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Instruments: Violin, Cello, Viola
I typically use the Applebaum String Builder method books, and supplement with solo pieces as needed. I encourage regular practice, as students who feel they are progressing and doing well tend to enjoy their instrument more. As they become more advanced, they are encouraged to start giving opinions on what they want to learn. One thing that makes my studio unique is that I don't just teach how to play an instrument, I teach my students how to practice. Read More
Instruments: Violin, Cello, Viola, Double Bass, Music
My teaching style would probably be classified as Classical. I do teach music reading as a foundation of most of my instruction, however I also work with students who learn better by rote. I take pride in being flexible in my instruction. I do teach from the beginning on how to read music with focus on foundational posture and instrument position. Once that is solid, there is no limit to the students progress. Read More
Instruments: Piano, Cello, Music, Keyboard
Depending on my student's age and skill level I usually have them begin with Suzuki books, Essential Elements books, or a combination of the two. As students advance I often incorporate etudes and/or exercises by Lee, Dotzauer, Galamian, Mooney, Sevcik, Duport, and Popper. While ear training is an essential skill that I teach to all of my students, the younger a student is the more I'll have them "play by ear" instead of reading sheet music. Read More
Instruments: Piano, Violin, Cello, Viola, Music, Keyboard
My lessons are very structured and fun. I incorporate games, visual aids, physical application, and live demonstrations to help appeal to the different styles. I do expect a high level of commitment from students while still being understanding that life doesnt always allow us to practice hours and hours a day. Since I do provide a lot of information within each lesson, I add a 5 minute break (if needed) to help clear the mind or just rest the eyes/arms since staring at music for a long period of time or holding up an instrument for a long period of time can be quite taxing. Read More
Instruments: Piano, Guitar, Cello, Drums, Bass Guitar, Ukulele, Mandolin, Double Bass, Music, Keyboard, Djembe
I have worked with students aging from 6 with no training to 55 with 30 years of training. Every student is different and presents unique challenges. I find that the less a student know the easier it is to see improvement. Often with older players there are fundamental basics that are working against them that need correction. You can not unlearn something, only learn something knew. The most important thing in music education is starting them right because muscle memory is extremly hard to change. Read More
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