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Featured Piano Teachers Near Cary, NC

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Here are just a few of the many teachers offering Piano lessons in Cary . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Lindsay T

Instruments: Piano

I began teaching in college and was a graduate assistant at the University of Oklahoma. I taught private lessons in my professor's home studio, group lessons for undergraduate courses, and private lessons in our pedagogy teaching lab at OU. I've also taught private piano lessons at North Central College, Naperville, IL, Harper Community College in IL and Meredith College in Raleigh, NC. Throughout the years I've held positions in the Cary-Apex Piano Teachers Association and the Raleigh Piano Teachers Association. Read More

Skip D

Instruments: Piano Guitar Harmonica Recorder Keyboard

My choices in books and other resources for the student are based primarily on the students' individual goals, needs, and interests. Generally, I approach the subject matter with firm but relaxed expectations, giving the students freedom but also requiring them to pursue a specified goal. This may include allowing the student to take a break from a challenging piece if necessary, to let their mind calm down and refocus while they practice a different piece with different requirements. Read More

Tyler L

Instruments: Piano Guitar Keyboard Electric Guitar Acoustic Guitar

For beginning students, I begin with basic open chords and scales. Once the student has basic chords down I like to teach them a song of there choosing. I found this to be one of the most rewarding experiences when I began taking lessons. For adults, I like to hear any ideas they may have and give my input and direction. I work hard to keep lessons engaging for adults, I like to think every student can learn something new every lesson! Read More

Catherine K

Instruments: Piano Clarinet Recorder Bassoon

I use a mixture of my own custom lesson plans as well as working from a book if the student is a beginner. I use different books for different instruments but I don’t like to rely on them completely as all students learn at different rates and have different strengths and weaknesses. So sometimes I will source more music or activities from elsewhere or miss pieces or sections out. Read More

Matthew S

Instruments: Piano

When working with younger students, my approach is twofold. First, I like to work with Alfred's Basic Series to establish a solid goundwork for reading music and mastering technique. Second, I like to cater the lessons to the student's particular interest, whether preparing solo pieces, practicing theory through ear training and sight reading, or writing compositions. For adults, I like working together to determine the student's goals to keep music-making challenging and engaging. Read More

Terence T

Instruments: Piano

My teaching experience is varied and far reaching. I have been teaching since my youth as I worked in various churches and musical productions. I was often tasked to compose and then work with the singer's musicians in the production. From there I worked with organizations while in college assisting underserved individuals learn music as a means of escapism. Additionally, I have worked with music schools to assist prodigious students develop musical maturity. Read More

Teacher In Spotlight

Mark G

Instruments: Piano

What do you think is the hardest thing to master on your instrument?
In my case when I was beginning to learn piano I taught myself without any real understanding of how the hands work in relation to good technique. So while I had a very strong musical understanding and could play pieces in relatively acceptable manner I had no sense of how to bring out even more color, emotion etc. which comes from better "technique". There is an incredible amount of possibilities of movement using fingers, hand, wrist, forearm, the entire arm and so very much more. Learning to use every part of my body, just about, was a very new thing to me and required that I back up a bit and relearn some facets of proper technique.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I have my own method of teaching that includes technique, a very healthy dose of theory and ear training. Many of the method books offer a lot. I like some of Bastien as I appreciate how it is laid out for the beginner. It is simple without spending too much time on each new topic before introducing a nice or familiar piece of music for the beginning student. There are a number of good method books available. It is ultimately the instructors responsibility to glean what is important from them and creating a lesson so the student feels motivated enough to spend the necessary amount of time on something, that by all accounts, is simple and at the time to the point of being boring for some students. In this case I either create my own technique lessons or I'll compose a piece that introduces a new technical difficulty in a fun way.... hopefully.

What does a normal practice session look like for you?
Assuming we went over pieces, technical issues and musicianship skills there may be a given number of musical activities the beginning student will be expected to work on. For the beginner I may have them very slowly, with a pencil, name the notes. Then I will have them play one hand at a time... and for the melody (should that be the case) I'll have them name the note. At times I might have them photo copy the music and write note names beside each one. They are not to write note names in their music. This is an example for the beginner. There will also be a rhythm component to a lesson as well as ear training including interval recognition etc. For the more advanced student practice may focus on a particular section of a piece or a difficult technical concept that is relevant to a composition.

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Recent Articles from the Musika Blog

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...and fast rules in music. Instead, their purpose is to describe and define what naturally occurs within the tonal music we hear. Cadences are simply methods we can use to help understand and relate to the world around us. If you’re a songwriter or composer, you’ve probably discovered here that you naturally rely on some of these cadences in your own songs without even trying.   If you start to listen for these cadences in the music you hear in the world around you, you’ll quickly find that they’re unavoidable. For more articles about the world of music, check out the Musika Lessons blog.... Read More

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...Major 4. Minor 5. Minor 6. Major 7. Major   Here’s the sequence of Roman Numerals used to understand and identify chords in minor keys:   i ii° III iv v VI VII     You now have everything you need to understand intervals, scales, keys, chords and Roman Numeral Analysis. Confused? Don’t worry! We threw a lot of information at you in this article. If you need extra help understanding the piano music theory concepts we’ve described here, we recommend finding a knowledgeable and experienced music theory tutor in your area. For more articles about the world of music, check out what ... Read More

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...soon as you can, start playing with a metronome. Working with a metronome will help develop your internal rhythm in a powerful way.     Other Scales Once you’ve mastered the fingerings for major and natural minor scales in C, G, D, A, and E, you’ll be ready to move on to tougher scales. As you can see, these scales don’t share the same fingering patterns and the middle fingers don’t always play together.     B Major:   Notes: B, C#, D#, E, F#, G#, A#, B Fingerings (LH): 4, 3, 2, 1, 4, 3, 2, 1 ... Read More

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...good idea to learn how they sound and feel when you sing them. Learning sight singing can make a big difference in how easy it is for you to read sheet music. Most colleges require all musicians to take classes in sight singing, so even if your teacher doesn’t provide formal voice lessons they very well may be able to work with you on sight singing in order to improve your sheet music reading abilities. The other big part of reading music is note duration. Just like reading words, you need to combine the letters in different combinations to make words and sentences. By combining notes in different patterns ... Read More
Cadences
Piano Music Theory
Piano Fingering Exercises: Scales, Chords, and More
Six Easy Guitar Riffs to Learn Today
Reading Music and Reading Words Are Very Similar

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