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Here are just a few of the many teachers offering Piano lessons in Macomb . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
I carefully watch and listen to my students' progress. If the material selection seems hard, I encourage him/her to take such material at a later time. Depending on the age of the student, I had students from those who looked up to me for guidance of music to those who set their own music goals. As a result, I adapted myself to the level and age of my students wishes and goals. Read More
Instruments: Piano
I start beginners off with Frances Clark, The Music Tree Series. I also use the Faber-Faber Piano Adventures and Helen Marlais' Succeeding at the Piano. As students progress, I focus on repertoire pieces issuing from the baroque, classical, romantic, and modern eras as to introduce students to the history of music. Important components of home-practice include sight-reading and technique-building exercises. I also encourage sight-singing as a way of developing the student's ear. Read More
Instruments: Piano Drums Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion
I have been teaching music for more than 10 years. While living in New York City I taught group ensemble classes for students ages 10-16 which played everything from jazz standards to pop, rock, hip-hop and blues. I’ve taught private lessons in drums, guitar and piano for Third Street Music Settlement, the country’s oldest community music school. My students have went on to participate in Berklee School of Music and Jazz at Lincoln Center educational programs. Read More
Instruments: Piano
I use the Faber method for my beginner students. Sometimes with students who are 4 or 5 years I use the pre-beginners books from Alfred. Other times I use the Suzuki method, depending on the level of understanding. Alongside those books, I use technique books to build good, strong hand especially for young kids. As we move along I start giving solo repertoire from different eras of music to introduce the student to different kinds of music from different composers. Read More
Instruments: Piano Guitar Voice Violin Viola Ukulele Electric Violin Fiddle
I teach beginning students both by rote and through reading. We use standard Suzuki books for repertoire and method books such as Wohlfahrt, Mazaz, and Sevcik. Very young students begin on Sassmanshaus since it is very engaging as well as well written. However if there is a specific book a student wants to learn from (such as a book from school or a specific style such as country or fiddle) then I am more than willing to teach from that. Read More
Instruments: Piano Organ Music
Dr. Zoe L performed extensively on both the organ and carillon in her original city of Hong Kong, in Canada, and in the United States, where she is currently based. In April of 2017, Dr. Zoe L gave her debut recital at the Hong Kong Cultural Centre where she was interviewed by Radio Television Hong Kong as a "New Music Star. Dr. Zoe L. continues to perform regularly, including at the Organix Festival in Canada, and has given over fifty carillon recitals on the Lurie and Burton Memorial Towers at the University over the past two years. Read More
Instruments: Piano
I began teaching when I started studying with Berklee. Admittedly, I wasn't entirely sure how to take on such a job, but soon discovered that it was something that came naturally to me, and something I enjoyed doing. I have taught students of varying levels, from a complete beginner unable to read any music, to someone who was able to sightread proficiently. I like to take the time to know what my student's goals are, and help them work towards achieving them. Read More
Instruments: Piano Trumpet Trombone Euphonium French Horn Tuba Music
What do you think is the hardest thing to master on your instrument?
The most challenging part of becoming a great musician is to tell a story through the music you create while playing. I encourage my students to create a narrative which they want to express when playing music.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For most of my brass students, except for French Horn, I use the Rubank Method to start, then the Kopprasch 60 selected Studies which is a great method for technical and musical mastery. For my Horn Students I start with the Pottag-Hovey method and then the Kopprasch--this was the method my teacher used when I was a teenager starting out on the Horn. For my Piano students I start with the Music Tree which is a visual based method and starts with the black keys, and they are easily recognizable on the keyboard. Soon after starting--depending on the age of the student--I use in parallel the Dozen a Day series. I use a lot of my own exercises and routines with my students which I often tweak for the needs of each individual student. I also have all of my students work on performance pieces which they can use for Festival and my annual recital where each students perform a solo and also in an ensemble piece which usually arrange for the group so that each student has a part which challenging, but within their reach at their current level. All of my students play scales and arpeggios and usually can play all major and minor scales within about 2 years. Playing scales is how one "learns" their instrument!
What does a normal practice session look like for you?
For Piano students warm ups start with scales and arpeggios--once a student get to that level. this can be 2-10 minutes depending on the level of the student. Then work on any new scales and/or arpeggios and then any routines I have given them 3-7 minutes. This is followed by practicing the exercises from whatever method they are using, followed by the performance piece they are working on. I encourage students to practice every day. If they are short on time a short warm-up 2-5 minutes is much better than no playing at all. At least 3 day a week students should practice for 20-40 minutes.
For brass students Students should always buzz the mouthpiece for 20 - 60 seconds--or more. In the first 30 seconds of playing they should reach to both the top and bottom of their range with either scales or arpeggios. this is followed some mastered scales and arpeggios. The warm-up should be 5-10 minutes total. The rest is the same as the piano students.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Macomb to students of all ages and abilities.
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