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Featured Piano Teachers Near Germantown, MD

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Here are just a few of the many teachers offering Piano lessons in Germantown . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tristan B

Instruments: Piano

I am a third generation Rubinstin pianist, and integrating my love and passionn for technique and style of playing into my lessons. At each lesson, realistic goals will be set for students and documented in their learning journal. This also allows their accomplishments to be recognized and acknowledged, which will in turn help them to be eager to learn more. Read More

Amanda B

Instruments: Piano

I currently work at a school for special needs students teaching music. We work on goals set for them to achieve success each session. I also work with students outside of school teaching piano. My emphasis to my students is that music is something that can't be taken away once it is learned. It's a conversation starter, an outlet for people to blow off steam, and is something everyone loves to listen to. Read More

Mark D

Instruments: Piano Guitar Drums Organ Conga Music Keyboard Djembe Acoustic Guitar

Mark has composed hundreds of pieces of music, including a Sonata for Vibraphone, and Guitar, numerous pieces for the various world famous acts, and groups that he has worked with over the years He has also been responsible for lyrics, and arrangements for live shows, and recordings that have included the most recognizable names in the popular music world. Mark served as the Musical Director of The Ben E King Stand By Me Foundation for five years. Read More

Jesse W

Instruments: Piano Guitar Bass Guitar

In addition to teaching in the public schools, Mr. Jesse W. has been playing guitar and bass professionally in the local funk band Tha Funkahol-x, and has performed for audiences with George Clinton and the P-Funk All-Stars. In undergraduate school, he studied composition and arrangement with Ricky Ford, internationally acclaimed jazz saxophonist, at Brandeis, and performed in the Brandeis Jazz Ensemble under his direction. He Currently studies piano under world-renowned concert pianist Reynaldo Reyes at Towson University. Read More

Adrienne I

Instruments: Piano Voice

Also an avid performer herself, Adrienne has toured with the New York Harlem Productions company of Gershwin’s Porgy and Bess, appearing as the Strawberry Woman in important European venues including the Komische Oper Berlin. She has sung in Carnegie Hall and appears on the Grammy Award winning CD “Songs of Innocence and Experience.” Perhaps her most noteworthy performance was singing for President Obama at his second term Inaugural Prayer Service. Read More

Jeni M

Instruments: Piano

My Teaching Methods For young beginners, I typically use the Alfred or Faber method books to build a strong foundation in note reading, rhythm, technique, and musical expression. As students gain confidence and a solid grasp of the fundamentals, I begin introducing solo repertoire suitable for their first recital performance. I particularly enjoy using the Keith Snell series across all levels, as these books feature original piano compositions rather than simplified arrangements. Read More

Traci N

Instruments: Piano Trumpet

Everything we talk about carries over past the art of playing the trumpet. For example, learning how to be a team player, creativity, and the reward of daily practice teaches the student about success in many different contexts. I do expect my students to practice at least four to five times a week so that lessons are as productive as they can be. I do try to find out what inspires each student, be it types of music or anything in the outside world. Read More

Teacher In Spotlight

Ian D

Instruments: Piano

What advice do you have about practicing effectively?
Practice the hardest parts first, slowly. It's always tempting/easier to practice what we're comfortable with, but practicing what you already know, or can already do, does not allow you to grow and expand upon your abilities. In order to become comfortable with something, you have to allow yourself to be uncomfortable first. So practice the uncomfortable stuff, slowly, until it becomes comfortable. Then, move on to the next challenge, and watch yourself grow, develop, and get better!! This will also help grow your confidence as well, as you discover what you can handle and conquer.

How do I know if my child is ready to start lessons?
This is always a fine line to walk, but usually it comes down to two main things, concentration and focus. Piano is an instrument that truly can be learned by anyone (as long as you know your alphabet up to G). However, a lot of the learning process, especially in the beginning, requires having an attention span, and the ability to focus on what you're learning. If a child has the ability to concentrate on what they're doing without becoming too distracted (even if for just 15 or 20 minutes), a LOT can be accomplished. It's always our job as the teacher, to try to be engaging and keep things interesting, but the student must be able to stay focused as well. If they can do this, and also seem interested in learning as well, certainly there is much potential for them to go far!!

When will I start to see results?
This can vary widely from student to student. It also depends how much time you're putting in between lessons. Students that do very little between lessons, and/or are not practicing regularly, will typically take longer than the ones that put in more time and are practicing more consistently (it's always better to put in a few minutes daily, than practicing once every few days). Also, because a lot of the beginning stuff is based on repetition and memorization, some students just pick up on that faster than others, while others may need more time. But a consistent daily practice routine is always the best approach.

What is your favorite style/genre of music to play and why?
By far, the one I gravitate towards the most would be Jazz. The melodies and chord changes (for many Jazz standards) are beautiful, intricate, and complex. Listening to a Jazz solo, in my opinion, is often times an incredible thing to witness, as you're literally hearing a composition being created on the spot, while at the same time working within a very concrete and specific structure (which is what makes it sound good). And then, when playing together in group settings, you also have the added benefit of communication, as musicians will feed off each other's ideas. It is very much a communal effort and to experience it live is simply irreplaceable.

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