Voice Lessons Northeast

Instruments: Voice

Again, my teaching will stick to the motto of my own voice teacher, "Let me do the thinking for you!" If we work on it in lessons, and the student works on it in practice, the next step is to let go and trust that they've done the work and I will adjust if needed. The most important thing is for the student to feel comfortable and sing with no effort or push! Read More

Instruments: Piano, Voice

After carefully assessing each of my students, and determining whether or not he or she are beginners, intermediate or advanced, I start them in the lesson book that is according to the level they are at. I teach from Alfred's Piano Course, but if my student has a piano book already, it is not a problem to teach from that series. Once my student has progressed and has a strong understanding of the fundamentals, I will begin to introduce solo repertoire for their recitals and personal interest. Read More

Instruments: Voice

For five years prior to moving to the city in 2017, I taught choir one of Iowa's largest and most diverse high schools, where I also served as the competition musical theatre coach. Additionally, I have been a voice teacher for 8 years in total, with students rising to high levels of success in state, university/college, and regional singing competitions. When time allowed, I performed in numerous regional plays and musicals, as soloist for professional choral/orchestral ensembles in the area, and often served as music director and vocal coach for university, community, and high school productions. Read More

Instruments: Voice

My enthusiasm for performance and teaching have turned me into an energetic and motivated instructor of voice and piano for the past three years. I began teaching privately while in graduate school at the University of Maryland. During my time there, I enjoyed made performance opportunities in the DC Metro area. This allowed me to get a sense of what good, young voices sound like at the beginnings of their careers. Read More

Instruments: Guitar, Voice

Aestethics or "beauty" of the voice is subjective. In this method we favor the voice health. The ability to sing without fatigue. The confidence that we can trust in our instrument. The result of this work is after all a "beautiful" sound. And it will sound beautiful for every listener. "The acoustical result of a healthy sound is a beautiful sound. And we will agree in any culture that its beautiful because its an instinct aesthetic." (Eugene Rabine) The method itself comprehends 4 parts: 1) a theory about the functional system (how the instrument works) 2) a theory about the sensomotorial system (how one person learns a sensomotorial activity) And based on those 2 theories: 3) a specific Pedagogy 4) a specific Didactic I don't want to get too "technical" in this section, you're free to ask me if you have further questions about these aspect. Read More