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Featured Piano Teachers Near Compton, CA

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Here are just a few of the many teachers offering Piano lessons in Compton . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Feef M

Instruments: Piano Guitar Voice Bass Guitar Banjo Electric Guitar Acoustic Guitar

I work to determine how best you learn, and then we move in your direction. I am left-handed and have learned to accommodate as well as individuate. My idea about life is that anything a person wants to learn CAN be taught. What is required? A deep desire and patience. But there is nothing as exciting as playing an instrument! Or learning to sing, and feeling the power that comes when you express yourself. Read More

Sean T

Instruments: Piano

Currently, I'm a nineteen-year old student at UCLA! I'm entering my second year come September, and will be majoring in both Piano Performance and Mechanical Engineering. I've played piano for about 15 years now, and have taught for around 6 years alongside my mother who is also a piano teacher. I've had the opportunity to perform all over the world, from Carnegie Hall to small cities in Italy and performing before some of the world's greatest artists. Read More

Sumitra N

Instruments: Piano Voice Music

I am a singer/songwriter and pianist who loves sharing the gift of music with teenage and adult students. I have been teaching piano, voice and coaching songwriters since 1998. I have had the privilege of working with people of all ages, from different cultures and backgrounds, both as a performing/recording artist and as a music instructor. I started teaching in Vienna, Austria, and continued after I moved to Los Angeles in 2004. Read More

Breana G

Instruments: Piano Violin Viola Saxophone Flute Clarinet Oboe English Horn Acoustic Guitar

I use a wide variety of methods depending on the student's current ability level, musical preferences, and goals. I'm also willing to work with a method or book that a student is currently using. Generally, my students have a varying ratio of technique/scale study to work on the foundations, an etude/short piece study to help connect musical ideas and teach expression, and a solo piece that is prepared over a long period of time, most likely for a future recital. Read More

Taylor M

Instruments: Piano Drums

My teaching style differs from student to student. With the younger students, it's all about fun. The goal is to make playing music less of a chore, and instead, have it be something they enjoy just as much as playing video games or soccer. For the adult students, and students interested in playing music professionally, I tend to give them more material at a much quick rate. Read More

Joseph S

Instruments: Piano Saxophone Clarinet Music

I've been teaching for the past five years. My favorite part of being a teacher is seeing my students take the initiative in their musical studies and discovering break throughs in our lessons. Many of my students have participated in several honor bands and competitions, and I make it a point to steer them in that direction. In my experience the best place a musician can be is surrounded by musicians that raise their standards of excellence. Read More

Teacher In Spotlight

Daniel S

Instruments: Guitar Electric Guitar Acoustic Guitar

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
It was a gradual decision I wish I would have made sooner. Being a musician isn't just a career, but a full on life style. The sooner you commit to this life style the more fully you can experience it. Becoming a performance level musician takes time and commitment unlike anything else. I was never encouraged to be a musician because my family was not musical and did not understand the prospect of playing or teaching music as a profession outside of recording hit singles and touring stadiums. It took me well into adulthood to realize that there are other and more realistic ways to make a living through music such as teaching, performing in a small touring band, or a successful local band, and possibly working as a session musician in a studio, jazz, classical, or wedding ensemble.

If you weren't a musician what do you think you'd be doing instead?
Coincidentally enough if I was not playing and teaching music I think I would want to be a school teacher instead. I really do love sharing my knowledge with curious individuals and working one on one with students to see them develop. I've always been very interested in history and reading especially so it would equally be a joy to share these interests with thirsty minds as well. Some times I even consider going back to school to become a teacher for a full time day job where I would still have nights, weekends, and summers off to focus on my art.

What is your favorite style/genre of music to play and why?
Since I started I've always played some kind of rock music. First classic and alternative rock and now primarily a new style people call "jam". Jam music roots from 60s psychedelic rock especially the Grateful Dead and Alman Brothers Band, but also such popular acts as Pink Floyd, Big Brother and The Holding Company, and Jimi Hendrix as well as more contemporary and eclectic influences such as electronic, hip hop, funk, world, and jazz. The main feature of "jam" music is it's incorporation of improv and fluid transitions between pieces and styles to create a unique musical mosaic each performance. I prefer this style because it incorporates a wide range of influences from other styles of music I like while expressing genuine emotion in the moment more passionately then other current genres.

What is your dream piece to perform and why?
I've been saying for years now I want to do a cover of Pink Floyd's "Shine on you Crazy Diamonds". Pink Floyd have always been a major influence on my playing and thinking since my father first introduced them to me as his favorite band when I was a child. Since then this has probably become my favorite piece of theirs. It's a multi-movement psychedelic rock symphony starting from the depths of the void and taking listeners on an other worldly sonic journey through time and space guided by the piercing vocality of David Gilmore's guitar tone. The piece is incredibly cinematic in a sense and truly the peak of what I believe modern music is cable of.

What does a normal practice session look like for you?
I like to start by warming up, which really every player should. My routine includes scale exercises to practice fretting, intervals, finger dexterity, and reach as well as a variety of diatonic chord and strumming exercises to practice rhythm in different time signatures and styles including basic funk, reggae, and jazz patterns. Next I'll often move on to scale and solo work by practicing with TABs, recordings, and new scale charts. Finally I move on to song work and improv developing original material and solo ideas for my band or else practice on nights it is scheduled.

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