901-290-0866
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24 Years
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Here are just a few of the many teachers offering Piano lessons in Collierville . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Saxophone Flute Keyboard
I have been teaching young people and adults how to play musical instruments for over 20 years. Currently I conduct after school music programs at the University of Memphis Campus School, CTK Lutheran School in Memphis, and Incarnation Catholic School in Collierville. I also have performed with many local bands in a variety of music styles. I enjoy playing out and I try to instill this natural attraction to music making in all of my students. Read More
Instruments: Piano Guitar Voice Bass Guitar Organ Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar
I have been playing guitar, bass, and piano for 11 years now. I have extensive experience performing jazz, blues, and rock guitar. I am also very experienced in mixing, mastering, and recording techniques. I have a degree in music (jazz) theory and audio engineering and I am very excited to share my talents and knowledge with perspective students! I specialize in the music of American blues, jazz, and rock and roll through the ages. Read More
Instruments: Piano
There is additional research suggesting that improvisation stimulates the brain in ways that promote resilience, responsiveness, creativity, innovation, my teaching is very important because current research in both education and youth development indicates the strong correlation between music education and the development of strong academic and social/emotional learning outcomes among youth. The results are in: music in general and ensemble training in particular nurture strong social and emotional learning skills, e.g., collaboration, critical thinking, self- discipline, and self-efficacy. Read More
Instruments: Piano
I take full advantage of her knowledge and comprehensive ability to help each student to solve problems, to overcome difficulties. In the process of teaching, I master a set of feasible and effective teaching methods through many years experience. I find out different teaching strategies, to help students really learn the true meaning of piano performance. Another advantage is that I am good at teaching in English and Chinese, which also helps those students who have interests in learning Chinese. Read More
Instruments: Piano Voice Violin Keyboard Acoustic Guitar
My desire is for all of my students to know and learn proper technique. For beginner students, I will start with theory basics that are foundational to learning and can be directly applied to their instrument. Once they gain a basic understanding of the fundamentals, I will introduce more complete solo repertoire that they can begin to work on. Depending on the interests, learning desires, and level of the student, I will move forward with what interests them, though I may require some classical selections as I believe it to be a style foundational to a great musician. Read More
Instruments: Piano Keyboard
My musical journey began when I was 12. I fell in love with the piano immediately. 3 years later I was working on my first instrumental album. My second piano teacher, Joan Gilbert, from Julliard School of Music helped me really uncover my raw talent in high school. This is the first time I trully was inspired and effectively motivated by a piano teacher. I had two teachers before that. I continued to write music, perform at recitals and provid music for church and school events. Read More
Instruments: Voice Drums
What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format.
Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Collierville to students of all ages and abilities.
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