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Featured Drum Teachers Near Manhattan, NY

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Here are just a few of the many teachers offering Drum lessons in Manhattan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tim P

Instruments: Piano Guitar Violin Trumpet Drums Bass Guitar Synthesizer Ukulele Recorder Double Bass Keyboard Electric Guitar Acoustic Guitar

My love for teaching began as a peer tutor in college. I tutored students in piano, guitar, bass ear training, and music theory. I began to love teaching when I noticed the change and progress it creates within people. While in college, I taught at a musical theatre camp as a music teacher. I taught music theory, ear training, and vocal music. Right after I graduated college I was accepted into the music education program at Teachers College Columbia University where I received my masters degree in music education along with certification in New York state to teach Pre-K through 12. Read More

Ethan C

Instruments: Drums Mallet Percussion Conga Latin Percussion Music Djembe

I am a musician and teacher from Nyack, NY and I have been teaching private and group lessons for 8 years. I am as passionate about teaching as I am about playing, and I am always high energy and motivated to help students achieve their goals. I graduated from Oberlin Conservatory in 2018, and in my years as a musician I have performed with the likes of Gregoire Maret, Steven Bernstein, Ingrid Jensen, and more. Read More

Dani D

Instruments: Piano Drums

My passion for teaching comes from two main sources: First of all, there is nothing more satisfying than seeing a student progress, enjoy what he's doing and sound better every single lesson! My love for teaching also comes from the fact that I learn so much from this process! Every student gives me a new perspective on the drums and sets new challenges to tackle, which makes this such an invigorating experience! Read More

Layton W

Instruments: Drums

For drummer, composer, and producer Layton Weedeman, rhythm is more than a foundation, its a language of connection. Across a two-decade career, the New Yorkbased artist has explored jazz, hip-hop, soul, and global traditions, with collaboration at the heart of his work. His latest venture, Yellow Couch Music, is both a recording project and a creative collective rooted in improvisation, mutual respect, and deep groove. Its a space for building music thats human, open, and emotionally resonant. Read More

Keith B

Instruments: Piano Voice Drums

Studying jazz has also opened my eyes to the spontaneity of music, which is another important aspect of music that I try to encourage students to explore. While studying the classics is important, I think another vital element of maintaining a students' excitement in music study is for them to explore and delve into what it is that they enjoy, understanding how it's made, and figuring out why they like it, from a musical perspective. Read More

Colin H

Instruments: Piano Drums Mallet Percussion Orchestral Percussion

For beginning students, we initially tackle the fundamentals of music and drumming. This includes how to properly hold the sticks, basic reading skills, music terminology, rudiments, and stickings. I also teach one or two drumset beats in the first lesson to show the student that playing drums is for everyone. After the student begins to understand the fundamentals, I structure a tailored lesson plan that addresses their areas of interest. Read More

Itay G

Instruments: Piano Guitar Voice Saxophone Flute Drums Music Keyboard Electric Guitar Acoustic Guitar

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Teacher In Spotlight

Choyce S

Instruments: Voice Drums

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided I wanted to become a professional musician early elementary. I was always passionate about music but I originally wanted to become a drummer. Over the years I gradually grew into desiring other aspect of music.

What advice do you have about practicing effectively?
First step is to start out slowly, or in slow motion. Coordination is built with repetitions. Get it right at a slow pace and then work on increasing your speed while still practicing the music correctly. Second step is frequent repetition with allotted breaks. These are common practice habits of disciplined performers. Split your practice time into smaller, super-concentrated chunks, working multiple times a day. Finally, practice in your brain, in vivid detail. Visualize playing your music without actually playing it. Put yourself through the music, note by note. Imagine what it feels like to press that key, or take that breath, every step of the way.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I got my inspiration for music from musicians in family. However, I had teachers that inspired me to musically evolve as a musician and branch out to other aspects of me. They inspired me by introducing me to various elements of music. One of my teachers demonstrated the duties of a composer; bringing all instrumentation together in one piece and arranging them into one piece. I thought it was absolutely amazing. Another teacher taught me that understanding other instruments like the piano will help my musicianship in ear training.

Why did you choose your primary instrument?
My primary choice was percussion.

What musical accomplishments are you most proud of?
I am proud to have worked on multiple platinum records, as well as working in the music department for TV and film.

What do you think is the hardest thing to master on your instrument?
I would say, the skill to create something on the spot with no planning while staying in time. Many people who are learning an instrumental have difficulties with incorporating improvisation while not faaling behind of going ahead of time in a music piece.

What is your favorite style/genre of music to play and why?
My favorite genre of music to play is hip hop, rock and gospel because I can incorporate so many different styles to fit each and every genre. Playing these genres has helped me build a stronger ear for other sub genres.

When will I start to see results?
It depends on what your goals are for your instrument or voice, and how committed you are to getting the results you want. It also depends on what your playing or voice skills are like now, and where you want to be. If you’ve never played or sung before, then I wouldn’t expect you to be phenomenal after a few hours. Equally, if you’ve been performing for 30 years with bad habits, they won’t disappear in one lesson either. The goals you set and the results you experience will grow and evolve as you learn new skills, so really, it depends on you as an individual as much as the training you receive.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
During my courses of music theory, I decided to take guitar and piano lessons to under stand chords and how to arrange properly.

Does music run in your family? Tell us a little about your musical family members.
Music runs in both sides of my family. Coming from an African American and Ashkenazic Jewish family I was exposed to different traditions of music. Many in my family are gospel singers, jazz and pop musicians. As for my Jewish heritage, there existed both traditions of religious music, as sung at the synagogue and domestic prayers, and of secular music, such as klezmer.

How do I know if my child is ready to start lessons?
Informal activities with music should start soon after birth, followed by more systematic classes around age three, and lessons with the goal of learning the instrument should start between six and nine. Keep in mind that these are only guidelines; exceptions will undoubtedly occur based on the child and/or teacher.

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