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Featured Piano Teachers Near Wayne, IL

4330   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Wayne . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Amber L

Instruments: Piano Voice Keyboard

My name is Amber, and I am a graduate of Indiana University of Pennsylvania and earned my Bachelor of Science degree in Music Education, as well as my Bachelor of Fine Arts in Vocal Performance. In addition to directing the Crimson Youth Choir and teaching privately in the IUPCMS, I directed/arranged music for the IUP Crimson Chords, an elite all-female a capella jazz ensemble. Last fall, I also directed Homer-Center’s Musical Annie and worked on Marion Center’s Musical Marry Poppins. Read More

Brandon S

Instruments: Piano Voice Drums Keyboard

I began to teach private lessons when I was in college in the year 2005. I started in a small music shop called McKinney Music where I taught in a back storage room. I taught beginning snare drum, piano and drum set. I had an experience there where a young 7 year old student who didn't practice and it showed. He felt so ashamed he began to cry, but I was able to calm him down and furthermore help him understand the lesson he hadn't practiced. Read More

Rebecca G

Instruments: Piano Voice Synthesizer Music Keyboard

In singing lessons students learn vocal techniques, musicianship skills, performance skills, and songs of their choice. Music games are played with younger students. Piano students. Piano lessons consist of technique such as scales chords arpeggios etc, repertoire, and music theory! I'm also open to working on songwriting, improvisation etc. I start beginner piano students off with Piano Adventures Primer Level along with A Dozen a Day for technique. If you have any questions feel free to contact me! Read More

Markeise R

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Euphonium Music Keyboard

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by engaging students in conversations about realistic and individual growth goals. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Serena P

Instruments: Piano Voice

It's very important to me that you come out of each lesson feeling proud of what you've accomplished. Of course some days are going to be harder than other days, but I always want you to feel encouraged and nurtured and aware of your progress. I have a very good balance in my lessons of supporting the student, but also pushing the student to his or her highest potential. I always remain encouraging and warm. Read More

Robert B

Instruments: Piano Guitar Voice Drums Bass Guitar Music Electric Guitar Acoustic Guitar

I have done a small amount of touring with a small jazz ensemble but I'm not gigging currently, but being versatile , experienced and having formal training help make learning music a pleasure and joyful experience easy, stress free and fun, and, that is especially what beginning and aspiring students need.The beginning concepts of music are easy to learn, I.E. the musical alphabet, how notes climb on each instrument...Hearing the note in your head before you play....then actually play them ... Read More

Adam M

Instruments: Piano Guitar Voice Bass Guitar

Philosophy on Music- There is imitation and creation, but to truly create one must first learn the established forms before one can break them. Eventually through discipline to these forms, one will see these forms not as absolutes governors, but instead a variety of tools that aid us in our artistic expression and enjoyment. Philosophy as an Educator- To be an effective educator I believe that one must not only create a curriculum and pay attention to the individual needs of their students, but one must also provide an environment that fosters growth. Read More

Teacher In Spotlight

Caroline R

Instruments: Piano Flute Keyboard

What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!

What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.

What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano). 2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min 3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes 4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.

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