Piano Lessons Northeast

Instruments: Piano, Cello

Beginner work how to take a Bow and how to use Bow in Cello. Left hand learning first with tape then take off tape to play listening intonation. Intermediate students work make good sound use bow slow and faster, contact bow differently and vibrato. To get better Vibrato work very slow vibrato to faster. For example play Scale, start Vibrato slowly 1 time to fast 4 time moving wrist. Let my students to record when they practice so they can listen and fix if figure out some mistakes. Read More

Instruments: Piano

As a native of China, I came to USA in 2013. Holding degrees from China conservatory, Rowan University under Dr. Lydia Boguslavsky. Now I am pursing my piano performance master degree in Manhattan School of Music under Dr. Joanne Polk. After almost two decades of piano learning and playing I am more and more curious and interested on leaning and growing. The experience I had from my previous school offered me a vast amount of opportunities. Read More

Instruments: Piano

It is my goal to ensure that students always have fun during lessons, and learn that making mistakes and growing from them is an important and rewarding part of learning a musical instrument. For beginning students between the ages of 3-14, I typically use Faber's Piano Adventures method book series. These books offer a well rounded introduction to music theory and performance, while also including fun and exciting songs that students can play over and over again. Read More

Instruments: Piano, Synthesizer

It is important to keep the student focused and engaged in their studies. It is rewarding in itself to have the student excited and eager to further their development of instrument. I accomplish this by adapting each student's lessons by their individual needs and desires. Read More

Instruments: Piano, Saxophone, Flute, Clarinet, Piccolo

Dependent on the instrument, I generally use essential musical workbooks as well as my own scales and exercises that create a better base to suppliment the workbooks.  I find that these general books are useful to keep the student's growth on track, however, my own sound exercises alllow wind players to usually progress at a quicker rate.  For more advanced students, once we have discussed what each student hopes to get out of their lessons and what they generally see themselves doing with their instruments in the next few years, we can decide what pieces to work on and what skills to develop. Read More