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Featured Piano Teachers Near Aliso Viejo, CA

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Here are just a few of the many teachers offering Piano lessons in Aliso Viejo . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kandra S

Instruments: Piano Voice Organ

I have been teaching private piano and voice lessons to young and adult students for over 18 years. I teach music because I believe all human beings connect to it and feel something overtime they hear music. This motivates me to continue teaching as much as possible. I believe in teaching a diverse number of techniques and genres from Pop to Jazz to classical to my music students to gain a wide variety of techniques and general love for the many styles of music. Read More

Zacharie A

Instruments: Piano Saxophone Flute

For beginners, I like to use affordable books such as "Standard of Excellence" or "Essential Elements." For intermediate and advanced students, I will present materials based off of the student's interests. Read More

Isabela V

Instruments: Piano Guitar Trumpet Clarinet

Aside from attending to the normal duties of a section leader, there were several times when I would privately teach students or host sectionals at my home. I have done this for three years and it has been a major success. I love helping students develop their skills and seeing them grow. I would encourage practice at least a little bit each day and I always helped them prepare for a concert or a recital. Read More

Daniel C

Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Keyboard Electric Guitar Acoustic Guitar

I'm a self-motivated, adaptable, and encouraging instructor with 14 years of performing experience and 8 years of teaching experience (6 professional). I'm an expert in piano, guitar, vocals, drums, songwriting, and I also play bass and ukulele. I graduated from University of Washington Seattle in 2021 with a Bachelor of Arts degree. I've performed countless times in competitive jazz (national), percussion, rock, drum-line, and concert ensembles. I also had the privilege of training and performing with renowned world music artists such as Amarilys Rios (Afro-Caribbean Bomba Percussion), Phyllis Byrdwell (Gospel Vocals), and Ganesh Rajagopalan (South Indian Classical). Read More

Matthew S

Instruments: Piano Guitar Trombone Drums Synthesizer Ukulele Orchestral Percussion Latin Percussion Music Keyboard Acoustic Guitar

I approach teaching in layers. Step one leads to step two, we cant skip steps! I find it important that for beginners we follow this structure. More advanced students will be on a case by case basis in regards to where we start. I emphasize imprivisation in every lesson weather it be on drums, piano or trombone. Playing music right off the top of your head, and in the moment is something you can't learn out of a book! Read More

Jebb A

Instruments: Piano Voice Music

For students earlier in their journeys, I do believe a practical understanding of music and basic theory is fundamental to unlock both the art and the science of performing. After warm up exercises that help acquire the vocabulary and sonic principles of agile musicianship, I would immediately dive into material that the student finds engaging and personal! I am an advocate for storytelling in the arts first, with mechanical technique and instruction used as vehicles to empower the pure love of expression! Read More

Mark S

Instruments: Piano Trumpet Trombone Bass Guitar Synthesizer Euphonium French Horn Tuba Music

I strongly believe that a well-rounded music education helps a player to become a more confident, musical, and an emotionallyyaware musician. As such, I like to give my students small assignments focused on topics besides just performance, such as Music Theory and Aural Skills exercises. Of course, I will always move at the pace the student needs but I also know (from personal experience) that a nudge in the right direction can be priceless. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What does a normal practice session look like for you?
Vocalistss have different endurance thresholds but I strongly feel that novice to intermediate singers avoid singing for more than 20 minutes per session and no more than one hour to 90 minutes total per day. It is important to take intermittent breaks to keep your voice from tiring or becoming damaged. More advanced students who are interested in additional musicianship skills like ear training and sight reading should practice these objectives on musical instruments to maintain vocal health and stamina. For example, advanced singers can practice playing different chord types and voicings on piano or guitar during their warm-up. Most vocal warm-up patterns move chromatically (in half-steps) so this allows the opportunity to practice both harmonic ear training and basic piano skills simultaneously. If piano or guitar is your second instrument then you can study theory and harmony on those instruments while you rest your voice. Rhythmic ear training can be accomplished with a drum pad and a pair of sticks. There’s no need to sing everything you need to practice! Drummers warm up by playing rudimental sticking patterns for 10-20 minutes on the practice pad. If the student is studying traditional snare drum technique then the second part of the practice session would be playing etudes from an appropriate text. The third part of a drummer's practice regimen is practicing drum grooves (beats) on the full set. This would, of course, include the student's musical style(s) of interest.

Does music run in your family? Tell us a little about your musical family members.
My parents were actually quite musical and their library of recordings at home offered me a diverse palette of musical idioms to listen to while growing up. My mother was a tap dancer who performed on stage with her two sisters when she was a youngster. I remember her teacher my sister and I how to "hoof" to the song "East Side, West Side," which I can still perform to this day. Mom also enjoyed singing jazz standards from the American Songbook. She took voice lessons and I used sneak into the library to listen to the reel-to-reel tape recordings she made when she practiced her repertoire to the old Music Minus One vinyl discs. My father surprised us one day when he came home with a full set of drums. We had no idea that he played as a child. On a whim he had decided to revisit his love for Gene Krupa. I think many of my drumming ideas were inspired from watching him play traditional jazz swing.

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