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Featured Piano Teachers Near University Park, TX

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Here are just a few of the many teachers offering Piano lessons in University Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Barbara D

Instruments: Piano Voice Organ Music Keyboard

I have enjoyed playing, singing and accompanying vocally and on piano, organ and keyboard since the age of 7.  I have both Choir and Solo vocal experience as well as played piano and organ for Churches and special performances. I have trained choirs and soloist and taught singing lessons for more than 10 years. I also have trained praise dancers and trained, accompanied instrumentally and toured an All City Children's Choir throughout Tarrant County for many years. Read More

Hanhan L

Instruments: Piano Organ Keyboard

Teach students not only piano technique, but also music theory, harmony, and sight-reading. Prepare for recitals, festivals, competitions, college audition, music assessment. Read More

Farida I

Instruments: Piano

I train students in performance, improvisation and composition, and use multiple forms of disciplinary actions to correct students behavior. Each student's progress is my progress. I love to work with students of all ages. I am serious, disciplined, and structured. However, I am also exceptionally friendly, helpful, polite and patient. I am fluent in English, Russia, Azeri, and Turkish. Read More

Ben H

Instruments: Piano Guitar Voice Drums Bass Guitar Banjo Ukulele Mandolin Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My teaching style is just like most I think. I don't rush with the students. Always trying to go slow and make sure the students understands everything. I've gotten pretty good at figuring out when the students get what I'm trying to teach. If I feel like I'm going to fast I'll stop think about what I'm doing and slow down. It's easy to talk to fast and rush as a teacher because I've taught so many students. Read More

Jessy (Ya-Chen) L

Instruments: Piano Cello Music Keyboard

As a teacher, it is always rewarding to see students not only improved and made progress but also to see them being focused and enjoy playing music. It's helpful if a teacher can create an inspiring environment that encourages students to try different things and to look for more possibilities of playing music. Students feel more motivated when they can find something interesting in music and they feel more accomplished when they are able to play the music they love. Read More

Craig L

Instruments: Piano Trumpet Drums Bass Guitar Music Keyboard Acoustic Guitar

I served as Band Leader (lead musician) at Destiny Metropolitan Worship Church, a 6,000 member congregation, in Atlanta for 6 years. My duties during that time included leading, teaching, and shepherding a 7 piece band through baptism, communion, regular services, funerals, weddings, early morning prayer, weekly rehearsals, special rehearsals, etc. My duties during the holiday season(s) inclusive of Christmas, Thanksgiving, and Easter also included providing musical accompaniment for plays, special selections, and more. Read More

England N

Instruments: Piano Trumpet Trombone Saxophone Flute Ukulele Recorder Euphonium French Horn Tuba

For beginner students who are children, I usually start with the Hal Leonard's Essential Elements. Once the student has advanced to where I can see that they have a good grasp of the fundamentals of the instrument, that is typically when I begin to introduce solo repertoire and supplement with my own material. For adult beginners, I typically will try and use the Essential Elements book to start with but not for very long. Read More

Teacher In Spotlight

Mike B

Instruments: Drums Conga Latin Percussion Djembe

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Since the age of 15, i knew I wanted to make an honest living with my passion and love for drums. I began teaching in Williamsport, MD in 1993. I walked into this music shop to buy some drumming gear for an upcoming gig and the owner was frantic over his drum teacher leaving suddenly. I inquired and he had me play a kit sitting in the showroom and he hired me on the spot. So, I started with 21 students handed to me. In all essence, I began teaching drums because I wanted to yet I walked right into it one day.

What is your dream piece to perform and why?
I Don't Care Anymore by Phil Collins.

What is your favorite style/genre of music to play and why?
I love playing rock and blues - anything that I can use the entire kit on. I love Buddy Rich's style of jazzy big band swing also.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started in life playing guitar and bass along with drums but the drums chose me and it just stuck.

Does music run in your family? Tell us a little about your musical family members.
Both my parents were not musically inclined. My sister plays guitar and sings.

What does a normal practice session look like for you?
While every student and lesson is unique, here's a general outline of how I structure a typical drum lesson: 1. Warm-up (5-10 minutes): Rudiments: We begin with essential rudiments like single stroke rolls, double stroke rolls, and paradiddles to develop stick control, hand-foot coordination, and warm up the muscles. Stretching: Light stretches for wrists, fingers, and arms to prevent tension and promote flexibility. Technique Review: We revisit key techniques from previous lessons to reinforce proper form and address any challenges. 2. Concept/Skill Focus (15-20 minutes): New Concepts: Introduction of a new concept or skill, such as a specific rhythm, groove, fill, or drumming technique. Demonstration and Explanation: I demonstrate the concept and break it down into manageable steps, providing clear explanations and visual aids. Guided Practice: Students practice the new concept with guidance and feedback, focusing on accuracy, timing, and musicality. 3. Repertoire Building (15-20 minutes): Applying Concepts: Students apply the new concept to a song or exercise, integrating it with previously learned material. Exploring Styles: We explore different musical styles and grooves, applying the new concept in various contexts. Creative Exploration: I encourage students to experiment and improvise, developing their own interpretations and variations. 4. Songwork/Performance Practice (10-15 minutes): Playing Along: Students practice playing along to their favorite songs or backing tracks, developing their timing and groove in a musical context. Performance Preparation: For students preparing for performances or auditions, we dedicate time to refining their pieces and building stage presence. 5. Review and Assignment (5 minutes): Recap: We review key concepts and techniques covered in the lesson. Practice Goals: I provide clear practice goals and assignments for the following week, ensuring continued progress and reinforcement. Feedback and Encouragement: I offer constructive feedback and encouragement, celebrating achievements and motivating students for their next lesson. Throughout the lesson: Individualized Approach: I tailor the lesson to each student's specific needs, goals, and learning style. Positive and Supportive Environment: I create a fun and encouraging atmosphere where students feel comfortable taking risks and exploring their creativity. Open Communication: I encourage open communication and questions, ensuring that students fully understand the concepts and feel supported in their learning journey. This structured yet flexible approach ensures that each lesson is productive, engaging, and tailored to the student's individual needs, fostering continuous improvement and a lifelong love of drumming.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
"Progressive Steps to Syncopation for the Modern Drummer" by Ted Reed is more than just a book; it's a comprehensive guide to unlocking rhythmic mastery and achieving drumming excellence. This timeless text serves as the foundation for countless drummers, from beginners taking their first tentative steps to seasoned professionals refining their craft. By incorporating "Progressive Steps to Syncopation" into my teaching, I ensure that my students develop a strong rhythmic foundation, a deep understanding of musicality, and the versatility to excel in any genre. This book is not just a stepping stone; it's a lifelong companion on their drumming journey.

What musical accomplishments are you most proud of?
I had the honor to collaborate and work with members of notable recording artists like A Perfect Circle, Puscifer, Saving Able, Tantric, Saliva, and Kix. I have worked in the backend for acts like Lady GaGa and the Rolling Stones. I have performed with many notable musicians throughout my life.

What do you think is the hardest thing to master on your instrument?
Timing is probably the most important consideration in drumming. Without timing, everything falls apart.

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