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Featured Piano Teachers Near Pittsburg, CA

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Here are just a few of the many teachers offering Piano lessons in Pittsburg . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andrea G

Instruments: Piano Flute Music

Hello! I am a Colombian-American composer and flutist from the San Francisco Bay Area with a Bachelor of Music degree in Composition from San Jose State University. I have been working as a freelance musician for about 5 years. As a performer, I play just about anything and enjoy challenging myself with new repertoire, I particularly like playing Romantic or Modern music! I've had so many opportunities to perform with various chamber groups through an organization called Chamber Music Silicon Valley, and have traveled to many places in California and outside of the United States to perform and teach. Read More

Dana S

Instruments: Piano Voice Keyboard

Music is my life. I actually enjoy teaching music and being creative with all ages and all kinds of people. Ive had the opportunity to play all over the world with jazz bands, Afro Cuban ensembles, top 40 bands as well as my own band which is a mix of original music that is jazz, r and b, soul, hip hop, reggae, latin and funk. I also direct a singing group in Richmond called Voices of Reason. Read More

Pete E

Instruments: Piano Drums Organ Synthesizer

Teaching has been a constant for me since college (around 2005). I helped tutor both aural theory and written theory, and also helped with beginner piano classes. Later on, I taught at the East Bay Jazz Workshop and offered private lessons part time both at my home studio and at Young World pre-school. I've taught students of all ages and skill levels for many years and also can provide some experience at arranging, theory, and improvisation. Read More

Michael R

Instruments: Piano Trumpet Trombone

For beginners, I start with a mixture of the Suzuki method and the Essential Elements book. I find that combining ear training while simultaneously developing the ability to read music only accelerates the learning process. Teaching adults of any level are all about assessing interests and goals. I find out where the interest in creativity lies in every individual and work on developing that so the lessons remain fun and fulfilling. Read More

Fiona C

Instruments: Piano Voice

For beginning students, I use the Piano Adventure Series by Nancy Faber and Randall Faber. I also use the A Thousand Stories for a Little Pianist by Katrin Arefy. My special methods in teaching young students include stories, easy duets, and singing familiar folk songs. For intermediate level students, I use different method books according to the student's interests. However, I encourage them to play Classical music, which is very useful in developing good techniques in piano playing. Read More

Yu-Tung (Tammy) L

Instruments: Piano Oboe

I start playing the piano when I was 5 and started playing oboe at the age of 8 in Guanran Catholic Music Elementary School in Taiwan- a school that taught music theory, ear-training, aural skills, music history, choir, and orchestra, in addition to regular academic classes. Throughout my life, I have performed as a solo and collaborative pianist, instrumental and vocal accompanist, oboist, choral singer, and conductor in various venues in US, Taiwan, China, and Italy. Read More

Jacob T

Instruments: Piano Voice

I have been teaching private voice for three years, and feel like I truly thrive when I'm sharing my knowlege of music and performance. At Colorado State University I taught a to wide range of students and styles from freshmen voice majors, choral conducting graduate students, theater majors, voice minors, and even a couple aspiring folk/country singers! I also taught a Fundamentals of Music Theory course to over 100 non-music majors, covering reading music, piano basics, intro to harmony, the physics of music and the psychology of music. Read More

Teacher In Spotlight

Nathan P

Instruments: Saxophone

When will I start to see results?
Every day! Results are not necessarily tied to me, or any instructor, for that matter. Rather, it is my job to provide material, instruction, and benchmarks to assess, and it is the student that progresses in their own unique way. Music is a journey, with no destination, and results are highly subjective. I am deeply passionate about understanding how "results" are a personal aspect of learning, and while they can certainly provide motivation to continue the journey, they're not always something tangible - sometimes, simply sounding a note a bit clearer, or having a better understanding of breathing, and how it affects all aspects of playing is a huge result, yet the outward projection of the sax (to the audience) changes little. Results are produced every time the student picks up their saxophone.

What advice do you have about practicing effectively?
Have a goal in mind. This doesn't have to be a formal goal, such as playing Charlie Parker's "Donna Lee" at 300BPM - while that would be noteworthy, the goal of practicing is simply doing something. An example could be playing mid-A, holding it for as long as possible, while maintaining solid intonation from soft (piano) to loud (fortissimo). Keep it simple, but know the goal. Sometime just playing for 15 minutes is a goal, as time doesn't allow for much more - great! Now, go do it! Again, the goal is simply as stated, nothing that someone else deems important - it's all about you!

What do you think is the hardest thing to master on your instrument?
The fact that I/you will never master our instrument - there is always something to learn, something to improve, and something to incorporate new into our musical portfolio. For many students, this is a difficult barrier to overcome, as they are accustomed to a general formula that suggests "x" amount of "y" will equal "xy." With music, it's not that simple - nor should it be! Music should be seen as a high-personal, enjoyable medium for expression, and what is accomplished today only continues to build upon the musical arsenal, not a step toward a finite end.

What musical accomplishments are you most proud of?
Along with awards from my school and various awards from Berklee College of Music, I am most proud of my ability to share the saxophone with others seeking to learn. I understand that the ability to effectively teach is a gift, and I feel as if I've been awarded a lifetime honor of having the privilege to do just that, all the while enjoying it and laughing along the way. Years of commitment to the saxophone and music pays off in many ways, chief of which is the ability to share my experiences and teach people of all ages and abilities.

Why did you choose your primary instrument?
I chose the saxophone because, to me, nothing sounded like it, and I wanted to create music with that sound. It's also the reason I incorporate demonstration into my teaching methods, as I want to inspire others in the same manner - if they hear something they love, they'll be more motivated to achieve their goals. The saxophone is also an incredible versatile instrument - from 12-bar blues to funk rock, there is a place for the sax, and, to me, that's an excellent reason to know how to play it.

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