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Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Bass Guitar, Organ, Synthesizer, Accordion, Harmonica, Banjo, Ukulele, Mandolin, Recorder, Electric Violin, Fiddle, Double Bass, French Horn, Piccolo, Orchestral Percussion, Conga, Latin Percussion, Music, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar
Another factor was the influence of the so-called school of Texas Tenors who would allow me to sit in with them. Arnett Cobb, Buddy Tate, and Eddie "Cleanhead" Vinson were all major shapers of my tough tenor style. During a professional career which began in the early '80s, I have appeared with many major jazz figures in addition to the Texas Tenors, including Ray Bryant, Branford Marsalis, and the Count Basie alumnae band, the Countsmen. Read More
Instruments: Piano, Flute, Harmonica, Music, Keyboard, Classical Guitar
I see highly of student's interest and passion for music. I will design different class progress according to their own situations. I will also advise reasonable goals that students can improve gradually. Fundamental is important for any study. In my experience, the fastest piano sight reader usually has a reliable early experience that improving step by step. However, I will give you all the keys you need to enhance as much progress as you can, and analyze the probably time and energy you need to involve to next step with you. Read More
Instruments: Saxophone, Flute, Clarinet
For a young adult or a prospective college student, I will generally focus on checking their embouchure, what their knowledge of major and minor scales are, how fluent they are reading sheet music, what reeds they should be playing on, and among things. We then move on to more advanced topics that would not be possible to cover in their band classes at their home school. Ideally, we would take a look back at our previously established goals, reevaluate them or set new ones. Read More
Instruments: Piano, Voice, Flute
I am a very kinesthetic teacher. We move around the room a lot during lessons because piano, flute, and voice should be an extension of music that is first heard in the mind (inner hearing/audiation), so note playing/singing is not merely a muscle memory. We sing, tap, or clap 90% of music we learn before we attempt to play it on an instrument or sing it resonantly. Thinking through a vocal line and anticipating the high notes and the openness needed in the body/throat and the breath support needed will help the student discover an unknown freedom and give them tools to help transfer this into other songs. Read More
Instruments: Piano, Guitar, Voice, Flute, Bass Guitar
My teaching style may vary depending upon the student. I have several books and other teaching material available for my students. These include: Berkley Music Theory I and II, several Hal Leonard, and Fischer books and more! Lesson material will mostly depend upon the student's goals and current skill-set. EVERY lesson will consist of: assessing and tracking the student's skill-set, solidifying the student's goals along with my goals for the student, and creating a plan of action to follow in order to reach these goals. Read More
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