Viola Lessons Northeast

Instruments: Violin, Cello, Viola, Double Bass

I adjust my private instruction based on student interests- if a student is into composing or using programs like finale or garageband, we construct lesson content around these interests. There's always the inclusion of music theory, at all levels of experience, because I feel that it is necessary for students to understand how the music is created and why in order to become better performers and musicians. I never let a student let a bad day get in the way of having a productive lesson- I like to touch base on how they're doing, and if things aren't going so well, we will always be able to find something positive that's going on in the lesson. Read More

Instruments: Violin, Viola, Electric Violin, Fiddle, Music

Hello! I'm Audie, a college student studying Music Education at Western Connecticut State University. I believe that music has the capacity to be an agent of change, both within and outside one's self. Learning a musical instrument can be a very satisfying opportunity to grow as a person and as a musician. My method of instruction is individualized to both a student's goals and their unique interests or aptitudes. Together, I work with a student to figure out what they intend to achieve with their music and how to get there, while building musical skills (such as ear training, rhythm, and phrasing) and lifelong skills (such as discipline, focus, and self esteem). Read More

Instruments: Violin, Viola, Saxophone, Clarinet

I use a variety of methods depending on the needs of the student. School age children frequently are already using a lesson book and curriculum as part of their school studies, and sometimes prefer to work out of these materials. Adults and more advanced students often have very particular goals they wish to focus on, and I can help each student select materials for study that will advance that goal. Read More

Instruments: Piano, Guitar, Voice, Violin, Viola, Drums, Mallet Percussion, Orchestral Percussion, Conga, Keyboard, Electric Guitar, Djembe, Classical Guitar, Acoustic Guitar

My music pedagogy is influenced by Zoltan Kodaly, mile Jaques-Dalcroze, Edwin Gordon, and Carl Orff. For teaching violin, while I employ elements of the Suzuki Method, Strictly Strings, and Metodo Nicolo Violin to instill discipline and establish ,precision, I set up a lively, interdisciplinary, and creative environment by incorporating calisthenics, games, dancing, singing, and storytelling to encourage versatility and innovation. Read More

Instruments: Piano, Guitar, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Bass Guitar, Accordion, Banjo, Ukulele, Mandolin, Recorder, Lute, Fiddle, Double Bass, Orchestral Percussion, Conga, Latin Percussion, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar

It is the theory that one needs to learn in order to progress to a level a student wishes at attain. Think of if you were asked, "Can you write me a sentence"? but you didn't know the alphabet, how would you write the sentence? It would be difficult or, impossible to do so without the knowledge of using letters to convey the message. In the same way, without theory of music, one finds one stranded in their development and in need of a musical transfusion. Read More