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Instruments: Piano, Guitar, Voice, Trumpet, Saxophone, Flute, Clarinet, Bass Guitar, Ukulele, Music, Electric Guitar, Acoustic Guitar
I had to create "wiggle room" for following his joy whilst remaining instructionally relevant. Other students require more structure, have different musical passions, etc. so I follow that accordingly and when required draft precise, singular goal oriented lesson plans. Humbly though, I would say that Adam taught me to improvise on an a higher level than I'd ever been asked to or thought possible, which for a jazz musician is really saying something. Read More
Instruments: Piano, Guitar, Trumpet, Clarinet
Aside from attending to the normal duties of a section leader, there were several times when I would privately teach students or host sectionals at my home. I have done this for three years and it has been a major success. I love helping students develop their skills and seeing them grow. I would encourage practice at least a little bit each day and I always helped them prepare for a concert or a recital. Read More
Instruments: Voice, Trumpet, Trombone, Bass Guitar, Double Bass
Everybody develops at their own pace. This makes the journaling process even more important. I ask to keep track ofwhat you worked on, how it felt, how much time you spent on each subject, questions or interests it brought up, and goals you wish to strive for. This is a routine that I've found very helpfull for musicians of all ages and expeience levels. There are few things more satisfying than acheiving a goal you've reached and being recognized for it, this is a goal that I strive to complete with each and every student. Read More
Instruments: Piano, Guitar, Trumpet, Saxophone, Drums, Mallet Percussion
Teaching the most basic concepts in how to build a chord or a scale by using formulas is my favorite way to approach the lesson. An individual's understanding of music is always changing therefore I feel it is better to change with them. Using methods which are proven is important, but the idea of improvisation during a lesson always keeps the interest for me and the student. Of course this depends completely on the age and the experience of a student. Read More
Instruments: Piano, Trumpet, Trombone
I began teaching trumpet in 1999. I have studied with: Lin Biviano (Buddy Rich, Lawrence Welk, Woody Herman) Larry Hudson (Rouge Valley Symphony), George Recker (Lincoln Center, Eugene Symphony), David Bender (Eugene Symphony), and I have taken individual lessons from Fred Sauter (Oregon Symphony) and Charles Schluter (Chigaco Symphony) I studied piano and Jazz Theory with Toby Konigsberg, recording artist and Jazz piano instructor at the University of Oregon. I have found that my experience as a performer in Jazz, Pop and Classical music has deeply informed my teaching. Read More
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