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Featured Piano Teachers Near Babylon, NY

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Here are just a few of the many teachers offering Piano lessons in Babylon . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jessica H

Instruments: Piano Voice

I have no "standard" method of teaching. I have use of massive resources and don't require my students to buy books. I feel that if you are enjoying the pieces you are working on, then you're more interested in your lessons. I work with you to create the perfect lesson for you. Of course, we learn the basics (scales, sight reading, etc). but as far as the "hard stuff" we work as a team! Read More

Katelyn B

Instruments: Piano Voice Music Keyboard

I realized my true passion was centered around teaching music when I began teaching private piano lessons in high school. By creating a highly inclusive learning environment, where students with a range of abilities and learning styles feel comfortable and confident taking risks, I enable them to perform both beautifully and technically. I believe that each person has the possibility of transforming and developing as musicians - regardless of their starting point. Read More

Tomasz L

Instruments: Piano Synthesizer Keyboard

I began teaching in early college, tutoring a little in computer science and a little in music theory - until the main music theory tutor graduated. I took over his position and have had a blast since. The main goal of any lessons is the inspire the student to fall in love with whatever the subject matter, and luckily - music is easy to fall in love with! After college i completed a CELTA course from Cambridge, which is a certificate in teaching english to speakers of other languages. Read More

Charles C

Instruments: Piano Voice

I work with a variety of learning methods including Hal Leonard, John Thompson, Bastien, Alfred, Hanon, Czerny and Faber.  I select methodology and solo repertoire to best improve my students technique while at the same time keeping their interest and enthusiasm. I also encourage music compostition, arranging and improvisation to those students who express an interest and desire to learn who to write and compose music.  In addition to teaching the fundamentals of piano I try to engage with my students to learn how to make music on the piano or voice. Read More

Timothy T

Instruments: Piano Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe Acoustic Guitar

Over the years, I've taken lessons from instructors who had an array of teaching styles. While in high school, I was taught through intimidation and was scared into learning, which is something I was able to handle. This methods can actually turn students away from music which is the main reason dislike approach. Students should be comfortable and relaxed when entering a lesson. This not only creates a positive learning environment for the student but helps create a relationship between instructor and student that only helps the growth of both individuals. Read More

Junko S

Instruments: Piano Music Keyboard

I took classical piano lessons from the age of four to fourteen. After a brief break, I started playing keyboards in rock bands around Tokyo. In college, I became interested in jazz and composition. After graduating from Waseda University with a degree in social science, I started performing jazz around Tokyo. T-toc Records released my first album in 2011 and this was followed by a tour around Japan promoting the recording. Read More

Emily H

Instruments: Piano Voice

I've been teaching for the past 3-4 years, and have gotten a lot out of it. I like to make sure the student is enjoying him or herself as well as learning as much as possible in the process. I cater to the desires of individual students and am open to trying new things as well. If there is interest, I can help others write and record music as well as teaching them to sing or play piano. Read More

Teacher In Spotlight

Jill W

Instruments: Piano Voice Keyboard

Have any of your students won awards or been selected for special honors? How have they succeeded?
My student Patrick Wilhelm, Baritone, has graduated from the Curtis Conservatory of Music and is now singing as a principal artist with Virginia Opera and Wolftrap Opera Company in DC. He has sung in recitals internationally and has excellent reviews!

Does music run in your family? Tell us a little about your musical family members.
Music does run in my family. My grandfather was a well-know Jazz musician photographer. We grew up listening to jazz and classical musical day and night. My brother became a well know Jazz musician and teacher in San Francisco. He plays Clarinet, Sax and flute. He is a recording artist and travels all over the world spreading jazz from place to place. He is the conductor of a Cartoon Jazz Band, Saxophone Sextet and two Big Bands. I travelled the classical route beginning in Jr High School. After my college studies, I went to work with The New York City Opera with The wonderful Beverly Sills. Following that, I started my own Acapella chorus called “Ah-Capella” which performed in various NYC venues. Broadway then was my calling, where I stayed in the producing and casting sector for a decade. i have been teaching Voice and Piano privately for two decades. I also sing in The Cecilia Chorus of New York which performs twice a year in Carnegie Hall. I am a Section Leader with this extraordinary chorus which I have been sing with for nine years.

What do you think is the hardest thing to master on your instrument?
The hardest thing about being a singer/musician, is that every day is different. Since singers depend on their breath to support their tone, we must treat out instrument, which are our bodies, with great care. Humidity, cold, performing environment, all play into how we may breathe and produce sound. As a pianist as well, I know when I need to play an A, it will be there on the piano every time. Singers must warm up and nurture their instrument to the best of their ability so they can produce that A everyday.

What advice do you have about practicing effectively?
Look forward to practicing. It is a wonderful investment in your musicianship. It is time you deserve to focus on your craft. Isolate the specified measures that need the extra time. Repetition is key. Set a goal, i.e, “ I will play these four measures perfectly five consecutive times.” If you make an error during the third time, you must start from the first time. After you have completed this goal, implement it into the piece and your practice time will be golden.

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