young student has gained a firm grasp of these basics, it's an exciting juncture where I can start introducing them to a repertoire that's tailored to their level of advancement, all in preparation for their very first recital. It's a milestone that can be both thrilling and nerve-wracking, and my goal is to ensure they're well-prepared and confident when the time comes. When it comes to adult students, my teaching philosophy takes a somewhat different route. I place a significant emphasis on getting to know what makes each adult student tick, musically speaking. I find out what styles, genres, or artists ignite their passion for music. Whether they're into classical, rock, jazz, or anything in between, I aim to tailor my instruction to align with their unique interests and preferences. The ultimate goal is to keep lessons engaging and fun, irrespective of their current skill level. I firmly believe that a student's journey in music should be a fulfilling and enjoyable one, and that means meeting them where they are and guiding them towards their musical aspirations. So, I am proud to say that I'm equipped to cater to a diverse range of musical tastes, styles, and abilities.
Teaching music is not just a profession for me; it's a passion, a calling, and a deeply fulfilling endeavor. There's nothing quite like witnessing a student develop a profound love for music. This is what drives my approach to teaching, and I am dedicated to ensuring that each and every student has the opportunity to discover and nurture their musical potential. First and foremost, I believe in the importance of recognizing that every student is unique. Just as every melody carries its distinct tune, each learner possesses their individual pace and potential. To this end, I approach teaching with the mindset that personalized learning is key. It's essential that students progress at their own speed and in a way that aligns with their abilities and goals. I work closely with each student, setting realistic and achievable objectives during each lesson. By breaking down the learning process into manageable steps, we create a clear path to success. Acknowledging and celebrating a student's accomplishments is a crucial aspect of my teaching philosophy. Whether it's mastering a challenging piece, understanding a complex musical concept, or simply showing dedication and improvement, every achievement deserves recognition. The positive reinforcement from such acknowledgment serves as a powerful motivator for students. It stokes their desire to continue progressing and inspires them to delve deeper into the world of music. Watching their self-confidence grow with each accomplishment is, without a doubt, one of the most rewarding aspects of being a music teacher. To truly connect with my students and to effectively nurture their love for music, I make it a priority to understand what inspires them. I take the time to get to know each student personally, to learn about their musical interests, dreams, and aspirations. It's not just about teaching music; it's about building a meaningful, student-teacher relationship. By discovering what resonates with the student, I can successfully tailor my instruction to their wants and needs. For young and beginning students, I often introduce them to renowned teaching materials like Hal Leonard's Essential Elements, which provide a solid foundation in musical fundamentals. As they gain proficiency, we transition to solo pieces, preparing them for their first recital performance. It's a thrilling journey, and I strive to ensure that they are well-prepared and confident when the spotlight shines on them. With adult students, the approach takes on a different hue. These learners come with their unique life experiences and musical interests. My job is to listen to their preferences, whether it's classical, rock, jazz, or any other genre, and guide them toward their musical aspirations. I firmly believe that music is a lifelong adventure, and the journey should be as enjoyable as the destination. Therefore, I am equipped to cater to a wide range of musical tastes, styles, and abilities. Teaching isn't just about imparting knowledge; it's about fostering a deep, lasting love for music. It's about nurturing a student's curiosity, creativity, and passion. My joy as a teacher stems from the growth and transformation I witness in my students, and I consider myself truly fortunate to be a part of their musical journey. Nothing makes me happier than seeing a student's face light up when they make beautiful music, realizing that their potential is limitless. This profound sense of fulfillment and the love for teaching music are what drive me to be the best music educator I can be.