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Featured Piano Teachers Near Macomb, MI

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Here are just a few of the many teachers offering Piano lessons in Macomb . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Matthew D

Instruments: Piano Guitar Drums

I am a versatile and engaging musician with 14 years of experience performing and composing in a wide variety of genres: Jazz, rock, hip-hop, folk, classical, electronic, electroacoustic, avant garde, ambient, soul, punk, etc. This is a resource that has proven to be invaluable in teaching students with a wide range of interest to help them develop both in technique and in finding their own voice on their instrument. In the past 7 years I have completed a Bachelor's Degree at McGill University in Montreal (Performance Jazz Drums), have performed at international festivals in Toronto and Montreal, have toured with various projects, scored two short films, and composed and produced two albums of my original music. *Note: I teach drums at all skill levels - piano and guitar from novice - intermediate. Read More

Ernesto A

Instruments: Piano Voice Music Keyboard

My name is Ernesto Alejandro Álvarez-Ramírez, and I was born and raised in Cuba. In my home country, I received an extensive musical education. I began studying choral music and piano at the age of 6 at the Art Vocational School in my hometown Las Tunas, in the province of the same name. At 13 years old, I continued my studies at the Music Conservatory in Matanzas, where I obtained my Bachelor's Degree in Music, specializing in Choral Conducting and Voice. Read More

Noor J

Instruments: Piano

I am a piano teacher who came from a culture that does not really appreciate music. I lived there for 24 years, and I had not had the chance to pursue my dreams in music. Now that I am here having the freedom to work towards achieving my goals in music, I am studying, teaching music, expressing and sharing my love for it. I started teaching music officially in 2010, but before that I had given training courses and private lessons in some churches, and that was starting from 2005. Read More

Svetlana S

Instruments: Piano

I have been teaching in the States for about 9 years. It is a pleasure for me to hear my students progress from their first steps as timid, first-time players to confident and more musically mature young musicians. My students participate in a monthly MDML recital and an annual music test organized by the MMTA. I believe performing for others is a good way for students to grow into their roles as musicians and to acquire a sense of accomplishment. Read More

Antonio C

Instruments: Piano Guitar Trumpet Keyboard Acoustic Guitar

My teaching style is very process oriented. Goals are set, but are the natural outgrowth of well developed plans and consistent effort. I strive to inspire my students with the passion for playing and the act of making music, rather than the goals of perfection or winning a competition. Personally, music has always been a way for me to understand and enrich my life in more meaningful ways than I ever could have imagined. Read More

Ellen O

Instruments: Piano

My teaching methods are flexible and student-centered. I believe there is no single right way to learn piano, so I adapt lessons to each students age, personality, learning style, and goals. I combine traditional piano fundamentals with creative exploration to keep lessons engaging and accessible. Students may learn through reading music, listening, playing by ear, improvising, singing, or a combination of all of these. I enjoy incorporating familiar and motivating material such as Disney music, Star Wars themes, and popular songs when appropriate. Read More

Teacher In Spotlight

Reuven A

Instruments: Piano Trumpet Trombone Euphonium French Horn Tuba Music

What do you think is the hardest thing to master on your instrument?
The most challenging part of becoming a great musician is to tell a story through the music you create while playing. I encourage my students to create a narrative which they want to express when playing music.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For most of my brass students, except for French Horn, I use the Rubank Method to start, then the Kopprasch 60 selected Studies which is a great method for technical and musical mastery. For my Horn Students I start with the Pottag-Hovey method and then the Kopprasch--this was the method my teacher used when I was a teenager starting out on the Horn. For my Piano students I start with the Music Tree which is a visual based method and starts with the black keys, and they are easily recognizable on the keyboard. Soon after starting--depending on the age of the student--I use in parallel the Dozen a Day series. I use a lot of my own exercises and routines with my students which I often tweak for the needs of each individual student. I also have all of my students work on performance pieces which they can use for Festival and my annual recital where each students perform a solo and also in an ensemble piece which usually arrange for the group so that each student has a part which challenging, but within their reach at their current level. All of my students play scales and arpeggios and usually can play all major and minor scales within about 2 years. Playing scales is how one "learns" their instrument!

What does a normal practice session look like for you?
For Piano students warm ups start with scales and arpeggios--once a student get to that level. this can be 2-10 minutes depending on the level of the student. Then work on any new scales and/or arpeggios and then any routines I have given them 3-7 minutes. This is followed by practicing the exercises from whatever method they are using, followed by the performance piece they are working on. I encourage students to practice every day. If they are short on time a short warm-up 2-5 minutes is much better than no playing at all. At least 3 day a week students should practice for 20-40 minutes. For brass students Students should always buzz the mouthpiece for 20 - 60 seconds--or more. In the first 30 seconds of playing they should reach to both the top and bottom of their range with either scales or arpeggios. this is followed some mastered scales and arpeggios. The warm-up should be 5-10 minutes total. The rest is the same as the piano students.

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