408-389-3524
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23 Years
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408-389-3524
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Here are just a few of the many teachers offering Piano lessons in Saratoga . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar
I always start a lesson with a new student by assessing their current skill level. If the student already has a certain curriculum they are working on, I usually have them pick up from where they left off so I can see where we're at. Taking things into consideration like intonation, posture, dynamics, form etc., I either assign a new curriculum or continue on. My lessons usually consist of 3 books: a scale book, an etude book, and a leveled song book like the Suzuki method. Read More
Instruments: Piano Guitar Keyboard Acoustic Guitar
My teaching style is one of deep listening to the student in their musical process, and from this creating the conditions for them to expand into new dimensions of musicality. I am an expert in creative process, and love working with students especially on songwriting, composition, electronic music production, and other such creative domains. In addition, my professional work is focused on a leading edge of musical education that is just emerging and beginning to be understood: developing the listening faculty as a pathway to musical excellence; for as the perceptual foci is polished, so does the sensori-motor engagement discover new possibilities. Read More
Instruments: Piano
My teaching style is flexible. For beginners, I will teach them all basic technic and reading skills. I believe in learning music by the ability of reading the music. Therefore, to have good reading skill is essential to all my students. Even if the students do not read music fluently, I will emphasize my teaching in improving them to read music. All my students will have good music sight reading eventually. Read More
Instruments: Piano Guitar Music Electric Guitar Classical Guitar Acoustic Guitar
I start my beginning students with Alfred guitar method. If someone wants classical lessons I start them with the Fredrick Noad books and some Sor and Segovia studies. For people interested in improvisation we begin with Blues and then take it where you want to go. Advanced students I give more master class type lessons where we discuss more advanced music ideas. Read More
Instruments: Piano Voice
Just as rewarding as performing is my experience teaching on the voice faculties of San Jose State University, Chabot College, The Music School of Sunnyvale, and my private studio. Seeing my students perform lead and supporting roles with Children's Musical Theatre San Jose, Peninsula Youth Theatre, and school productions, and winning awards through NATS, VOCE, and CM is thrilling! My Students don't need to have major performance in mind. It is also a great a joy to see a formerly timid student gain the confidence and skill to make their voice and fingers soar. Read More
Instruments: Piano Flute Recorder Piccolo
I first started teaching in college, taking courses in flute pedagogy in 2007, and working privately with local high school students. Since 2011, I have had a regular studio of private flute (and recorder or piccolo) students as well occasional students on other wind instruments and piano. I've also taught a variety of wind and chamber ensembles. I believe that every student is unique and learns best when that individuality is celebrated. Read More
Instruments: Piano Drums Organ Synthesizer
Progress is made at the student's own pace. I try to set goals that are both far-reaching and realistic. Anything is possible if you don't give up too easily! I've used a variety of different lesson books in the past. It's important to note that the Bastien piano books, as well as the Clark, Faber, and Alfred methods all play to different strengths. Since different students respond better to different methods, I try to incorporate some variety which focuses on several concepts: developing ear-training (i.e. picking up melodies and chords from ear) as well as sight-reading, technique, and choosing interesting repertoire. Read More
Instruments: Drums
What is your dream piece to perform and why?
Just about any Pink Floyd song!
If you weren't a musician what do you think you'd be doing instead?
I would likely be teaching another subject. I absolutely love teaching.
What does a normal practice session look like for you?
I typically would warm up and start by locking into a metronome. I then usually loosen up with stick control and rudiment based exercises. Next, I work on new concepts, songs, and styles; with a great deal of repetition.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For very young students, I typically start with the Hal Leonard Book, Drums for Kids. For older or slightly more experienced students, I start with exercises that cover: Fundamental drum patterns, phrasing, and fills. When the student can show that they have a grasp of the fundamentals, we then typically move on to more challenging concepts, including: Sound source (voicing) exercises, note subdivision exercises, more challenging books, and (last but not least) songs. All of the above is supplemented and reinforced by two great books called: Stick Control for the Snare Drummer, and Syncopation for the Modern Drummer. Those two books are great for developing control, proper articulation (stick rebound), coordination, and sight reading skills. For more advanced students, I would typically jump directly into songs and styles; along with concepts that are generally more advanced (i.e. polyrhythms, strange time signatures, and independent coordination).
What do you think is the hardest thing to master on your instrument?
On the drum set, orchestration is often the trickiest to master. Orchestration could be seen as how a drummer can make each part of the drum set speak, in a relative way.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I am very proud of a student who recently was selected to join, Camp Chase Drum and Fifes. This is an extremely selective group of Civil War reenacting musicians.
Why did you choose your primary instrument?
I showed a sense of rhythm from a young age. My ears naturally hone in on the percussion instruments.
What musical accomplishments are you most proud of?
I am very proud to have performed at many of the major venues, in the Detroit metropolitan area. Most notably one of my groups opened for the legendary Jazz-Funk group, The Headhunters. This group was formed by the amazing Herbie Hancock!
How do I know if my child is ready to start lessons?
In my humble opinion, if the child shows genuine enthusiasm for the instrument.
When will I start to see results?
In my experience, that is largely dependent on the students willingness to practice, in a structured and routine way. Usually, the more practice and repetition, the quicker the progress.
Did you have a teacher that inspired you to go into music? How did they inspire you?
Absolutely! I studied under two outstanding teachers, Donnie Gruendler and Darryl Pierce. I learned a GREAT deal through private instruction, and therefore teach through direct experience; by practically applying subjects that improved my playing (i.e. techniques, concepts, and books).
What advice do you have about practicing effectively?
In my experience, structured practice, is most effective. For example, practicing specific concepts and exercises will generally result in quicker progress. While there is something to be said for creative practice, when the student plays any old thing, progress can be much slower; if that unstructured and non-specific route is taken with a practice routine.
What is your favorite style/genre of music to play and why?
I like groove oriented music a great deal. There is nothing like having people dance to your music.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to begin working as a professional musician, when I was about 20 years of age. It was a gradual process, that represents years of hard work and dedication.
23 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Saratoga to students of all ages and abilities.
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