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Instruments: Piano, Voice
I normally start out with the Faber and Faber Piano Adventures methods books for the piano students. This includes a lesson book and a theory book. The lesson book will teach the student the physical skill of playing piano by presenting them with leveled songs to learn. The theory book will focus more on the mechanics of music and playing and require some written work. These two methods work very well together to give the student a comprehensive experience with the piano. Read More
Instruments: Piano, Voice
Choral Experience: As a member of the Westminster Choir (Joseph Flummerfelt, conductor), I performed with major East coast orchestras. Representative works include: Mozart, Coronation Mass, Requiem; Beethoven, Fifth Symphony, Missa Solemnis; Berlioz, Romo et Juliette, Te Deum, La Damnation de Faust; Mahler, Eighth Symphony; Wagner, Das Liebesmahl der Apostel; Stravinsky, Symphony of Psalms; Kodly, Psalmus Hungaricus; Bernstein, Chichester Psalms Ballet Accompanist: Princeton Ballet Workshop, The Agnes DeMille Studios (New York), School of the Pennsylvania Ballet (Philadelphia), The Scottish-American Ballet at The Edinburgh Fringe Festival, Edinburgh, Scotland Organist/Choirmaster:Church of the Epiphany (Episcopal), Thousand Oaks, California; Read More
Instruments: Piano, Voice, Drums, Synthesizer
As mentioned my teaching methods are as follows. Beginners in Piano - Scales, proper fingering positions and usage, posture and accurate knowledge of reading music. Beginners in Drums - Proper usage of drumsticks, demonstrate the two postions of holding the drumstick, knowledge of basic rhythm patterns, proper height and angle of drum or practice pad, and most importantly, the study of the 26 standard drum rudiments for proper playing developiment. Vocal Techniques: Proper breathing support, demonstrating the difference between using the breath and using the throat when singing, encourage student to record their lessons for accurate practice and knowledge of hearing themselves sing, (approved by student's preference). Read More
Instruments: Voice, Music
I generally start with a Q & A to get a feel for the artist and what their true intent is, then I go for the kill. I need to know the who, what, where, when and why of the music industry in their own words. The how part is what we will work on together to achieve the goal. Pen and Pad has always been tradition when writing a song, but I recommend some app to where your created work is automatically dated. Read More
Instruments: Voice, Flute, Recorder, Piccolo
My teaching began in the late 1990's as professional musician in the United States Marine Corps teaching new Marine Musicians how to double & triple tongue and play minor scales as well as Greek Modes.I enjoyed the challenge of teaching someone a skill or technique. My reward is watching the lightbulb come on and them master the new skill. I have played professionally for over 15 years and taught flautists during this time. Read More
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