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Featured Piano Teachers Near Sunnyvale, CA

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Here are just a few of the many teachers offering Piano lessons in Sunnyvale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dave H

Instruments: Piano

I like to use supplementary materials if a method book isn't covering musical territory that the student wants to explore. Although I insist a student learn to read music, I encourage learning by ear and have helped students find a melody on the piano by ear rather than reading notes. Patience is my watchword but I will always encourage and document practice times. I tell the student, you can't achieve your music goals without practice, preferably every day. Read More

Adam B

Instruments: Piano Trumpet Trombone Saxophone Music Keyboard

The first lesson is always a trial lesson, in it I attempt to access where the student is musically. I also use the time to find out what the student's musical goals are . We look at things like reading, theory, dexterity on the instrument. If the student plays a wind instrument we look at things like embouchure and breathing. Once I have gotten a good idea as to the student's skill level and have spoken to the student about their musical goals and interests. Read More

Toby M

Instruments: Piano Keyboard

I have taught piano privately since I was a teenager and taught in both the private and the university setting. My main goal is to make sure my students love playing and learning piano. I use a combination of both classical and popular music to get my students excited about music and customize my teaching to best fit each unique student. I also have 2-3 recitals a year (currently digital or outdoors) and other performance opportunities and help my students with performance exams such as RCM and ABRSM. Read More

Chris K

Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar

I always say that rhythm is more important than the notes. Play the right rhythm and the notes will come instead of playing every right note while sacrificing rhythm. I encourage students to make their mistakes loud, proud, and in rhythm so everyone has a better idea of what needs to be worked on most. I also emphasize isolating parts to practice and working backwards. Example: play the last two bars of the song until comfortable with it, now play the last 4 bars, last 6, last 8...etc., whole song. Read More

Lauren P

Instruments: Piano Voice

For Voice: I always start with basic exercises. Breathing, Scales, Etc. After a few lessons, when the student is solidified in basic techniques, I will begin to introduce basic Art Song repertoire and work with the student to branch them out into their desired field of study, whether that be Opera, Pop, Musical Theater, Rock, etc. I always feel a strong base in Classical Technique is important to start with though. Read More

Michael O

Instruments: Piano Guitar Voice Keyboard Acoustic Guitar

I can accompany the student with the guitar or piano. For beginners in piano, I will typically begin with the Faber workbook. If they have their own workbook that they would like to work from, I will work with that. I teach Circle of Fifths as an early tool to cultivate an understanding of harmonic language, and make it as simple and easy as possible, until the basics become engrained. Read More

Lauren G

Instruments: Piano Voice Clarinet

With my teachings, each student will experience a voice that will rarely get tired, won't sound hoarse and will stay healthy their whole lives. I am also a major proponent of learning music theory. All of my voice and piano students learn basic theory under my tutelage through the Keith Snell piano theory series. When I teach my students, I typically begin them on classical training. We start off learning Italian art songs, but will always have their favourite pop tune in the mix to show them how classical technique can make them a better pop singer. Read More

Teacher In Spotlight

Gretchen S

Instruments: Piano Organ

What musical accomplishments are you most proud of?
During graduated school, I decided to program Messiaen songs for the entire program. My teacher suggested that I contact Judith Nicosia, a terrific soprano on the faculty. It turned out that she had worked with Messiaen when she was a student at Tanglewood, performing half of his songs. Collaborating with Judith was one of the best things I have ever done. Doing two national tours as pianist for the Norman Luboff Choir was a highlight of my life. We traveled to places I would most likely not have seen otherwise. Half of our performances were under the auspices of Columbia Community Concerts, a division of Columbia Artists Management in New York. Our venues were typically high school or middle school auditoriums. The remaining half took us to large concert halls and ornate theaters. What a wonderful experience! Two years after the Luboff tours, I founded Kairos, a piano trio (piano, violin, and cello). I booked the concerts, provided publicity, rehearsed and performed with the group. We played 12 concerts per year. And then I founded the Rautenberg-Saathoff Duo with prominent violinist Lisa Rautenberg. We met in New York, with both of us moving out of the city within a few years. Lisa is now the Associate Concertmaster of the Hartford (CT) Symphony. In addition, I am proud of my collaborations with many singers and instrumentalists. I have also played a good number of solo recitals, choral concerts, auditions for other musicians, opera rehearsals, and piano parts in musicals and orchestra concerts. Playing for church services has been in my blood since childhood, as my father was a minister. All in all, there is so much variety out there for pianists! It's fun to switch gears throughout the day!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like the Alfred series for adult beginners because the included text provides clear explanations, Bastien, Music for Millions (which offers so much variety and saves investing in tons of music), the Schumann and Tchaikovsky Albums for the Young because the pieces are so beautiful, Bartok folk songs and dances because they are fun, the Bach Little (Short) Preludes and Fugues because they are organized and gorgeous, and others, as they say. A Dozen A Day and Czerny short exercises are helpful resources. The short Czerny etudes are melodic, and fun to play. Hanon? Not so much, because mindless practicing is boring. When my students make suggestions, I am willing to go with them!

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Understanding Time Signatures in Music
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The Benefits of Learning About Audio Engineering
Tips for Keeping Your New Year's Resolution to Learn an Instrument

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