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Featured Piano Teachers Near South Jordan, UT

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Here are just a few of the many teachers offering Piano lessons in South Jordan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kyra B

Instruments: Piano

I have been teaching since high school, and have taught students of all ages, ranging from age 5 to adults. I have had multiple opportunities to perform and accompany for various groups within my education at BYU, and have composed many pieces for piano, orchestra, and small groups. My students tend to progress very quickly and have a strong understanding of how to practice and what tools they can call on to reach their individual goals. Read More

Bartosz W

Instruments: Piano Saxophone Clarinet Keyboard

I enjoyed being part of many musical ensembles (including the Supertonic Orchestra in Dublin and Anashim in Poland) and went on to found the klezmer music ensemble ‘Klezmerado’. I performed playing the clarinet with this group at over 100 concerts all throughout Poland. Additionally, I have taken part in several musical projects across Europe aimed at bringing professional music to children. Not only do I have extensive experience playing as part of orchestras and ensembles, but I also pursued music pedagogy, and during my many years of teaching instrumental music, I was able to further develop my own skill as a performance musician. Read More

Valerie E

Instruments: Piano

I use the Piano Adventures method for most of my beginners. I generally include materials from a variety of sources, especially if the student needs more work in a particular area. I do have other methods that I use as needed, Piano Pronto, Supersonics, and Carol Matz Interactive Piano. There is also the option of going method-less, focusing on the skills that are in each piece of music. I also have a vast library of studio licensed materials that I share with students, most of them without cost to you. Read More

Hannah N

Instruments: Piano

I am mainly using Alfred's Premier Piano series in my curriculum for beginning students who are children. I include material from other method books that help meet the needs I want for my students. It is very important for any student at any level to have a strong technical foundation starting with proper posture and hand shape. When learning new songs and pieces, I start off with aural experiences for the students, especially when rhythm is difficult. Read More

Chantal F

Instruments: Piano

When teaching, I use very accepted strategies as I teach each individual. I work on the level and at the pace of each individual that is best for him/her. I keep a record of where each individual is at very regularly. I stay open for any questions, concerns, or ideas of others about the teaching and strategies that are used. At times when it can be appropriate, there are more fun activities used in teaching to decrease the mundane formality that can become too regular at times. Read More

Victor S

Instruments: Piano Synthesizer Harmonica Recorder Keyboard

Audio engineer, music producer, composer, arranger and multi-instrumentalist (piano, harmonica, recorder, quena). I was working for 5 Segundos Filmes as an audio engineer and as a temporary professor at the Universidade Federal do Ceara (Federal University of Ceara). I have eleven years of experience as a music teacher. I also have qualification and experience to perform any audio services: recording, editing, mixing, mastering etc; or musical, such as composition, arrangement, performance, musical production etc. Read More

Daniel S

Instruments: Piano Violin Keyboard

I approach piano and violin instruction from a foundational, constructive perspective, combined with building rapport and reciprocal clarifying communications. Essentially this means that the student and I interact to build understanding by using the familiar to grasp the unfamiliar. An example is: When teaching hand position, I use the natural position the student already has when the hand is relaxed to build the hand playing position. The student is encouraged to ask questions, to feel free to make mistakes in order to take the risks necessary for true understanding and growth, and to engage in productive discussion leading to personal clarity with regard to their playing. Read More

Teacher In Spotlight

Arlette C

Instruments: Cello Music

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Masters Degree in Cello performance and a Bachelor's Degree in Cello Performance. Both these degrees focused on the study of playing the advanced-professional cello. I picked the cello out when I was 10 and ever since then, I never looked back because this is the instrument for me.

What is your dream piece to perform and why?
There is a beautiful piece composed Ernest Bloch entitled "The Prayer", absolutely beautiful. This piece is gorgeous on the cello and after learning it several years ago, I would love to perform it at some time. I might have an opportunity to play this piece this year. This piece depicts the calm and quietness of the Jewish people. He wrote this piece for Hans Kindler, with the intent to capture the Jewish spirit and soul.

What does a normal practice session look like for you?
Assuming this question is truly about practicing and not a lesson. Then practicing should involve slow and thorough practicing by reading the correct notes, knowing which finger needs to be associated with the note. This should be done every day in order to learn each note. then on the 3rd day playing the entire piece. At this point, if you have some errors, isolate what is the problem, fix that problem after 5 times. Then back up one measure and try playing two measures together. If your problem is fixed then you practiced correctly. After this point, start from the beginning and your problem should have been resolved.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Yes I use String Builder by Applebaum. This book is very helpful because it is a step by step method, that way there is a logical order in which the student learns. There are other books such as Alfred, Hal Leonard, or Suzuki, but I am very happy with the String Builder.

What do you think is the hardest thing to master on your instrument?
I think the technique of learning how to vibrato is the toughest part of the learning process. It requires a lot of patience and due diligence of practicing. The process is slow and ugly sounding, but if done right it sounds great.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have two high school students who have won scholarships from Music Teachers Association where each received $300 towards private lessons. These same students are now in their 1st year of college and continue to play at the community level. In addition, one of my students played a solo piece with my orchestra 2 years ago when she was only 15.

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