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25 Years
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41,456+
Happy Customers
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Cities with Students
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Teachers in Network
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Here are just a few of the many teachers offering Piano lessons in Wayne . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Drums Bass Guitar
No matter the student's particular interests, there are a few things that are fundamental to all drummers and percussionists. We will start with the most basic techniques for producing a note: grips and stroke types. I take care to make sure the student is aware of physical tendencies that will inhibit their motion, and I keep these bad habits in check. We move on to focus on reading rhythms and subdividing a pulse. Read More
Instruments: Piano
I have been teaching private piano lessons for the last 5 years in the USA and Serbia, and have been consistently teaching students in Rhythm School of Dance and Music, Niles, IL, for the last 2 years. I'mpassionate about making sure every student has what they need to become an independent musician, and I strive to get each student to reach their personal goals, whether it is to play for enjoyment or to make piano their career. Read More
Instruments: Piano Organ Synthesizer Keyboard
In my private lesson, you'll gain an understanding, not only of the piano and how to play it in many different styles, but also of music, how it works and how songs are formed and structured. You are about to begin a journey of playing the piano that will take you as far as you are willing and able to go. I will give you everything you need to learn to play the piano by ear, along with lots of extras. Read More
Instruments: Piano Guitar Electric Guitar Classical Guitar Acoustic Guitar
For beginners at the start of the lessons, I usually get the know each student. Why would they like to learn? and What would they like to learn on guitar?; in order to make some reachable goals! Some will prefer to learn how to just physically play the guitar, and others may want a little more in depth understanding about the theory behind it and how to read music. When it comes to children, I believe the best way to keep them engaged and wanting to learn more is by making these lessons as fun as possible, while keeping nice and easy. Read More
Instruments: Piano Guitar Electric Guitar
My teaching style is that I set a plan for every student I have. For instance, I will apply reading notes, but that will not work for each student, each student is different and would prefer another style of teaching. That's when i would test their own level of memorization. I would teach each student chord structure of memorizing maximum 2 chords. Once each student fully has the 2 chords memorized I would hand them a sheet of paper, giving them instructions on top of the paper, stating Now that you have mastered memorizing the chords I would want you to come up with a small melody by building a staff with a time signature and writing the notes on the sheet of paper. Read More
Instruments: Piano Trumpet
It is important to use relatable and relevant music in addition to classical and jazz. Everything from Bach to Charlie Parker to Ariana Grande deserves respect and being open minded from a teachers point of view is very important to retain students. Furthermore, it is crucial to not overcomplicate musical concepts. Too many teachers try to confuse their students with the objective of feeling powerful and intelligent. This usually just drives students away. Read More
Instruments: Piano Flute
It is very easy to turn it into a game or a fun challenge for the students. When learning how to readmusic on staff line, my lesson will always incorporate some kind of fun projects or activity such asputting fruit loops noteheads on string staff lines. Learning never demands seriousness all the time.When there is time to learn, there is always opportunities to use the knowledge in a creative andexciting way. Read More
Instruments: Piano Flute Keyboard
What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!
What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.
What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano).
2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min
3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes
4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min
Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Wayne to students of all ages and abilities.
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