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Ed.D., Nova Southeastern University, Educational Leadership M.S. Elementary and Urban Education, Syracuse University B.A. Psychology (Cum Laude), Syracuse University Jazz Studies program at Rutgers University Flute student of Frances Blaisdell, Woody Shaw, Bobby Hutcherson, and Ted Dunbar. Wagner Flute Scholarship to National Music Camp, 1965, Assistant Principal Flute with National Youth Symphony.
2009 Presenter, NJPSA, Best Practices Connecting Reading Strategies with Mathematics 2008 Presenter, NJPSA, Researched Based Best Practices in Language Arts Literacy 2007 Presenter, NJASA, Researched Based Best Practices in Language Arts Literacy 2001 Marlboro Elementary School, Monmouth County Student Volunteers of the Year 1999 & 1998 Monmouth County Coalition for Service Learning Grant 1998 Co-writer, A+ for Kids Grant, 1997 Americanism Award, VFW Post 4374 1997 Keynote Speaker, NJSSI Administrators’ Breakfast (College of NJ) 1997 & 1996 NJSSI for Math, Science, & Technology Grant - Marlboro Public Schools 1995 NJSSI for Math, Science, & Technology Grant - North Brunswick Public Schools Yearbook Dedication, John Adams School 1994 Writer for NJ Star School Award, Nishuane School, Montclair, NJ Montclair Educational Fund Grants - Jazz Masters 1991 & 1985 Workshop Presenter, Monmouth County Curriculum Fair 1988 Governor’s Teacher Recognition Grant Recipient, Brielle School 1983 Awarded Graduate Merit Scholarship, Rutgers University 1982 Yearbook Dedication, Roosevelt Public School 1970 Phi Kappa Phi (Scholastic Honorary), Syracuse University Phi Eta Sigma (Scholastic Honorary), University of Hawaii 1965 Wagner Flute Scholarship, National Music Camp, Interlochen, Michigan
I welcome passing on what has been for me a world class jazz improvisation and flute instruction. This includes instruction from Frances Blaisdell, of world fame as a flute instructor at Manhattan School of Music and Stanford University. I also attended the jazz studies program at Rutgers University with specific instruction from Ted Dunbar and Kenny Barron. Also, while living in San Francisco studied with Bobby Hutcherson and Woody Shaw. I am happy to share with you a couple of recordings done over the years, playing jazz and flute. I am again performing including Broadway Musicals at the Count Basie Theater and for College performances. I have well informed instructional skills as having worked as teacher and principal over a wide range of age levels, and simply have learned from world class practitioners. I am happy to share more information upon a phone, Zoom, or personal meeting.
I have recently again started playing after many years. I have played in a the pit band at the Count Basie Theater for Jesus Christ Superstar, and Into the Woods for a Wagner College and Brookdale Community College productions. I have been sitting in on local jam sessions with very favorable feedback. I played at a performance at Brookdale Community College with a group, Hot Air. Enjoyment, hearing pitch and rhythm by vocalizing, and developing a register appropriate and flexible embrochure, and using harmonics to tone match are some of the techniques and strategies I would emphasize for flute specific instruction.
Student level of proficiency and interest will guide my instruction. This will range within the genres of jazz or classical performance, which also will include listening to and discussing what makes a performance excellent. I have specific background in flute sound and tone production have been the student of the renown flutist and teacher, Frances Blaisdell. Information on Miss Blaisdell can be accessed by an internet search. I would as applicable also use piano and keyboard harmony to enhance jazz instruction. I have a deep archive of jazz standards, ballads, bossas, 3/4 tunes, and bop tunes as well as the same for the classical flute repertoire.
I am a lifelong teacher and teacher of teachers. As a principal I was a teacher of teachers. The following writing to my staff and parents indicate the kind of teacher leader I am. I bring these qualities whether teaching or playing music in an ensemble. Reading Aloud - A Personal Framework for School Improvement “The Wonderful Story of Henry Sugar” by Roald Dahl is a tale about greed, deceit, magic, personal transformation, redemption, and ultimately developing one’s gifts and talents not only as a personal passion but in service to others. It is a story full of humor, mystery, great dialogue, outstanding descriptive and figurative language, and although written over 60 years ago is timeless. As principal, I read “The Wonderful Story of Henry Sugar” to over 90 classes of students during my tenure. I did this because I loved the story and it enabled me to connect with my students and teachers, and indirectly parents, in important and personal ways. It enabled me to continue teaching and to explore with my students interesting and enduring themes about human nature, the human spirit, and our personal and collective responsibilities. When I started as principal, I wanted a way to personally relate to my sixth-grade students, over 125 students at that time. Coincidentally, I also had the good fortune to attend a lecture by Jim Trelease, a renowned read aloud advocate. I read his Read Aloud-Handbook and saw that “The Wonderful Story of Henry Sugar” was a recommended read aloud. It was a story I was familiar with having read with students as a sixth grade teacher over 15 years earlier. And so, my reading aloud began. I read to each class, five or six classes each year. It was a great way for me to get to know the students. For a time, I was their teacher. And, with PTO financial support we purchased a copy of Trelease's book for our teachers. This PTO support became a standard practice where funds were yearly budgeted for professional books and support materials for our teachers to enhance school based professional development. Reading to the students was a great way to connect with them. I taught and we explored important themes given the behavior and motives of certain characters. The story provided excellent ways to integrate the curriculum. We learned about economics, geography, probability, and psychology. We made geographical connections given the many places Henry Sugar visited, considered money conversions, inflation, and chance, discussed the historical times in the story, and learned some sophisticated vocabulary. I also made connections when relevant to our school-wide Words of the Week and K.I.N.D. Kids Program. It allowed me to team teach and model this instructional practice with teachers. Somewhere in the middle of this reading odyssey I became introduced to what is known as the Proficient Reader Research. I read and studied Mosaic of Thought by Ellin Keene and Susan Zimmermann as well as other advocates of this applied research such as Miller, Harvey and Goudvis, and counterparts in best practices in writing instruction such as Ruth Culham. This renewed and improved my reading to children and redefined my involvement with my teaching staff. As I began to apply best practices from this research, our professional staff began a school-wide professional development effort in literacy. Examples included school-wide book studies of Mosaic of Thought and The Six Traits of Writing, where I shared with teachers my own reflective pieces and developed essential questions that we discussed and scripted as a faculty. We piloted a writing program that became a model for practice in the five district elementary schools, conducted teacher directed workshops for parents and at state-wide conferences, and made recommendations to parents through our school newsletters and teacher pages about specific ways parents could support literacy learning at home. These experiences gave me and my staff a continuing source for dialogue and practice as we strategically and cognitively developed our students' reading, writing and speaking abilities, with understanding how this is done developmentally and within a variety of curricula and content. This work could not have been accomplished nor had the wider impact in our school and district without the growth of our teaching staff from one that had been congenial to one that was characterized and respected as collegial and collaborative. It affected other areas of school improvement where school-based discussions were rooted in practices that enhanced student interests and achievement. These professional discussions and collaborations defined the school culture I led and served.