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Featured Piano Teachers Near Redlands, CA

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Here are just a few of the many teachers offering Piano lessons in Redlands . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael P

Instruments: Piano Guitar Bass Guitar Acoustic Guitar

I like to see what type of music you like and base my lessons around that specific band or style. I will make transcriptions of a song that you've always wanted to learn and we will go over it together. I think playing stuff that you are interested in makes learning music so much more rewarding, you will have to learn the basics like scales, hand positions, and specific techniques but doing it while not thinking you're doing tedious work is so much more fun. Read More

Petar C

Instruments: Piano Guitar Ukulele Classical Guitar Acoustic Guitar

I am very fortunate to have worked with great teachers, who not only inspired me to play the guitar at a very high level but also to desire to pass on that knowledge to my students. I am very passionate about working with all my students. I strive to make every student comfortable, but gently nudge them to become the best musician they possibly can. I encourage students to get ready and perform on stage and in front of an audience as soon as possible. Read More

Jamie C

Instruments: Piano

I have been teaching piano for more than 25 years and my students have been prize winners in local competitions and festivals as performers and composers.  Former students have gone on to attend universities such as Cornell, Columbia, Brown and other well known colleges.  I am an experienced church organist and accompanist for vocal and instrumental soloists as well as choirs. I am an experienced  chamber musician and am the founder and pianist  of the Papillons Piano Trio which performs locally. Read More

Lori L

Instruments: Piano Voice

For beginning piano students, I use the method books from Faber's Piano Adventures series. If the student gets bored with one method book, I will mostly likely top it off with something else from Alfred. I stress mostly on counting proper rhythm, learning alphabets, and finger numbers for early age groups. For intermediate students, I would expect students toalreadybe able to read music aside from the rhythm challenges. I will move on from where the student last left off from his/her former piano/voice teacher. Read More

Sean T

Instruments: Piano

Currently, I'm a nineteen-year old student at UCLA! I'm entering my second year come September, and will be majoring in both Piano Performance and Mechanical Engineering. I've played piano for about 15 years now, and have taught for around 6 years alongside my mother who is also a piano teacher. I've had the opportunity to perform all over the world, from Carnegie Hall to small cities in Italy and performing before some of the world's greatest artists. Read More

Jason R

Instruments: Piano Saxophone Flute Clarinet

While all of my students study the same fundamental musical principles, I believe that every lesson should be as unique as every person. That's why I always create new, customized lesson plans and provide individualized materials for all of my students. In my experience, this approach is most effective at increasing the student's musical ability—and it's a lot more fun! Rather than just going cover to cover through a method book, we'll keep things interesting and fresh by playing music games (especially with younger students), composing our own music, listening to new artists, and working on pieces that are requested by the student. Read More

Yu H

Instruments: Piano

For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce a solo repertoire appropriate for their first recital performance. For adults, I try to find out what the student is interested in and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Teacher In Spotlight

Mike B

Instruments: Drums Conga Latin Percussion Djembe

Did you have a teacher that inspired you to go into music? How did they inspire you?
Marlon, your initial drum teacher from the Maryland Symphony Orchestra, instilled in you a fundamental principle that would shape your entire drumming journey: timing is everything. He emphasized that before mastering intricate rhythms or complex techniques, a drummer must first develop an impeccable sense of time. This foundation would serve as the bedrock upon which all other skills would be built. Marlon's approach went beyond simply keeping a steady beat. He taught me to internalize rhythm, to feel the pulse of the music in my core. This deep understanding of timing allowed me to: Develop rock-solid precision: I learned to lock in with other musicians seamlessly, creating a tight and cohesive groove. Explore rhythmic nuances: I became attuned to the subtle variations in timing that give music its character and feel. Master different styles: With a strong foundation in timing, I was able to adapt to the unique rhythmic demands of various genres. But Marlon's teaching extended beyond technical proficiency. He immersed me in the rich history and cultural context of different drumming styles. He explained the origins and purpose of each genre, from the driving rhythms of rock and roll to the intricate polyrhythms of Afro-Cuban music. This knowledge deepened my appreciation for the instrument and broadened my musical horizons. In essence, Marlon's teaching provided me with the tools and inspiration to forge my own path as a drummer.

Why did you choose your primary instrument?
It seems the drums chose me long before I consciously chose them. My earliest memories, as far back as age two, are filled with the rhythmic clanging of pots and pans, my makeshift drum set echoing through the house. This innate drive to create rhythm, to explore the percussive possibilities of my surroundings, was an undeniable force from the very beginning. My older sister played a pivotal role in shaping my musical journey. She was my first rock and roll guru, introducing me to the iconic sounds of Kiss, Van Halen, and even the country twang of Eddie Rabbit. Her passion for music was infectious, and I eagerly absorbed everything she shared. Watching her play guitar ignited a fire within me, a desire to not just listen to music, but to create it myself. By age eight, I was already channeling my inner Alex Van Halen, replicating his thunderous drum parts on the living room floor with pillows and blankets as my makeshift kit. My sister's influence extended beyond introducing me to specific bands; she instilled in me a deep love for all styles of music. This eclectic exposure broadened my musical horizons and fueled my desire to explore the rhythmic tapestry of diverse genres. It was this early immersion in music, combined with my innate rhythmic drive, that led me to the drums. The instrument felt like a natural extension of myself, a way to channel my energy and express my creativity. The drums didn't just become an instrument; they became a part of me, an essential tool for self-expression and a lifelong passion.

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