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Doctoral Degree: The Ohio State University
Master Degree: Michigan State University
Bachelor Degree: Iowa State University
Bachelor Degree: Iowa State University
2017-2019 - Ohio State University Graduate Associateship
2016-2017 - Ohio State University Graduate Enrichment Fellowship
2016 - Certificate in College Teaching (Michigan State University)
2014-2016 - Michigan State University Music/Graduate Office Fellowship and Music Scholarship
2014 and 2019 - Pi Kappa Lambda National Music Honor Society
I am a solo, chamber, and orchestral clarinetist and clarinet teacher currently based in Richland, Washington, where I am a Master Teacher on the faculty of Magnolia Music Studio – RiverWalk. I have taught private clarinet lessons since 2013 and always enjoy sharing my passion for the clarinet with my students. I love working with clarinetists of all ages and ability levels and helping them to discover their own unique voice. My middle- and high-school students have consistently received the highest ratings at Solo and Ensemble festivals and many have gone on to play in college bands and pursue a career in music.
I received a Doctor of Musical Arts degree in Clarinet Performance from The Ohio State University in 2019, where I studied under Dr. Caroline Hartig. I also hold a Master of Music Degree in Clarinet Performance from Michigan State University, where I studied with Dr. Guy Yehuda, a Bachelor of Music degree in Clarinet Performance from Iowa State University, studying under Dr. Gregory Oakes, and a Bachelor of Arts degree in World Languages and Cultures (Spanish) from Iowa State University. I have performed internationally since 2011, touring in countries throughout Europe. I also have a strong interest in world music, expansion of the clarinet repertoire, and diversification of the canon, particularly through the promotion and commissioning of works by Turkish composers. I currently serve as a board member and principal clarinet with the Rhode Island Recording Ensemble. I look forward to meeting you and sharing with you my love of music and the clarinet!
I have taught private clarinet lessons since 2013 and I love being able to share my passion for the clarinet and music with my students. Currently, I am a Master Teacher on the faculty of Magnolia Music Studio – RiverWalk. I have also taught at The Ohio State University's Clarinet Academy, teaching private lessons, coaching student chamber ensembles, and presenting a lecture on reed break-in and adjustment.
As a Graduate Teaching Associate at The Ohio State University, I taught undergraduate clarinet lessons, gave masterclasses for undergraduate and master's students, instructed the clarinet portion of the Woodwind Methods course for music education majors, conducted clarinet sectionals for the OSU University Band, coached undergraduate chamber ensembles, and assisted with OSU Clarinet Choir rehearsals.
At Michigan State University, I taught undergraduate studio masterclasses and coached undergraduate chamber ensembles. I also worked for three years at Blue Lake Fine Arts Camp, where I taught private lessons, conducted clarinet and woodwind sectionals, and taught the Music Theory minor course (in addition to several non-music courses). At Iowa State University, I tutored for Introduction to Music Listening (as well as several non-music courses). Additionally, I have experience working with children with special needs, as I worked as a Summer School Special Education Para-Educator for Cedar Falls Public Schools in Iowa.
Each student has a unique voice to contribute to the world of music. As a teacher, I instill in my students a deeper love and understanding of music and the clarinet, guide them toward the achievement of their aspirations, and aid them in the discovery of their own distinctive voice through the development of confident self-directed learning, critical thinking, and healthy performance practices. I typically start beginning students with the Voxman Elementary Method book, supplementing these exercises with additional work on scales and fundamentals. The curriculum for more advanced students will be catered to their specific goals, interests, and areas for improvement. In assigning repertoire, I begin by exposing students to the canon, then encourage building upon this foundation to include a wider array of musical styles and traditions.
Each student is an individual with a unique personality, background, and way of thinking. Accordingly, every student has a unique voice to contribute to the world of music. I believe that my role as a teacher is to aid each student individually in the discernment of their passions, achievement of their aspirations, and discovery of their own distinctive voice. My studio provides a safe, supportive, and encouraging environment in which students are free to experiment with new ideas and grow as both musicians and as people. The skills I endeavor most to instill in my students are independent self-directed learning, critical thinking and self-reflection, and healthy musicianship. I believe that through diligent work, persistence, and commitment, any student who is dedicated and passionate about music can reach their objectives.
As an educator, I serve as a guide for my students, giving them the tools and skills they need to grow and reach their goals. In my teaching, I engage students in their own learning process in order to help them become active participants in their personal learning and growth. By cultivating in my students a proficiency in critical thinking and reflection on their own playing, and by providing them with the knowledge and resources they need to identify issues and successfully overcome obstacles, I provide students with a solid foundation on which to build and develop their unique individual sound. In my lessons, I have students explain and talk through their thinking processes when reflecting upon their own playing. Helping students understand and be able to explain what they are doing and why it may or may not be working gives them tools to solve these issues and others by critically reflecting upon their playing and developing concrete problem-solving strategies. I mold my approach to each topic and concept to fit students’ unique styles of learning.
As an educator, I strive always to discover new methods of conveying concepts to students. Some students learn best through experimentation; others learn best by example; still others learn best through explanation. By having a variety of techniques by which I am able to explain various aspects of music and the clarinet to my students, I am able to successfully convey my ideas and thoughts, as well as help students discover the ways they learn best. This enables students to teach themselves efficiently in individual practice and study. By exposing students to various methods of conveying an idea, I also encourage them to think about the concept in new ways. Flexibility and open-mindedness to a diverse assortment of interpretations are critical skills for students in music. All musicians are life-long learners, and I work to cultivate this concept in my students. By encouraging students to explore their own thought processes and investigate new ideas and opinions, my students and I are able to work together to discover and share a diversity of understandings. Validation of students’ interpretations also helps to instill them with confidence that will further encourage self-directed learning.
The concept of life-long learning is critical in empowering students to find their own manner of expressing themselves through their art and to discover their passions. I encourage all my students to objectively observe their own practicing and to find the environment in which they are most productive. I stress the importance of diligently recording, scheduling, and journaling their practice sessions, urging students to begin each session with specific goals in mind. Encouraging healthy practice and performance drawing from Alexander Technique and body mapping and encouraging a healthy lifestyle outside of music are also fundamental issues I address.
In assigning repertoire, I begin by exposing students to the canon, then encourage building upon this foundation to include a wider array of musical styles and traditions. I believe that expansion of the repertoire and exposure to a more diverse range of genres will give my students a more thorough understanding of music and its relationship to society and culture. I believe that the purpose of music education is to contribute to a fuller and deeper understanding of music and its impact on society and the world. As a private lesson instructor, I have the unique opportunity to work with students one-on-one. This format gives students individual attention that they may not otherwise receive. This individual guidance is necessary in addressing students’ unique goals and concerns in order to help students discover their passions and develop their own voice. It also gives me a platform to instill in students a desire to pursue active learning throughout their lives in order to contribute and further the world of music.
Overall, lessons aim to foster and build on students’ love of music in order to help them discover ways to use their skills and knowledge of the subject to inspire others and improve the world around them. As I support my students by nurturing their growth as musicians and life-long learners, I also aspire to serve as a mentor and role-model to my students. I hope that by sharing my own experiences in the field of music (including the struggles and successes I experienced throughout my career) and demonstrating my commitment to and enthusiasm for the art, I will be able to inspire students and help them grow in their journeys as young professionals. Even if students choose not to pursue music as a profession, I hope to instill in my students a deeper understanding and appreciation of music, along with crucial skills in critical thinking, diligence and commitment, discipline, independence and self-directed learning, problem solving, and self-reflection.