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Instruments: Piano, Guitar, Cello
Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More
Instruments: Cello
I have spent 24 years with the cello. I graduated with honors from the Appomattox Regional Governor's School for Arts and Technology in Petersburg, VA in 2005, and have a BFA in cello performance and music theory from Loyola University New Orleans. I have studied under Joel Krosnick, Tanya Anisimova, Neal Cary, Jason McComb, and Allen Nisbet, and have participated in masterclasses with Lynn Harrell, Clancy Newman, and Alisa Weilerstein, to name a few. Read More
Instruments: Cello, Music
My teaching experience began while helping at the New Orleans String Project when my sisters were learning Viola. In my off time, I would assist the teachers. Later I began giving lessons through some members fo the Greater New Orleans Youth Orchestra to which I have played and excelled through all of the group's sinfonia, Philharmonia, and Symphony. My most recent teaching experience was offering lessons and string pedagogy through the Waldorf school of New Orleans and teaching at my private home studio. Read More
Instruments: Cello, Music
My methods adapt to each student, their age and their level. The books I use go from the Suzuki books to the traditional Fouillard, Popper or Sebastian Lee methods. The repertoire would also depend on the student needs and the type of music he/she wants to learn. The age of the student is not relevant to me. The learning process might be different but anyone can learn an instrument at any age so I try to treat everyone equally. Read More
Instruments: Cello
My teaching experience dates back to my university days, as I helped my friends and colleges to pass through disappointments and difficulties encountered frequently in practicing, with cello at their hand. To find joy in playing the cello, take it easy and be relaxed is a foundations of string performance. The lessons of cello art is place for joy and relaxation. I am insisting not fully on regular practice, which is important on all stages of playing, but on thorough and mindful practice each time when ones take the cello.With awareness to the smallest signals of the body. Read More
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