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Featured Piano Teachers Near Concord, NC

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Here are just a few of the many teachers offering Piano lessons in Concord . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Sarah E

Instruments: Piano

I am an open-minded and energentic teacher that will do whatever it takes to help my students learn the piano! Playing the piano is one of the biggest joys of my life, and I love to share that with as many people as possible. I gradauted in 2011 from Hyles-Anderson College with a Bachelor of Science degree in Music Education with a minor in Piano Pedagogy. I had the opportunity to play with choirs and orchestras throughout college, and have continued learning and loving the piano. Read More

Jesse K

Instruments: Piano Guitar Bass Guitar

Ever since I was a child I had wanted to be a teacher. When I got to Central Piedmont Community College I focused on music education because I knew I wanted to teach music theory in college. After transferring to Wingate University I began studying choral music education because I was fascinated byhow the voice works and blends with other voices in a choir situation. I have had the opportunity to study rock bass, jazz bass, classical guitar, piano, and even private voice lessons from private lessons all the way up through college level lessons and these lessons have given me such a drive and passion for not only music, but music education. Read More

Cory S

Instruments: Piano Voice Music Keyboard

I believe in promoting the things that make each student unique! I like to push my students to strive for new goals and achievements while also making sure that they remain self reliant. Self-reliance is going to be what carries each and every student throughout the course of their career with music. Being able to push and motivate themselves and hold themselves accountable when faced with different challenges are things I like to encourage in all of my students. Read More

Vince L

Instruments: Piano Guitar Bass Guitar Banjo Mandolin Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For beginning students on guitar i typically start wih Hal Leonards book 1. With about 50 pages in this book, we can go thru at a steady pace and be playing songs from the beginning. Makeing music from the very beginning is the key ! Even the simple one line practice exercizes i back up with a harmonic chordal accompaniment for a satisfying duet. The basic learning books I use to accomplish having the student play music from the very beginning. Read More

Marina M

Instruments: Piano

I thoroughly enjoy customizing each student's lesson according to their learning ability and make sure they excel and have fun. I utilize most of the time the Alfred Piano method both for school age and adults. When I feel the student is ready I supplement quite a lot with the Hanon exercises,Czerny and the Master Theory workbook(this works very well with the student who also desires to learn to play by ear as well.) For repertoire I emphasize classical pieces and also help the student with pop and holiday pieces;i.e- Schumann's Album for the Young, Beginning Bach minuets,Bach and Clementi sonatinas,etc. Read More

Beth A

Instruments: Piano Keyboard

Im a friendly, hardworking musician who loves to help students learn to create music to the best of their ability. Ive worked professionally as a pianist and accompanist since 1992, and have also had the opportunity to work as an actress on shows for ABC, Showtime, TBN, Inspiration Network, and major film studios. These experiences have enhanced my ability to teach students how to perform at all levels, even when the stakes are high. Read More

Robert G

Instruments: Piano Voice Music

We gradually increase the tempo over the next several weeks. Pieces like that will be rehearsed at the end of each lesson after working through a few passages in Alfreds book. At the beginning, I ask my adults what music theyre interested in learning. I like to gear my warmup exercises and cool down exercises towards that style and I always put aside a few minutes at the end to work on whatever music they desire. Read More

Teacher In Spotlight

Jan L

Instruments: Piano Voice Trumpet Saxophone Flute Clarinet Recorder French Horn Piccolo Oboe Conga Keyboard

What advice do you have about practicing effectively?
For optimal practice results, have your own, dedicated space, a quiet area that is always semi set up for music making. Keep hydrated especially if you are a vocalist or wind player. Establish a routine. It could be something as simple as: warm ups, buzzing if you are a brass player, scales and arpeggios, followed by an etude and or method book work, then solo. Practice while standing and sitting. Move around as you play or sing. Always have a reason for repeating a phrase or section of your piece. It could be to work on steadiness of a difficult run, a tricky fingering, or to increase the tempo, or intonation etc. Mindless repetition can be a fruitless exercise so it is important to practice mindfully. Have short term and long term goals for each practice session. Keep them simple. Avoid always starting back at the beginning of the piece. With our busy schedules it is hard to always practice at the same time each day, but at least, schedule some time each day, for practice. Even a brief practice session is better than none at all! Say to yourself, "I am only going to practice 10 minutes today". it's less daunting, easily achievable. Once you get started, it probably will develop into more!

When will I start to see results?
You should begin to see results from your lessons immediately. Of course, the more you put into your lessons, the more you will get out of them. Results do not magically happen, but if you are taking lessons, and playing at home and at school, you will see results. Guaranteed.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My clarinet teacher in high school inspired me to become a music teacher. She was a consummate professional, opened my world to a myriad of musical opportunities and demonstrated how to teach with a humanistic style. She had a wonderful sense of humor, and modeled how to be serious about music making, while retaining that sense of wonder and joy. In an era when most music directors were male, she stood alone as a female conductor, had a full time teaching load and managed her lovely young family. She basically did it all, and I knew that I wanted to follow in her footsteps. Later, I had three wonderful children, four grandchildren and an exciting career in music ed.

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