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25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
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Teachers in Network
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Here are just a few of the many teachers offering Piano lessons in Miami . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Orchestral Percussion Music Keyboard
Ive been told I am a very encouraging teacher. My goal is to teach the student something new in every class. Lessons can focus on technique, performance, sight reading / singing, ear training, music history, music theory, composition, improvisation, fakebooks and more. Piano lessons can cover everything from how to sit at the piano to using rotational movements to get accuracy in large leaps. I focus on musicality. A student does have to be Lang Lang to sound beautiful. Read More
Instruments: Piano
My teaching experience dates back to 8/2015. It was a friend through my father's. Since then, I have been consistently teaching in my home studio for 2 years now. Encouraging regular practice is important to produce consistent results. Although I am classically-inclined, contemporary (modern) music goes a long way in helping students to continue enjoying and learning the piano. Students will also participate in Student Day, and the National Guild of Piano Teachers, etc. Read More
Instruments: Piano Drums Synthesizer Mallet Percussion Conga Latin Percussion Music Keyboard Djembe
My first venture with popular music was in 1986 playing vibraphone with SinTrans, a jazz group founded at the Conservatory Amadeo Roldn. SinTrans got to perform at the International Jazz Festival in Havana in 1987 and 1988. In 1993 I moved to Stockholm, Sweden where I developed my professional career as a musician, performing and recording with many of the most prominent artists and acts in Sweden: Nordman, Bo Kaspers Orkester, Bebo Valds, Lill Lindfors, Peter Jback, Carola, Blacknuss All Stars, Stockholm Folk Big Band, Jonas Knutsson, Magnus Lindgren Radiojazzgruppen, Janne Tolf and Mats Holmkvists Big Band to name a few. I toured all around Scandinavia, Germany, Austria, Switzerland, UK, France and other European countries, covering various genres like Pop, Hip Hop, Jazz, Soul, Funk, Fusion, Folklore, Salsa, Latin Jazz and much more. Read More
Instruments: Piano Voice Keyboard
My teaching style is based on traditional classical approach of Russian Piano teaching method. For younger, beginner level student lessons are structured around different activities and games (for very young students) to learn notes reading and rhythm. For intermediate and more advanced students each lesson starts with a warm up, of scales, arpeggios, etudes or other technical pieces. After that we move onto working on individual pieces of music. Student is explained what needs to be done to achieve desired results for each specific piece, and the homework is written in a notebook for the following lesson. Read More
Instruments: Piano Violin Cello Viola Double Bass Music
A winner of the Walter Charles Conducting Fellowship, Colorado Arts and Humanities Grant and the Allied Arts, Inc. grant, I have also been listed in “Who’s Who Among American Colleges and Universities.” A member of the Gustav Mahler Society, American Symphony Orchestra League and the Conductor’s Guild, I have published a book on the Orchestral Scores of Eugene Ormandy, called The Orchestra Scores of Eugene Ormandy – Creating the Philadelphia Sound - published by Edwin Mellen Press in 2017. Read More
Instruments: Piano Voice
Early on in my high school days I was helping classmates improve their musical skills. Turns out that I discovered my vocation. My pasion for helping, combined with my thirst and fascination for musical knowledge led me to pursue a career in the field of Music. I've been involved teaching, performing, recording and producing profesionally for more than 36 years and have helped more than 3000 students by now. Read More
Instruments: Piano Keyboard
What advice do you have about practicing effectively?
Engage the child. Help them find what they like best. And most importantly parent encouragement. The best students I had were those whose parents were most active in their learning. For children this applies. For adults: MAKE THE TIME. If you don’t practice you are wasting your time and money and most importantly you’re missing out on a beautiful, enriching experience. They say it takes about 27 days to develop a habit so practice for at least 30min-1hour a day for 27 days and then you’ve got it!
How do I know if my child is ready to start lessons?
Usually school age children who can read and write are preferred. Music not only consists of playing your instrument but of reading sheet music which is difficult or near impossible if the student can’t read. Also in my experience, the younger the child, the shorter the attention span. I once had a 5 year old student who upon first glance, was definitely not prepared for music (he could not sit still or concentrate or control his fingers). However with his mother’s persistence and discipline and much hard work he began on a slow and steady learning path. Not ideal but definitely a personal choice.
When will I start to see results?
This is truly every student (or parent’s) main question. And the answer is simple: it depends on you. I had one student for an entire year who did not even progress past one lesson book because of her lack of practice and her mother’s lack of discipline. Adversely, I also had a student younger than the previous student who excelled through three books in two months because of his motivation and his mother’s strong encouragement. Results are in the hands of the student. Practice often, pay attention at lessons and you will go very far very quick. You might even be playing an entire classical piece at the end of 8 months.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I’ve had multiple teachers who were renowned in the state but the one who truly left an impact on me was Mr. Lawrence (the Houston music Theorist). Unlike other music professors, he didn’t only instruct me in the ways of my instrument. He opened my mind to the beauty of music and the aesthetic structure behind it. He made me realize how much more there was to understanding music and truly mastering your instrument. I learned to read into the history and emotions of composers, solve the math behind theory and appreciate the deep beauty hidden in every piece. I hope to share that with each student I take so that they may also be inspired by this.
What do you think is the hardest thing to master on your instrument?
There are many difficulties with the piano. Mastering left hand seems to be a typical hurtle for those who are starting. However as long as you practice your left hand more than your right, you can easily overcome this. Also pedaling is very difficult it seems. If you can imagine: you’re already playing two different lines with both hands just to introduce a pedal that must be played at certain times all on its own. And last but not least, posture! You’d never think but yes, almost all my students have trouble sitting correctly and placing their hands correctly.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The two main book lesson series that I use are Faber and Alfred’s. For beginners who go at a normal or slow pace in learning, Faber has always been my go-to. It has many songs at easy levels to master and gives you time before learning new objectives. Alfred’s however, I tend to use for older/more advanced students, as it is more fast-paced than Faber. I try to start each student on some sort of series however but at the same time giving additional songs and exercises as well as letting them pick their own songs to practice.
Does music run in your family? Tell us a little about your musical family members.
Music definitely tends to run in my family, particularly from my father’s side. He started playing classical guitar when he was very young and quickly became a prodigy of his professors (who happened to be a famous musician). He would go to concerts and rich peoples homes to perform, and was his professor’s star pupil. I believe he passed his passion for music to me and my sister who is a violist married to a violinist and together they teach music as well privately and at a school. I remember many nights where I’d play my dad’s favorite song (Moonlight Sonata) to him and then other nights where he would play me beautiful Brazilian lullabies.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Miami to students of all ages and abilities.
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Rory
I'd like to take beginner lessons on piano/keyboard. I do not currently own a piano or keyboard so lessons could be taken at studio or instructor's residence.
Samia
I would like to start either group lessons or private lessons in cello. I have absolutely no background in music but will be very committed to learning. Thank you.
Shelah
Please email me the information and wait for me to call you. My child and I are interested in piano lessons but do not have a piano in the home. Do you have other options?