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Featured Clarinet Teachers Near NYC, New York

4330   5 STAR Musika Reviews

Here are just a few of the many teachers offering Clarinet lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jackie G

Instruments: Clarinet

My college clarinet professor used to have a saying. "It is all available to you". I teach my students using this same motto. Playing the clarinet should never feel like a chore, or something that they have to feel stressed and worried about. From day one, I make sure that with every new note and concept, that they feel comfortable and at ease. My goal is to make clarinet and music fun, something that they genuinely love to do. Read More

Kevin K

Instruments: Piano Saxophone Clarinet Recorder Keyboard

I'm a composer and musician based in NYC who loves to share my passion for the arts with others. I graduated from the College of William and Mary with a double major in music and physics. During my studies there, I played clarinet in the music department. Additionally, I played both clarinet and alto saxophone in the theater department. During my master's degree at the University of Chicago, I played clarinet in the university symphony orchestra. Read More

Natasha F

Instruments: Clarinet

This lead me to a career in teaching at various schools and colleges in Brisbane (where I studied) and then Melbourne (where I lived for the past 9 years). I have travelled the world and studied with various teachers across the globe. I take pride in my teaching and success of my students. I have taught the clarinet for 14 years privately, in groups, bands, orchestras, musicals, colleges, primary and high schools, public schools, private schools, weekend music programs (such as Melbourne Youth Music), and camps (such as State Music Camp). Read More

Brigid S

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Acoustic Guitar

I usually start my beginning piano students who are children, in Alfred's Basic Piano Library, Lesson Book 1A. After a few months, I begin adding solo repertoire that is appropriate for age and ability. For middle school age students and adults, I start with Alfred's Basic Piano, Adult, Level 1. I also like to find out the student's individual interest and find repertoire that they are interested in learning and that are aligned with their current skills. Read More

Brandon M

Instruments: Clarinet

My primary instrument is Clarinet but there are a lot of basic things that could be used universally across all genres and instruments. I always stress the importance of foundation on and off the instrument. In addition to understanding the assembly of the Clarinet, breathe support, and embouchure training, I encourage students to have a basic knowledge of theory as we will begin to learn notes, rhythm, and scales. Its crucial that theory and the foundation of how to play the instrument go hand in hand when learning clarinet. Read More

Newton C

Instruments: Violin Trumpet Clarinet Recorder Fiddle Euphonium

MUSIC SHOULD AND MUST ALWAYS BE FUN. My Teaching style is relax but very educational. I use lots of examples and stories to get my point across. We can also view youtube videos, old recording of performance, and advance music technique books to learn. I teach by example. I will play and show you how to do it step by step at your own pace. I let the student learn at their own speed without any pressure or rush. Read More

Erick M

Instruments: Saxophone Flute Clarinet

I am a multi-woodwind instrumentalist specializing in saxophone. My training is in jazz and classical music but I have performed in a variety of different genres such as latin jazz, swing, improvisation, contemporary classical music and baroque music etc. I currently work full time as a quality control musician at DAddario in NY. At this job I play test clarinet and saxophone reeds and mouthpieces for production approval. In addition to my job at DAddario, I perform freelance for various musical events, and frequently sub with the Cherry Poppin Daddies on alto saxophone and clarinet. Read More

Teacher In Spotlight

Angelica D

Instruments: Piano Voice Trumpet Trombone Clarinet Euphonium Tuba

What advice do you have about practicing effectively?
1. NEVER GIVE UP. Yes, practicing can be frustrating, I completely understand because I too have been so frustrated during practice sessions to the point where I wanted to give up. 2. Start slow. You are obviously practicing for a reason - to learn and perfect a given assignment or task. Take a chunk of the music, even if it is only a measure at a time and work slowly through it, first establish correct pitches and rhythms. If you are not able to play correct pitches and rhythms at a slow tempo, why would you attempt at a faster tempo? Once you have these two factors down, increase the tempo moderately until you reach desired tempo with correct pitches, rhythms, articulation and dynamics. SLOW AND STEADY WINS THE RACE. 3. The 3x Rule - When you are having problems with a measure/section/rhythm/establishing pitches, DO NOT move on to the next measure/section until you are able to play the problem spot 3x without messing up! 4. Warm Up - Warm-ups are super important and are needed before practicing your music. It is essential to getting your muscles moving. Warm-ups do not have to be 15-20 minutes of scales - work on long tones, slip slurs, scales, arpeggios, technical studies or even sight reading. Make warming up fun!! 5. Listening - Listen to your piece! Youtube or google the piece performed by different musicians and even different instrumentation of the piece. Trust me it will do wonders.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelors of Music in Music Education from LIU Post. I chose this particular degree over any other music degree because although I love trombone, I love the idea of music education a little bit more.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
As you may have gathered from previous questions, my primary instrument is Trombone. My secondary instrument is Euphonium/Baritone Horn. I chose to start learning this instrument mainly because I loved the timbre, or the musical sound of it. The Euphonium possess this mellow yet beautiful sound that is just so wonderful to ear. It also has the same embouchure as trombone so it was a very easy transition for me, I just had to dominate fingerings. I play very minimal tuba, fingers are similar to baritone and euphonium. I also play a little bit of trumpet and clarinet and took 4 years of piano in college.

Does music run in your family? Tell us a little about your musical family members.
No, surprisingly, music does not run in my family. I mean, my mom took piano lessons as a child and can play the instrument very well, but she was definitely forced into doing it by her mother. Although my family is not what one would define as "musical," they have stood by me throughout my musical journey and have not only supported me, but also encouraged me endlessly. To this date, they have attended every audition, every NYSSMA, every recital, and every concert, including, but not limited to, Wind Symphony, Wind Ensemble, Brass Ensemble, Chorus, Symphonic Orchestra, Brass Ensemble, Marching Band, Trombone Choir, and Wind Quartet.

What does a normal practice session look like for you?
If I am playing for the first time that day I ALWAYS start with a warmup. Long tones first, followed by lip slurs and then I run through all major scales in thirds, followed by arpeggios. Next comes minor scales- natural, harmonic and melodic. After all of this, I pick a technical exercise from the Arbans book. I work on that for a little while until my muscles feel good and I am happy with the work I have accomplished, making sure that I played through the exercise correctly using appropriate articulation and dynamic. Next I choose to work on either an etude, orchestral excerpt or a solo piece. I spend the majority of my practice on one or two of these options.

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