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Instruments: Piano, Voice
Because the voice is the only instrument we cannot see with the naked eye, voice lessons must be extremely interactive. I believe in catering each lesson towards the goals of the individual student. I also believe in the collaboration of teacher and student. I am always asking students opinions or reactions on what we work on in the lesson. I want to empower my students at every level to become more aware of their instrument to the point that they can eventually become their own teacher to a certain extent. Read More
Instruments: Voice
I also performed in theaters across the US with the National Touring Company of "Les Miserables". In the concert scene, I have performed with The Cincinnati symphony and been a guest soloist with Peter Nero and the Philly Pops and the North Carolina Philharmonic. I have also sung in numerous concerts in NYC at venues such as Feinstein’s 54 Below, Town Hall, Merkin Hall, Ars Nova and The Laurie Beachman Theater. Read More
Instruments: Piano, Voice, Keyboard
I began learning to play the viola and the violin, played the violin and piano for my college orchestra, performed in a few instrumental ensembles, Lead and compose for my A Cappella ensemble and sing for my concert choir and chamber choir while studying music. In addition, I've been the Music and Chess Teacher at HCST Saturday Kids Academy and Summer Camp. Overall, I was an anxious and closed minded individual. Read More
Instruments: Piano, Guitar, Voice, Drums, Bass Guitar, Synthesizer, Ukulele, Mallet Percussion, Orchestral Percussion, Conga, Latin Percussion, Music, Keyboard, Electric Guitar, Djembe, Classical Guitar, Acoustic Guitar
I started teaching music lessons back when I was 14, when friends would ask for tips or lessons, and local parents wanted lessons for their children. I fell in love with the act of helping others to realize the music inside them, and have been teaching consistently ever since. Learning any musical instrument involves learning about oneself. The student and teacher must work together to define their goals, be comfortable confronting shortcomings, discover how they learn best, and find the patience and drive to practice for long enough to get better. Read More
Instruments: Voice
Ryan Opera Center at Lyric Opera of Chicago, where his responsibilities included performing Hermann in Les contes d'Hoffmann, Bello in La fanciulla del West, Silvano in Un ballo in maschera, Moralès in Carmen(conducted by Alain Altinoglu), Cascada in The Merry Widow (conducted by Emmanuel Villaume), and Kuligin in Katya Kabanovà (his company debut, conducted by Markus Stenz), as well as covering Ravenal in Show Boat, Papageno in Die Zauberflöte, Harlekin in Ariadne auf Naxos, Demetrius in A Midsummer Night's Dream and Le Dancaïre in Carmen. Read More
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