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Instruments: Piano, Voice
She worked as a singer-piano player in Tokyo, Japan for over 10 years. Then she came to Boston for studying at Berklee college. After graduate Berklee at 1996, she started teaching as well as singing at various venues in Boston, New England area. Currently she teaches at the Rivers School Conservatory, Wellesley HS extension and her home studio as well as Musika students' houses. Read More
Instruments: Voice
I have been exposed to teaching since high school. However, I did not get serious about teaching until my college days. I took two vocal pedagogy classes. Through these classes I learned both about the pedagogy of healthy singing and of productive teaching. I truly believe that having a good classical foundation will take a student far. I like to work on classical music, but I also have a passion for other genres. Read More
Instruments: Piano, Voice
For beginning piano students who are children, I usually start with Faber and Faber methods and performance books. I supplement with other solo materials as the student progresses. For beginning adult piano students, I use Alfred's Adult PIano Method. For the more advanced students, music is typically chosen from a variety of sources, so that the student is playing music that is challenging and enjoyable. Voice students generally begin with the basics of voice technique and singing. Read More
Instruments: Piano, Guitar, Voice, Violin
I began teaching lessons in college, but grew my studio while I was preparing for grad school auditions from 2010-2012. Most of my students at that time were beginner piano lessons and I love to teach young children. I also greatly enjoy teaching children with autism. I have had success in combining my music education and music therapy skills to help students accomplish musical goals while also addressing behavioral goals such as increasing verbal or nonverbal communication. Read More
Instruments: Voice, Violin, Electric Violin, Music
For all of my students, I let them pick a song (vocal) or piece (violin) that they would like to sing or play. This way I can analyze what level they are on. For my voice students, I start with vocal warm-up exercises of the different vowels. It helps me to understand their range as well as tone of voice. For my violin students, I usually stick with the Suzuki Method, or Essential Elements books, if they are in the more beginning stages. Read More
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