630-936-4822
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25 Years
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630-936-4822
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Here are just a few of the many teachers offering Piano lessons in Wayne . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Violin Cello Viola Bass Guitar
My teaching experience began in the Chicago public and private schools in the 1970's. Wanting to have the ability to work with a student on a one on one basis, I went into business for myself as a private teacher. From 1976 to 2010 I taught music in a music store that I co-owned in the Chicago area. During that same period I worked with several universities with theMethods of Private Instruction in the area of Music Education. Read More
Instruments: Piano Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Djembe
I teach lessons to any grade/age group. I have an extremely open mind to teaching and music in general, so nothing goes out the door in terms of philosophy, however, I've come to realize that some methods work better than others. That said, I tailor my attention and focus as an educator to the needs of student I'm teaching in front of me. I don't consider the student who just walked out of the lesson or the student who is coming in next. Read More
Instruments: Piano Guitar
My methods differ depending on a students age and experience level. For the younger students who are just beginning their journey we will learn out of Hal Leonard's books for guitar or Piano Adventures for piano students. As a student progresses we will begin to take the learning outside of these books and more to music theory, technique, and to the application of these practices onto the instrument. For younger students I will make the lesson more fun and interactive, keeping the lesson positive and not viewing it as a chore. Read More
Instruments: Piano Trombone
I am an experienced and versatile trombonist and educator living in Chicago. I hold a Master of Music in Jazz Studies from DePaul University and a Bachelor of Music from the University of Denver.. I have been teaching and playing professionally for over 7 years. My professional experiences include playing in big bands, small jazz ensembles, musical theater productions, salsa bands, wedding bands, funk groups, and traveling the world performing aboard cruise ships. Read More
Instruments: Piano
I'm a passionate instructor who thoroughly loves bringing the gift and love of music alive in students. In 2017 I had graduated with my Fine Arts in Music degree at Mchenry County College. I enjoy discovering the new sounds in music and writing when inspired. Currently I am apart of a worship team at my church and I play keyboard but I find I play mostly without sheet music. I love adding my own touch to what I am hearing and simply play from my heart. Read More
Instruments: Piano Guitar Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Double Bass Euphonium French Horn Tuba Mallet Percussion Orchestral Percussion Oboe Bassoon
For beginning students, I typically start with Hal Leanord's Essential Elements. Once the student has a grasp of their instrment and the fundamentals, I will begin to introduce solo repertoire and tecnique exercises. I will try to find out what the student is interested in to help guide my instruction and keep the lessons engaging and fun, no matter the age or ability level. Read More
Instruments: Piano Saxophone Flute Clarinet
I have been consistently teaching students since I was in high school back in the early 90's. I always love teaching people of all ages, backgrounds, and abilities because it makes it more interesting for me! I have taught elementary school, middle school, high school, college, and adult music lessons and will have no trouble taking you where you need to go musically if you choose to take lessons with me. Read More
Instruments: Piano Flute Keyboard
What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!
What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.
What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano).
2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min
3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes
4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min
Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Wayne to students of all ages and abilities.
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