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Featured Piano Teachers Near Wayne, IL

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Here are just a few of the many teachers offering Piano lessons in Wayne . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Shawn G

Instruments: Piano Voice Trumpet Drums Bass Guitar Keyboard

Basically I start with questions on why the individual wants to learn how to play that particular instrument. Then I follow with how much do they know about the instrument of their choice. So following a brief historical lesson we get into how to start playing that instrument. Also why I love to play that instrument and why I'm playing it with passion. I start teaching with basic scales or vocal warm-ups. Read More

Mary L

Instruments: Piano Voice Organ Synthesizer Keyboard

Mary started her professional music career at age 11, playing pipe organ. Since 1999, Mary has released her original music on the Internet. She has been invited to perform at music festivals and conferences across the United States. After years of releasing EPs, in 2010, Mary released her first full-length CD, "Eclectic." Since releasing "Eclectic," Mary has performed at Six Flags Great America twice and was a Semi-Finalist in the 2011 Song of the Year songwriting contest. Read More

Roxanne L

Instruments: Piano

I love kids. I believe that music is a continuous learning. It needs a lot of patience and dedication to both intructor and students in order to see the advancement. I am passionate and kind. I love to teach in this field and love to meet more people with different race and cultures. I graduated Bachelor of Science in Tourism and now I am taking my Masters of Business Admininistration. Read More

Thomas G

Instruments: Piano Guitar Electric Guitar Classical Guitar Acoustic Guitar

I have always been passionate about music and feel no greater joy than sharing this passion with my students and friends. I began playing guitar around 2003 while I was a freshman in high school. Throughout my high school years I have attended summer music camps in Green Bay, WI then at Berklee College of Music in Boston. After graduation I attended McNally Smith College of Music where I majored in Guitar Performance. Read More

Jesse C

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

I first began teaching as an undergraduate college student in 2002. One of my childhood piano teachers invited me to teach violin, viola, and cello in her studio of primarily piano students. A short time later, after being hired as an accompanist at a local string studio, I was hired as a string teacher within the studio, where I taught for several years. Over the next fifteen years, my teaching continued in these two settings: studio teaching, as well as private lessons given in my home or the home of my students. Read More

Brian K

Instruments: Piano Guitar Electric Guitar Acoustic Guitar

For all students I'll be going over various ways to memorize any piece. I'll go over intervals, imperfect pitches, scale structure, chord progression, and how to apply all of it. I will start off with identifying notes in a scale, what they mean and how to use them. From there I'll go over rhythm and understanding time signatures. I will teach the importance of identifying and analyzing various compositions that the student finds interest in. Read More

Andrew R

Instruments: Piano Voice Saxophone Ukulele Recorder Music Keyboard

I am a dedicated music educator focused on innovative ways to engage my students in there learning while utilizing modern technology and proven pedagogical methods to improve my students musical abilities. I graduated from Carthage College in Kenosha, Wisconsin with a Bachelors in Music Education focusing on vocal and general music. I have been performing with bands around the Chicagoland area for many years as a vocalist and as a saxophonist. Read More

Teacher In Spotlight

Caroline R

Instruments: Piano Flute Keyboard

What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!

What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.

What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano). 2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min 3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes 4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.

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