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Instruments: Piano, Voice, Music
I was a Music Teacher in the New Haven Public School system for 10 years, and then moved on to become the Music Coordinator at the Highville Charter School for eight years. In addition she had the pleasure of being a vocal/coach at the Amity Music Academy in Woodbridge, CT in which she moved on to the New Haven Academy of the Performing Arts teaching vocals/piano lessons, and she was also the Music Director of the Musical Theater Intensives, while at the New Haven of Performing Arts, I had the pleasure of joining an organization called International Voice Teachers of Mix, in which I am consistently being educated on the voice specifically mix technique . Read More
Instruments: Guitar, Saxophone, Bass Guitar, Ukulele, Music, Electric Guitar, Djembe, Classical Guitar, Acoustic Guitar
Technique as well as theory are equally important. It is also important to have fun while learning. I like to use the Hal Leonard lesson books combined with excersises that I have created. I can also teach songs requested by students and explain and demonstrate how theory and technique apply to the tune. Improvising and playing along with other musicians in songs or jams is highly recomended. Understanding what each student wants to get out of the lesson is important. Read More
Instruments: Piano, Organ, Music
I have extensively studied music theory, music history and keyboards (particularly organ) at the undergraduate (at Vassar College) and graduate level. I am particularly well-qualified to teach beginners and children. GRADUATE CLASSES TAKEN: -2 years of private organ lessons -Counterpoint, Harmony Form: 1500-1800 -The Liturgy, Ritual Chant of Medieval England (Sarum Use) -Church Music in Early Modern European Cities, 700-1700 -Perspectives on the Cantus Firmus Mass -Hymns their Music -Music Theology in the 16th Century -Music Morality -Theological Aesthetics -Sacred Music: Unity Diversity UNDERGRADUATE CLASSES TAKEN: -3 years of private organ, voice and piano lessons. (Sang for 3 years in the select chamber ensemble, mixed chorus, and Womens Chorus.) -Independent Study in Choral Conducting -Independent Study in Basso Continuo -International Phonetic Alphabet -Music Ideas I: The Power of Church Court -Music Ideas II: Enlightenment the Influence of Rationalism -Musicianship Skills I -Musicianship Skills II -Musicianship Skills III -Modal Counterpoint -Tonal Counterpoint -Harmony -Advanced Harmony -The Sound of Space: Intersecting Music, Architecture Physics -The Art of Orchestration -Composition I Read More
Instruments: Piano, Voice, Music
There is nothing I love more than watching my students meet their singing goals and further their love of music. I meet all of my students where they are, and work with whatever skill set they have, to help them become the musicians they dream of being. I do this by encouraging regular practice sessions, and assigning music that they are passionate about learning. I always acknowledge their accomplishments, big or small, because they all matter and are all a crucial part of becoming better. Read More
Instruments: Violin, Viola, Electric Violin, Fiddle, Music
With beginner students, regardless of age, I start with the Suzuki pre-twinkle exercises to build a solid foundation of technique, as well as starting ear training exercises and note reading practice. Once a student has mastered the pre-twinkle fundamentals, I move to the first two Suzuki books, and supplement with etudes tailored to the student's level and musical interests. My philosophy is that learning should be organic and enjoyable, so I do my best to introduce repetitive and uninteresting exercises only when necessary, and to make them as entertaining as possible when I do so. Read More
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