Drum Lessons Mountain

Instruments: Piano, Trombone, Clarinet, Drums, Bass Guitar, Euphonium, Tuba, Piccolo, Mallet Percussion, Orchestral Percussion, Conga, Latin Percussion, Music, Keyboard

Since I have had many different teachers in many different areas of my musical life, my philosophy is to be flexible and open as an instructor. I have learned many different methods and techniques, and depending on the type of lesson I'm teaching, I use whatever methods are relevant. Whether I'm teaching rock music, orchestral music, or even marching band techniques, my goal is to give students the skills and tools they need to have fun and be successful. Read More

Instruments: Drums

Really, it just depends on what works. I will model each teaching style around each student. I am not a fascist when it comes to learning every single note of a drum fill or playing something exactly the same as someone else. Every professional drummer I have ever seen has learned to internalize and approximate the feeling of a decade of drumming, a style of drumming, or the attitude of a style of music. Read More

Instruments: Piano, Drums

I have been a college-level music instructor since 1999 and have taught private lessons since the early 90's. International Music Prize for Excellence in Composition 2011 Clefworks Award for Composition 2007 Storm Bull Grant recipient 2004 Read More

Instruments: Drums

I teach music the same way language is learned, as both involve learning to listen, speak, write, and read. I start students off with the skill of listening as I demonstrate how the instrument is played, and then move them into "speaking" by guiding them in the basics of technique that will allow them to begin producing basic sounds. As the student learns to create original musical ideas, I help them learn how to write them down in musical notation, which ultimately serves their ability to read music. Read More

Instruments: Piano, Saxophone, Flute, Clarinet, Drums, Synthesizer, Piccolo, Mallet Percussion, Orchestral Percussion, Oboe, Bassoon, English Horn, Keyboard

I put a large emphasis both on sight-reading and learning to play by ear; I believe these are the most important two skills any musician can have, whether he be an amateur, professional, or somewhere in between (yes, there's an in-between!). I like to focus on whatever a student has coming up for an audition or a solo & ensemble festival. If I can help players have a great experience soloing in public or help them win an audition to play with a great band (and I have a very good track record with my students winning auditions), they'll be more motivated. Read More