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Featured Piano Teachers Near Roswell, GA

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Here are just a few of the many teachers offering Piano lessons in Roswell . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Cindy L

Instruments: Piano Keyboard

I began teaching my first student when I was in high school. I enjoyed it so much that I decided then that I would incorporate teaching piano in my future. After I had my twins and became a stay at home mom, I began to teach students in my studio. I was instructed by two professors for almost 20 years in private lessons. I have played for more than 300 weddings, funerals, and receptions. Read More

Ray A

Instruments: Piano Bass Guitar Synthesizer

I am a music instructor that loves working with students that really want to learn the art form and language of music. I have been a military musician most of my career, but have also had the opportunity to perform with work with world class musicians all over the world. I am currently working on my BA in Music, but I have studied music at Michigan State University, Bellarmine University, The Army School of Music, and the Navy School of Music. Read More

Van W

Instruments: Piano Voice Drums Organ Synthesizer Keyboard

I'm a 41 year old Father and Pastor. I've been doing music for the last 30 years. I started off playing the drums in my father's church. Growing up a pastor's kid was good but demanding. I was always in church so music was a natural thing for me. I learned early on the the piano and vocals where my instruments of choice. I started in the church but my formal music training began in high school and college. Read More

Matt D

Instruments: Piano Clarinet

Solos and etudes allow the student to train his/her musical skill, and I assign them to give the student a chance to make the music his/her own creation. Finally, I love the opportunity to play duets with my students to give them a chance to make music together in a fun, no-pressure environment. For piano, I typically teach through the Faber method, although I observe how the student progresses to see if an alternative method may be more effective. Read More

jordan S

Instruments: Piano Guitar Saxophone Flute Clarinet Ukulele Recorder Keyboard Electric Guitar Acoustic Guitar

I base my every teaching style according to what the individual student needs . Teaching a class of 60 students is much different than a one on one class. No two people are the same and so they should not be taught the same exact way. For ex. Some students are very driven and need to learn control- to slow down and learn awareness, rhythmic sensitivity. Conversely, students who lack conviction and confidence need to listen to classic recordings to gain inspiration , drive. Read More

Skyler B

Instruments: Piano Voice Keyboard

I allow my students to take the lead in lessons, and help guide them to achieve their musical goals. I work with children and adults, and lessons are always fun and enlightening! It is very rewarding watching my students grow and stretch their range. I encourage students to challenge themselves, but I also do not give them more than they can handle. I go at their level, and they are able to learn at their own pace. Read More

Erik M

Instruments: Piano Guitar Trumpet Bass Guitar Synthesizer Music Keyboard Electric Guitar Acoustic Guitar

There is no such thing as a "best method for everybody" but better methods for people's unique needs. For beginners, texts from Hal Leonard, Jamey Aebersold and Alfred's piano course are great examples to guide students through, but ultimately the specific text doesn't matter as long as I can teach the fundamentals necessary to be performance ready. After the basics are mastered, I'll introduce the skills needed for a first recital. Read More

Teacher In Spotlight

Katherine M

Instruments: Piano

Did you have a teacher that inspired you to go into music? How did they inspire you?
Yes, the teacher I had from the age of 6 through high school graduation inspired me because of her own deep love of music. She often used the word "beauty" to describe it. It took me a while to understand music from that viewpoint, but I eventually (really) got it. I am so grateful now that music is a part of my life and I try to approach teaching with that goal in mind. I tell them how I can listen to a song and know exactly what meter and key signature it is--and how to dance to it! By the same token, I can hold and read a composition and know how it will go. That takes experience, but I show them how Beethoven could continue to write music after he could no longer hear: He already knew what a major 4th interval sounded like, for instance. It was already in his mind.

What musical accomplishments are you most proud of?
This skill has given me confidence, because it was something that I could both enjoy and do well. It also provided a pleasant, engaging escape from some difficulties in the family in which I grew up. When I played for my church, I received a lot of compliments and encouragement from the adults whom I respected. I love that I can sit down and play for myself pieces that I otherwise could only listen to. The focus required engages and sharpens my mind and helps me connect with friends at holiday gatherings. Recently, a 60-year-old friend whose father died when she was 15 mentioned a song he used to play on the piano. I bought the music and played it for her and it pleased her so much. I am proud that as a child and teenager I could rise to the requirement of memorizing pieces and performing them in recitals. Music engages me, whether it is at church or at the dance studio. I teach students how playing, singing and dancing are all related.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Most of my students are too busy with the variety of activities that Atlanta offers them, so special honors have not been part of their study. However, private lessons have made their participation in school music programs much better than they would otherwise be and I have attended some of those performances. It helps them connect with friends who are also studying piano since they can get together and play. It shows them another level on which they can socialize. Girls, especially, like to sing together.

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on the piano is putting both hands together and "hearing" two different melodies and playing them together. It can be done, however, and students are usually amazed when they do it. It is a breakthrough and it is good for them to find that if they try very hard, they can do things they wouldn't otherwise have thought they could do. I even compare to their participation in ice hockey or soccer or basketball, in that you start out simply, follow certain rules, and the skills and performance build.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like the Alfred and Bastien series for elementary school students, because the songs in the books are there to teach specific principles, but are fun and familiar, too. I have found that for older or adult students, Hal Leonard books are usually the perfect answer for skill-building and enjoyment. Hal Leonard books offer a variety of music that adult students are already familiar with, such as operatic arias or symphonic excerpts, sonatas or popular music from the past and that encourages them.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I do not have a music degree, but I have studied piano from the age of 6 into my 30s. I chose to get my degrees in other fields. However, I love music and could not be more grateful for the instruction I received. Learning about music is never ending. There is always a new composition to learn to play and to figure out how it was put together and why, including how a change of key can be artfully worked into it. I point out to my students how the piano can be used to imitate the sound of almost anything, including train horn or a car swerving up to a curb.

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