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Instruments: Piano, Voice, Violin, Viola, Keyboard
Excellent, nurturing Suzuki violin pedagogy - treating music as a mother tongue to absorb, imitate, and engage with - informs my methods for beginning and intermediate students. Gradually, as the student shows readiness, we blend in the traditional yet humane study of expert violin playing and thoughtful musicianship modeled for me in Dorothy DeLay's masterclass. As distinct from many string players, I am also a devoted and accomplished singer. So breathing, posture, phrasing, color, line, and articulation are key to my approaches to making and teaching music, and thus to helping my students x22singx22 through their playing. Read More
Instruments: Voice
Everything we do on stage begins with breath. Sing, Acting, Dancing- all of these require disciplined breath management. Once a strong foundation of good breathing is laid, I tend to use visual-spacial prompts to get the singer to feel the changes rather than use pedagogical terminology. While this is a wonderful set of tools, I will always defer to the student's learning style. Everyone learns differently, and the most important thing a coach or teacher can be is a good, patient communicator. Read More
Instruments: Piano, Voice
I began teaching voice and piano lessons in grad school and have been teaching for the past 5 years. I love sharing my passion for the voice as an instrument, and I feel that a strong foundation of music theory and keyboard skills is a must for vocalists. I enjoy incorporating all of these skills into lessons. I've also found that no matter what style and genre of music interests you there is a primary fundamental healthy technique as the foundation for all of them, and I find it ver exciting and thrilling to develop the skills needed to unlock this vocal freedom! Read More
Instruments: Piano, Voice, Violin, Fiddle
I love to do a combination of Suzuki and traditional styles. I believe ear-training and traditional sight-reading are both crucial to young musicians. I began Suzuki piano when I was five and I'm so thankful to have such a keen ear as a professional violinist. If the student has had music lessons before, I'm very happy to continue teaching whatever method they had previously started with. I believe method should be catered to the student and the student's needs as a beginning/intermediate musician. Read More
Instruments: Piano, Guitar, Voice, Drums, Bass Guitar, Organ, Synthesizer, Harmonica, Ukulele, Mallet Percussion, Keyboard, Electric Guitar, Classical Guitar, Acoustic Guitar
In 2002, I was the musical director for the Roadhouse Theaters production of Kurt Weills Threepenny Opera. I joined the Bluesbeaters (Against the World Enterprises) in 2005 and have performed 100 shows a year including 30 a year at PeaknPeek resort from 2005 to 2013. We currently perform monthly to packed houses at the Bullfrog Bar in Erie and are a favorite at many private events. I composed, performed and recorded the soundtrack for a movie produced by WQLN entitled Scenes from an Attic in 2005. Read More
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