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Featured Piano Teachers Near East Honolulu, HI

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Here are just a few of the many teachers offering Piano lessons in East Honolulu . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jacob K

Instruments: Piano Guitar Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My approach varies depending on the student.  For younger students I usually take a very systematic step by step approach using method books.  If the student already knows what they want to learn and has specific goals I try to tailor to their needs. For guitar students who are starting from scratch I usually begin with the Hal Leonard Guitar method book or give them the option to use a classical method book if they're really interested in classical guitar. Read More

Joanna W

Instruments: Piano

My teaching experience dates back to my high school days, as I began teaching private lessons since 1981, and I have been consistently teaching students in my home studio. I taught kindergarden and elementary school in Sacred Heart Academy from 2002 - 2004 in a classroom setting. I believed that learning music improves the brain's ability to process timing, pitch and timbre. which helps kids pick up language, too. Brain can make sense of vowels, consonants quickly. Read More

Mari K

Instruments: Piano

I use a variety of methods for young beginners (depending on their age) - Faber Faber, Alfred, Alfred Premiere, Bastien, and Hal Leonard. For beginning adult students, I find Faber Faber for the older beginner to well paced to teach fundamentals. My digital piano has engaging learning games to reinforce fundamental note reading and rhythm, as well as aural training, chord recognition, and sight reading play along songs. My students love to see their play along music scores, and are always challenging themselves to improve. Read More

Ian S

Instruments: Piano Keyboard

Beginner students start off by progressing through a method book series like Piano Adventures or Alfred Premier. These books, along with supplementary materials, help the student to learn how to read music and become more comfortable with the piano. Along the way, students will develop their music theory knowledge and gradually become more fluent with their scales, chords, and rhythm. By doing so, they are building their musicality and technique. Read More

Lindsay B

Instruments: Piano Trumpet

I use a broad amount of materials that I tailor to each individual student. Trumpet students use a variety of materials from the Arban Book, H. L. Clarks "Technical Studies," Max Schlossberg's "Daily Drills and Technical Studies" and a variety of solo and duet books. It is important that each student learns at a speed suited to them and each lesson is personalized so the student is challenged to grow but not overwhelmed. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What does a normal practice session look like for you?
Vocalistss have different endurance thresholds but I strongly feel that novice to intermediate singers avoid singing for more than 20 minutes per session and no more than one hour to 90 minutes total per day. It is important to take intermittent breaks to keep your voice from tiring or becoming damaged. More advanced students who are interested in additional musicianship skills like ear training and sight reading should practice these objectives on musical instruments to maintain vocal health and stamina. For example, advanced singers can practice playing different chord types and voicings on piano or guitar during their warm-up. Most vocal warm-up patterns move chromatically (in half-steps) so this allows the opportunity to practice both harmonic ear training and basic piano skills simultaneously. If piano or guitar is your second instrument then you can study theory and harmony on those instruments while you rest your voice. Rhythmic ear training can be accomplished with a drum pad and a pair of sticks. There’s no need to sing everything you need to practice! Drummers warm up by playing rudimental sticking patterns for 10-20 minutes on the practice pad. If the student is studying traditional snare drum technique then the second part of the practice session would be playing etudes from an appropriate text. The third part of a drummer's practice regimen is practicing drum grooves (beats) on the full set. This would, of course, include the student's musical style(s) of interest.

Does music run in your family? Tell us a little about your musical family members.
My parents were actually quite musical and their library of recordings at home offered me a diverse palette of musical idioms to listen to while growing up. My mother was a tap dancer who performed on stage with her two sisters when she was a youngster. I remember her teacher my sister and I how to "hoof" to the song "East Side, West Side," which I can still perform to this day. Mom also enjoyed singing jazz standards from the American Songbook. She took voice lessons and I used sneak into the library to listen to the reel-to-reel tape recordings she made when she practiced her repertoire to the old Music Minus One vinyl discs. My father surprised us one day when he came home with a full set of drums. We had no idea that he played as a child. On a whim he had decided to revisit his love for Gene Krupa. I think many of my drumming ideas were inspired from watching him play traditional jazz swing.

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