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Featured Piano Teachers Near Canton, MI

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Here are just a few of the many teachers offering Piano lessons in Canton . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andrew S

Instruments: Piano Guitar Violin Viola Bass Guitar Synthesizer Banjo Ukulele Mandolin Lute Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

Students should have fun!!! Learning how to improvise and create your own music is a skill every child can learn. I create play-along videos so that you can practice at home... I present information in an educational and entertaining way for a living. A high achiever from a young age, I performed in Carnegie Hall at age 19, and was professor at two Universities by age 22. I've studied privately with the head of both Julliard's and Yale's guitar departments. Read More

Michael H

Instruments: Piano Guitar Bass Guitar Organ Synthesizer

For beginning students, I start with the traditional Mel Bay (or comparable) beginner books that focus on the fundamentals while building strength and coordination and just build from there.  For students with a little more experience, I like to focus on more challenging exercises and concepts while nurturing their knowledge of music theory and performance.  Each student is different and knowing what motivates them motivates me.  My goal is to have them want to pick up their instrument and play. Read More

Gabriel C

Instruments: Piano Organ Synthesizer Keyboard

Everything stems from the goal(s) set. We work out a plan to reach those goals and a realistic pace to move at. I also leave room for and expect a moving goal post. Inspiration is heavy the more concepts are successfully explored and understood. I expect the best from my students; nothing more, nothing less. We will not downplay accomplishments or progress, especially when things take longer than expected. Read More

Matthew D

Instruments: Piano Guitar Drums

I gained my teaching experience over the last 3 years in a variety of settings. For the 2011-2012 school year I was a Music Project Coordinator at a high school in Montreal, where I gave private lessons (drums, guitar, piano), coached bands, assisted students and ran rehearsals in ensemble classes, and co-organized the school's winter and fall concerts. Since moving to Detroit in 2012 I have been teaching private lessons to students of all ages in studios and in students' homes, and as a substitute teacher have led ensemble rehearsals at all grade levels. Read More

Chad S

Instruments: Piano Guitar Bass Guitar Banjo Music Electric Guitar Classical Guitar Acoustic Guitar

For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. I am able to teach any genre at any level. Read More

Steven P

Instruments: Piano Guitar Drums

I began teaching in 2008 for a company where I taught for about five years. I have worked with students of many different ages teaching Guitar, Piano and Drums. I believe to really see any results with your instrument is going to require a solid dedication to practicing. Especially for beginners. The main thing is you really have to enjoy what you're doing as you're learning this new instrument or else becoming proficient at it is going to be a struggle. Read More

Teacher In Spotlight

Geoffrey W

Instruments: Saxophone Recorder

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I would be pursuing one of my other creative outlets in a more direct and permanent way. Most likely this would be wildlife photography, multi-media art sculpture or programming.

What musical accomplishments are you most proud of?
The musical accomplishments I am most proud of are my music degree from Loyola University New Orleans, the 7 records I created with my bands, and the hundreds of live performances I have given with them.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes. Multiple students of mine have gone on to attain All-County and All-State status and seats in these prestigious positions. The difficulty and ages of these talented kids was from 10 years old all the way through 18 and from the simplest level 1 solo to the most difficult level 6.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The specific methods I employ with my students depends on their requirements and needs as I deem them. I use a plethora of instructional books, ranging from simple mechanics and scales, tone development, music theory etc. It is advised that you purchase the books we will be using. Until then I can provide pdf's for most if not all materials.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Science in Popular and Commercial Music with a Concentration in Jazz and Classical Saxophone Performance. I originally started out as solely a music performance major, but decided that to better encompass my vast plethora of musicality applications, a more well rounded program including music business and all of the facets that surround that was the wiser decision.

What do you think is the hardest thing to master on your instrument?
The hardest things to master about saxophone are a tie between embouchure and tone development, pitch and then mechanical skills like developing muscle memory, finger strength etc.

Why did you choose your primary instrument?
I chose to become a saxophone player kind of by accident. When I was 8 years old, an accident at summer camp resulted in my front tooth being knocked out. It was re-implanted, but two years later when we were choosing instruments in elementary school and I expressed desire to play the trumpet, my mother asked my orthodontist who said the pressure from trumpet would be bad for the implanted tooth, and suggested saxophone! It is one of the most controversial and beneficial truths of my entire life...

When will I start to see results?
If you take what I say and teach seriously, you will start to see results immediately. Part of my job as an instructor is to have the expertise to pinpoint a students strengths and weaknesses and construct a teaching model conducive to the most efficient and effective way of advancing your abilities as an instrumentalist and a musician in general.

What advice do you have about practicing effectively?
The first step to effective practice is to take out your metronome and your tuner; these tools are vital to your development and are required for all students during all lessons. Next, stop practicing the parts you can already play, slow down the ones you can't and get them up to speed.

Did you have a teacher that inspired you to go into music? How did they inspire you?
During my high school years I had at one point 14 different private music teachers all over New York state. Each one of them inspired me in different ways, which is why I sought out as many pros as I could find to get each one's unique input. But the one who inspired me to continue on seriously as a teenager was the legendary Mike Holober, leader of the Gotham Jazz Orchestra and resident professor of The New School in New York.

How do I know if my child is ready to start lessons?
Your child is ready to start lessons if they have an instrument and a desire to play music and develop their new skills. The type of instruction and severity of difficulty depends on their natural ability, their developed ability, and desired ability.

What is your favorite style/genre of music to play and why?
My favorite styles of music to play are big band jazz, classical/avant-garde saxophone quartet, and the rock-jazz-fusion style that my old band AUTOTOMII developed, mixing traditional rock band setups with baritone and alto saxophones and other woodwinds, and home-made special sound effects studio and record production.

Does music run in your family? Tell us a little about your musical family members.
Music absolutely runs in my family. My mother was a classical voice major at University of Colorado, who pursued professional music theater for decades afterwards as a soprano belt. Later in life she was a voice teacher. My older brother is a graduate of NYU Steinhardt in vocal performance and makes a living in Brooklyn, NY as a singer, actor and musician. My father, while not an instrumentalist, is probably the most well versed in music and theater non musician I've ever met.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
My decision to play music professionally came about early on in my college years at Loyola University New Orleans. There really was no defining moment; I've been playing saxophone since I was 10 years old and always gravitated toward doing just that.

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