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Instruments: Piano, Voice, Organ
Tailor the method to the student is my guiding principal, as is the belief that the students enthusiasm is indispensable to progress. Toward the first of these, my point of departure is determining a students strengths, capitalizing upon these to help develop a grounding that will facilitate expressive aims. It is important that the student be in agreement (the more enthusiastically, the better) as to what is on the current slate, which might also include selections originating with the student: far better if actual pieces can further technical development, always viewing technique as a means to an artistic end rather than an end in itself. Read More
Instruments: Piano, Guitar, Voice, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Recorder, Piccolo, Mallet Percussion, Oboe, Conga, Keyboard, Djembe
I have certain methods that are useful from beginners to advanced students. I always meet a student where they are at and then guide them to gain the skills that they require for the goals they want to achieve. I don't subscribe to the notion that one MUST read music to play music - that is not how most of the world works, but I am a large advocate of being literate. Read More
Instruments: Piano, Saxophone, Clarinet
My creative apporach to teaching is shaped by the interests of each individual student, finding a personalized strategy to make learning fun! I work together with my students and their families to establish mutual goals and we acheive them through learning techniques that keep students engaged, interested, and motivated. I offer a well-rounded experience that establishes strong fundimentals in techinique and quality of sound production. To develop technical proficiency and an understanding of lyrical phrasing, I have intermediate and advanced woodwind students work out of the Klose, Ferling, and Rose etude books. Read More
Instruments: Piano, Guitar, Violin, Cello, Viola, Trumpet, Bass Guitar, Synthesizer, Mandolin, Recorder, Fiddle, Double Bass, Acoustic Guitar
In addition, because of Covid-19, I now teach via Zoom and/or Facetime which has proven to be very successful experience for all my students. Also, my Strings Program students in Branford, CT from the years 1996-2005 have had access to music notation computer programs such as Finale and Music Time. I developed this approach when I taught in South Carolina for three years: 1982-1985. This resulted in having my students understand how Music Notation works as well as composing their own musical works while learning to do so. Read More
Instruments: Piano, Organ, Synthesizer
Artur Schnabel once said that it is wrong to have a method that students have to bound to, but that different techniques are required with every student. I learn this valuable lesson from experience and realized that every student is really a world of his own and finds interest in different things. For example, if the student likes math, then it is possible to incorporate the mathematical concepts found in Theory. Read More
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