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Emily G In Home In Studio
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Instruments: Clarinet
Styles: Classical

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Emily G   In Home In Studio
Instruments: Clarinet
Styles: Classical

Where I Teach:
In Your Home My Studio
Ages Taught: 10-80
Levels Taught:

EMAIL US OR CALL 877-687-4524

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ABOUT
Degrees / Training / Special Info:

Bachelor Degree: University of Oregon (2023), Master Degree: Manhattan School of Music (exp. 2025)

Awards:

2022 - 3rd Prize, American International Single Reed Summit Competition

2022 - Preisträger Auswahl Konzert Participant, Universität Mozarteum Sommerakademie

2023 - Manhattan School of Music Merit Scholarship

Overview:

I am an American clarinetist and clarinet instructor from Portland, OR. I’m currently pursuing a Masters of Music at the Manhattan School of music with Charles Neidich, and recently graduated from University of Oregon with degrees in Clarinet Performance as well as German in 2023. I’ve loved classical music since high school, and my dream is to perform regularly as a soloist, chamber musician, and orchestral musician. I have a passion for sharing my love of music and clarinet, and regularly post practice/advice videos to a network of over 75,000 people on social media. I perform all types of repertoire from transcriptions of Bach to premieres of new compositions, but have a particular love for late-Romantic music.

EXPERIENCE

I began teaching clarinet to beginners in high school, and 9 years later I maintain a small studio ranging from beginners learning fundamentals, to advanced high-schoolers preparing for college auditions, to master’s students seeking supplementary lessons. My students have come from North America, Asia, and Australia. As a professional musician, I have performed in the United States, Germany, and Austria, and I have played with orchestras such as the Eugene Symphony Orchestra, Newport Symphony Orchestra, training ballet orchestra OrchestraNEXT, Clackamas Repertory Orchestra, and with school groups including HfM Trossingen Hochschuleorchester and University of Oregon Orchestra and Wind Ensemble.

METHODS USED

I take a different approach with each student based on their learning needs and goals. The student and I (and parent when appropriate) will regularly speak about their goals and aspirations, as well as discuss both long- and short-term plans. All students will study scales, intervallic leaps, and learn base-level physics about the clarinet and its partials. Specifics and means of learning will vary student-to-student based on past knowledge and needs. Regarding the actual, music-making process: one of my biggest skills as a musician is creating coherent and beautiful phrases, and one of my biggest skills as a teacher is helping students find organic phrasing. Everyone has their own voice and style, and with the right prompting they can use that voice to express their music to the fullest extent. Methods I regularly refer to include the Rubank Series, Baermann Scales Method, Klose, Langenus, The Chromatic Machine by Kalman Opperman, and countless other exercises I have picked up from past teachers including Charles Neidich Dr. Wonkak Kim, Chen Halevi, Andreas Schablas, Dunja Jennings-Marcum, and Michael Anderson. Repertoire and etudes have completely varied student to student; I will work on any repertoire with students but have a specialty in Romantic German repertoire. I believe historical context is vital to learn and understand pieces to fullest capacity, and this will be discussed in lessons when applicable.

LESSON STYLE

I aim to push students to prepare them for a realistic career within a safe environment for failure. I talk to each student about their hopes and expectations regarding lesson structure and career plans as well as their personal struggles with and without the instrument. Critique is a necessary part of this field, but I try to state things as objectively as possible and use discretion as necessary. Each student and I will continually check in to ensure lessons are meeting their professional and emotional needs in regards to their musical experience. Further, there is nothing more important than teacher-student honesty. I do not intend to waste anyone’s time. I do not ask nor expect students to buy equipment that they do not need, or to practice things that will not directly benefit their playing. Anything suggested will be an open discussion between myself and the student.

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