901-290-0866
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24 Years
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Here are just a few of the many teachers offering Piano lessons in Collierville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Bass Guitar Organ Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar
Depending on the level of the student, I will work with what they already have and expand based on the genres they want to learn. If the students' main goal is to shred like Hendrix, then I would start with the basics of blues. I'd explain the blues through terms of the major scale and western music theory, which makes it accessible to students would otherwise have no concept of the genre. Read More
Instruments: Piano
While living in New York, Memphis Jazz Workshop founder Stephen L. had the privilege of meeting and befriending several talented young musicians. Not long after meeting these young musicians, Lee noticed that they were operating at a higher skill level at a very young age compared to their counterparts. They were incredible performers who were hanging with jazz legends at world-renowned jazz clubs, and most were enrolled in performing arts schools. Read More
Instruments: Piano Saxophone Flute Keyboard
For piano students I highly recommend the Alfreds books for beginners. After you have some background we can work with the music of your choice, classical, jazz, pop, RnB etc. Some of my specialties include teaching people how to turn chord charts into music, how to improvise and how to use music theory to improve your understanding of music. For guitar I do not use any books as I find most guitar method books to be very old fashioned and not inviting to the student. Read More
Instruments: Piano Voice Violin Keyboard Acoustic Guitar
My desire is for all of my students to know and learn proper technique. For beginner students, I will start with theory basics that are foundational to learning and can be directly applied to their instrument. Once they gain a basic understanding of the fundamentals, I will introduce more complete solo repertoire that they can begin to work on. Depending on the interests, learning desires, and level of the student, I will move forward with what interests them, though I may require some classical selections as I believe it to be a style foundational to a great musician. Read More
Instruments: Piano
I am a very responsible teacher and wonderful teacher, since I could dedicate my knowledge to students to really help them make progress. Many methods are originated from my playing experiences and feelings. Therefore, based on the professional knowledge, I always tell students my real feeling to practice and play.It will help them directly get the right way very quickly! I graduated from the University of Michigan a famous music school in United States.for Master Degree in Piano Performance with Full Graduate Fellowship (it is very competitive), and I got the Full Graduate Teaching Assistant from University of Memphis for DMA degree. Read More
Instruments: Piano Keyboard
I like to see my student as an apprentice. I want the student to develop their own goals and directions and I desire to help uncover what sometimes is a myster on how to get from point a to b. I am a heartelt person who loves people of all walks of life. We all have a musical history to bring to the table that is unique to our experiences. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Collierville to students of all ages and abilities.
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