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Bachelor Degree: University of Georgia
2007- winner global battle of the bands
2008- signed record deal with Universal Motown records
2018- scored Sundance selection short film
2018- taught jazz drum set at Georgia State University
2019- performed at Sydney Opera House
I have recently relocated back to NYC and love it here. I am originally from Atlanta, Georgia and a graduate of UGA. I have been fortunate enough to record on tons of records and tour the world many times over. My work has kept me super versatile as I have done everything from big band and small group jazz to rock and funk. I have performed at some of the great rooms, including, the Sydney Opera House, with the ASO at Atlanta Symphony Hall, The Apollo, Paisley Park, The Metropolitan Museum of Art, The Getty, National Sawdust, Birdland NYC and countless others.
I have taught privately on and off throughout my career in many different iterations. I bring a unique set of skills to the table as far as teaching is concerned, because I was totally self taught, learning very organically-listening and playing along to records, playing in bands-then went to music school at UGA and learned a more formal approach to how drums are taught. I then became immersed in many different scenes and learned very much 'on the job' playing tons of different styles. I was then asked by Georgia State University to be their jazz drum instructor. All of these combined have given me the skills to tailor a curriculum to many different types of students. I love teaching because it continues the lineage and the knowledge of this very important craft to future generations.
For beginning students I begin by talking to them about music and what songs they like. We start clapping along and picking out what the drums are doing and eventually begin playing along. A wonderfully laid out book for beginners that are interested in pop music is "The Funky Primer." I also like to teach the reading of rhythms out of a book by Ted Reed called "Syncopation for the Modern Drummer." This is a great book that you can work out of for many many years to come. For Adults I talk about what styles and types of music they're into followed by a list of goals to see what they'd like to get out of lessons. I teach out of the following books "The New Breed", Gary Chester, "Drummer’s Complete Vocabulary" as taught by Alan Dawson, John Ramsay, "Syncopation for the Modern Drummer", Ted Reed. I also assign transcription projects for the student to perform. I like to provide enough of a challenge to keep the student motivated.
Setting goals is a very important practice for teaching. I am very easy going, kind and understanding. However, I expect there to be effort on the part of the student. I believe praise to be a better motivator than stoicism and I always make sure my students know when they are doing a good job and improving. There is nothing more rewarding than to see a student have a breakthrough on their instrument. This keeps a positive momentum that makes teaching and learning a joy. On the other hand, if there is no improvement or excitement, then we may want to reassess our goals and tailor a different approach to the student.