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Instruments: Drums, Conga, Latin Percussion, Djembe
For beginner students, my primary goal is to teach fundamental musical concepts and basic technique so that they have a solid foundation on which to expand. This means a focus on rhythm and meter, stick control, and some basic coordination. For intermediate students, I tend to tailor lessons based on their own musical interests, helping them expand their knowledge of the drumset by delving into genres of music that speak to them. Read More
Instruments: Piano, Guitar, Drums, Bass Guitar
The student is the center, the teacher is there to guide using the information the student already has. Read More
Instruments: Drums
I started learning at the age of 11 and studied all through out high school. I studied with various local teachers after High School and met Mike Mangini in 1999 at a drum clinic. I was blown away with his expertise and was encouraged by him to learn jazz. I entered Berklee in 2004 where I met Rick Considine and studied with him for a year after he mentioned three of my favorite rock drummers in one sentence. Read More
Instruments: Piano, Guitar, Drums, Bass Guitar, Music, Keyboard, Electric Guitar, Acoustic Guitar
For beginner students who are children, I typically start with theSuzuki Book 1 or Hal Leonard's Essential Elements depending on the students wants/needs. Throughout the lessonsI will coverbasictheory such as chords, scales, and other guitar/piano/drums/bass fundamentals neccesary to grow.For adults, I like to do a thorough interview to get a feel for what it is they want out guitar/bass/piano/drum lessons and from that develop a lesson plan based on the lessons i was taught by my music teacher in college. Read More
Instruments: Guitar, Drums, Bass Guitar, Mallet Percussion, Orchestral Percussion
My main philosophy is that every student is different and should be treated accordingly. The methods I use are specifically tailored to each student and can be methods that I have learned or developed myself. I start students off by asking them collect ideas about their instrument and the music they enjoy. From that point, I begin to simultaneously teach technique and musicianship in relation to their expressed interests. The key to my teaching method is that I ask difficult questions and then I give the student time to think and develop an answer. Read More
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