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Instruments: Trumpet, Trombone
I find music has two important aspects to emphasize, reading and understanding music theory on sight, and hearing and interpreting music. For reading and music theory at it's most basic level I use books like Arban's method. This book contains scales and patterns that are easy to digest for someone learning to read music while also building up the intricate brass technique needed for all brass instruments. For hearing and interpreting I use simple excercises to start like having a student play back a simple line I play to them or have them identify what kind of scale it chord I just played. Read More
Instruments: Trombone, Tuba
I come from the teachings of Edward Kleinhammer and Emory Remington, both outstanding trombone teachers. My undergraduate professor studied the techniques these two fine musicians advocated, and passed it on to me. Read More
Instruments: Piano, Guitar, Violin, Cello, Viola, Trumpet, Trombone, Flute, Drums, Bass Guitar, Banjo, Double Bass, Tuba
There are two selves, self one is free and limitless. Self two contains the ego and long with it self doubt. Musical mastery is about learning to listen to self one; the truth self. Read More
Instruments: Trombone
I am a passionate and hard working instructor who loves to share my love of music with others. In 2016, I graduated from Baldwin Wallace University with a Bachelor of Music degree in Trombone Performance. I then went on to pursue my Master's at Carnegie Mellon University School of Music and graduated in 2018. I have performed with several regional orchestras including, the Erie Philharmonic, Youngstown Symphony, Akron Symphony, Pittsburgh Opera Orchestra, and the Pittsburgh Symphony. Read More
Instruments: Piano, Trumpet, Trombone
I began teaching in 2014, shortly after graduating high school. I quickly began to enjoy encouraging and mentoring aspiring musicians to keep up with their practices as well as the love for music. I have a wide variety of teaching experiences such as teaching private lessons in home/studios, as well as instructing entire orchestras and wind ensembles. I've also found that a combination of classical and fundamental practices, as well as contemporary music, can go a long way in solidifying comfort ability on the instrument. Read More
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