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Featured Piano Teachers Near Wayne, IL

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Here are just a few of the many teachers offering Piano lessons in Wayne . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Elizabeth S

Instruments: Piano

I'm a passionate instructor who thoroughly loves bringing the gift and love of music alive in students. In 2017 I had graduated with my Fine Arts in Music degree at Mchenry County College. I enjoy discovering the new sounds in music and writing when inspired. Currently I am apart of a worship team at my church and I play keyboard but I find I play mostly without sheet music. I love adding my own touch to what I am hearing and simply play from my heart. Read More

Amro H

Instruments: Piano Voice Lute Music

My teaching tools are slightly different than most people. Sure, I use Textbooks and pencils but along with these materials, I use a special way trying to understand what is in my students mind and how to make the lesson interesting and easy for them to understand. I want my students to learn basic skills. That is, I want them to learn the basic skills necessary to transform their world. Read More

Emi Lee F

Instruments: Piano Voice

I have loved singing since I could first talk! I grew up singing in choirs, shows, and church. When I attended the Governor's School for the Arts in Norfolk, VA for high school, I realized that music and singing would be my career path for life. There, I was classically trained and learned to sing opera. I went on to complete my Bachelor's degree and Master's degree in voice. I am excited to have moved to Chicago with my husband, Sean. Read More

Vickie P

Instruments: Piano

I typically begin by teaching students how to visiually identify the keys on the piano, as well as notes on sheet music. Then I like to begin to work on finger shape when playing, as well as basic scales. As we continue practicing with the fundamentals, I like to pick simple identifiable songs for students to move into next. Easily recognizable melodies make the learning process easier, more attainable to the student, and fun! Read More

Gerson M

Instruments: Piano Guitar Electric Guitar

In addition at the age of 13 is when I started playing guitar. I began learning complicated solos, I would learn solos through YouTube. I would always improvise along with rock and pop songs. I would be that one guy that amazed everyone with the talent I have as a piano and guitar player. I would learn by watching and listening, It only takes a minute for me to play a song. Read More

Yoshihiro O

Instruments: Piano Clarinet

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Daniel M

Instruments: Piano Trumpet Trombone Clarinet Euphonium French Horn Tuba Music Keyboard

Building a solid method approach for every student is essential to the students success. I choose a custom approach for each student, because each student is unique. There are many overlaps to my approach for each students lesson plan, however every lesson needs to be altered a little, since some students struggle in areas where others might succeed. Fundamentals are the foundation for successful music making, and thus are the foundation of the lessons I teach. I have worked with many different method books and do not have a single preferred book, rather each student may need something different depending on their strengths and areas that need improvement. Read More

Teacher In Spotlight

Caroline R

Instruments: Piano Flute Keyboard

What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!

What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.

What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano). 2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min 3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes 4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.

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