Voice Lessons Hudson County, NJ

Instruments: Voice

Mr. L. has also apprenticed with Glimmerglass Opera (performing Curio and covering Achilla in Giulio Cesare in Egitto), San Francisco Opera's Merola Opera Program (Dandini in La Cenerentola), and the Juilliard Opera Center, where he trained between 2007 and 2009. As a member of the Juilliard Opera Center, Mr. L. appeared as the boxer Adam Ochsenschwanz in Ernst Krenek's Schwergewicht oder die Ehre der Nation under the baton of James Conlon, as Ford in Falstaff in a production by Stephen Wadsworth conducted by Keri-Lynn Wilson, as Rambo in The Death of Klinghoffer under the baton of the composer, and as Raimbaud in Le comte Ory. Read More

Instruments: Guitar, Voice, Drums, Bass Guitar, Electric Guitar, Classical Guitar, Acoustic Guitar

I have been playing Guitar and Bass for eight years , informal teaching for seven and professional teaching for two. My personal musical background and specialties are in Blues, Modern Metal, Classic Metal, Jazz, Jazz improve, Modern Jazz, Punk, Rock, Melodic, and Country. Ear Song Writing trained at Were Bird Studios, over my musical career I have composed over one hundred original tracks along with ghost writing for various artist of various genres. Read More

Instruments: Piano, Guitar, Voice, Clarinet, Bass Guitar, Electric Guitar, Classical Guitar, Acoustic Guitar

For my teaching goals I like to help my students learn the instrument from the basic fundamentals. I believe music is like building a house and it is important to start with fundamentals in order to construct a strong foundation for musical knowledge. I like to teach proper technique and playing standards so my students will learn correctly and not have to go back and relearn things and relearn their technique. Read More

Instruments: Piano, Voice, Saxophone, Flute, Clarinet, Ukulele, Recorder, Music, Keyboard

For beginner students with little to no playing experience, I usually start with the Essential Elements series, along with supplemental music theory instruction. I usually switch the student over to the Rubank books once they've grasped the fundamentals. I then introduce standard solo repertoire as well as etudes, orchestral excerpts, etc. I encourage ensemble playing and deep music listening to all my students as well. For piano students, I am comfortable teaching Suzuki, Faber & Faber, and many other methods. Read More

Instruments: Piano, Voice, Flute, Piccolo

My teaching experience began in college when I worked as a student volunteer in the Kean University Chamber Music ensemble. I worked with the vocalists in sectionals as well as one adult beginner flute player who I am good friends with. I later became the student assistant for that same ensemble my last semester in undergraduate as I continued to give critique and work with the flute student who was just starting, on the flute fundamentals such as sound, breathing, scales and long tones. Read More