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Instruments: Piano, Voice
With my degrees in music and professional experience in the U.S. and abroad, I can help you progress in your vocal or piano technique, determine the right repertoire, coach you on diction and acting and prepare you for auditions and competitions. My approach is equally focused on building technique/musical skills and learning repertoire. Many students prefer a mix of classical and pop or musical theater, which is fun! Read More
Instruments: Piano, Guitar, Violin, Bass Guitar
One of my favorite things to see is the development of a student into a true musician. When something clicks for a student and they begin making connections and are able to make music their own, that is incredibly exciting to me! I believe that my teaching style produces musicianship which is rewarding and beneficial to every student. Learning a musical instrument teaches discipline, multitasking, and many other excellent traits which can be applied to other areas of life. Read More
Instruments: Piano, Voice
For young voice students, I usually start them off with the Giant Book of Childrens Vocal Solos, which has enough songs to last the first few years of learning to sing, and the Full Voice books in order to learn solfedge and some music theory. Once we have done some of the simpler songs that teach fundamentals, we then can add supplemental pieces (classical, folk, appropriate pop). For teens and adults, both piano and voice lessons are tailored toward goals and interests. Read More
Instruments: Piano, Guitar
My methods are both technical and not so technical which is the fun part. But you can not have fun until you put in the work (this is very important), and that is my philosophie in a nut shell. You work hard to be able to relax and then have fun. Read More
Instruments: Piano, Guitar, Voice, Saxophone, Flute, Clarinet, Ukulele, Oboe, Bassoon, English Horn, Keyboard
For beginning piano students, I enjoy the Faber Piano Adventures. As the student progresses, I guage what their interests/goals are, and choose repertoire according to their interests. For beginning oboe and woodwind students, I focus on a myriad of things that have nothing (and everything) to do with actual music: how to form a correct embouchure, correct hand and finger position, double and single reed care, instrument construction and maintenance, and finally, sound production. Read More
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