Clarinet Lessons in NYC New York

Instruments: Piano Saxophone Flute Clarinet

I first ask the student to play so I can hear him/her. After a student plays a short piece of music of their own choosing I can determine what the next step is. Each student has his/her own individual needs. In general though I focus on 3 key elements: 1) Sound quality 2) Technical dexterity (how the fingers deal with the twists and turns of the instrument) 3) Reading Music If a student has a specific genre of music that he/she wants to focus on then I mainly concentrate on that. Read More

Instruments: Piano Saxophone Flute Clarinet

I've worked in many different fields around music education, enabling me to have a broad range of experiences and an ability to adapt to any situation. As a music instructor, I've taught 1-on-1 private lessons, and I've also worked at several summer camps including the Florida State University Jazz Camp, where I was the musical assistant to professor Bill Kennedy, and at Long Lake Camp For The Arts, where I served as the head of the music department. Read More

Instruments: Piano Guitar Voice Saxophone Flute Clarinet Ukulele Oboe Bassoon English Horn Keyboard

For beginning piano students, I enjoy the Faber Piano Adventures. As the student progresses, I guage what their interests/goals are, and choose repertoire according to their interests. For beginning oboe and woodwind students, I focus on a myriad of things that have nothing (and everything) to do with actual music: how to form a correct embouchure, correct hand and finger position, double and single reed care, instrument construction and maintenance, and finally, sound production. Read More

Instruments: Clarinet

Here is the break down of what you will be expected to learn in addition to a solo of your choice. You will also be assigned warmups that will help you to focus on your breath support, embouchure, and finger study. Beginners- Basic knowledge of breath support, embouchure training, and finger study 12 Major Scales (one octave) Intermediate- Knowledge of breath support, embouchure training, and finger study Knowledge of how to break in and manage reeds 12 Major Scales (2 Octaves) and Chromatic Scale Scales in Thirds Etudes- Velocity Studies for Clarinet Intermediate (Kalmen Opperman) Advanced- Knowledge of breath support, embouchure training, and finger study and extended techniques. Read More

Instruments: Saxophone Flute Clarinet

My teaching style is flexible based on the individuals needs. Some students require a firm approach whereas others are better off with a gentler one. I pride myself on my ability to connect with students and find what motivates them. My approach heavily relies on the historical pedagogy of every instrument I teach while also implementing improvisation and free play to excite and motivate. My students are strongly encouraged to attend concerts, master classes, and listen to live music as much as possible. Read More

Instruments: Piano Saxophone Clarinet Music Keyboard

I always want to help my students understand the basics of music and universal principles that can apply to any music they are interested in learning. Whether it's jazz, pop, classical, blues, most styles of music share these principles in common and are best played when the musician can understand the underlying structures. Rather than having students memorize one piece that they'll forget as soon as they move onto the next, I want my students to have the skills to play any music they like any time by helping them develop their ear. Read More

Instruments: Piano Saxophone Flute Clarinet Piccolo

 Shows I have recently performed includes Joseph and the Technicolor Dream Coat and Gypsy. Whilst in London, I spent my last two years working with young people of various ages. I worked alongside passionate colleagues to present group musical workshops that may have focused on sound, percussion, composition or with full ensembles. Some of these workshops lasted a day while others lasted a few months. I was also asked by the Royal College of Music Junior Department, who worked with talented musicians aged below 19 or pre-college, to assist in teaching flute students as well as small ensembles. Read More