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Here are just a few of the many teachers offering Drum lessons in Manhattan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion
I have been teaching for five years and how I teach is definitely influenced by experiences. I have had the opportunity to study with musicians in all occupations and styles. This is why I am so grateful to be able to find what inspires each student of mine and help them grow in whatever style gets them playing. Read More
Instruments: Drums Mallet Percussion Orchestral Percussion Latin Percussion
The most rewarding part of teaching is watching the student master something they have worked hard on. I feel it is important for each student to develop his or her own musical identity. Having confidence in their ability, and reaching a level of comfort with the instrument I feel helps them develop both as a musician and in other parts of their lives. The lessons are designed to meet their individual needs so i can help each student progress at their own pace. Read More
Instruments: Drums Orchestral Percussion Latin Percussion
I have been teaching privately for 47 years I also too for a period of time was represented by Ludwig I did clinics for Ludwig I also taught group instruction at Sam Ash music and Huntington I dwell at New world music in Baldwin for a period of time I was a participator in the drum summit sponsored by Sam Ash hosted by Dom famularow Peter Greco and Lou Garvey I was a drum instructor for Plainview high School marching band under the supervision of Jerry Loeb I have created educational CDs on modern drum techniques of our time teaching focus on this much jazz band college audition rudiments reading full drum set and song preparation also I did a thing called the rudimental and drum set clinic at many elementary junior high schools on Long Island I love teaching rhythms fills and songs of great drummers of our time some of my favorites are Buddy Rich gene Krupa Louie belson Billy Cobham Dave weckl Tony Williams John Bonham Danny Seraphin Alex Van Halen Neil Peart Lars Ulrich Stewart Copeland Phil Collins Carl Palmer and countless others I can also teach beginner mallet technique orchestra bells vibraphone marching orchestra bells some chimes various percussions such as tambourine cabasa and triangle books I prefer to use are stick control by George Lawrence Stone the 40 rudiments complete realistic Rock by Carmine Appice books by Charles wilcoxon and many of my own creative musical themes and transcriptions I am also the Creator producing performer of the Jeff indyke drum education show which airs on public access I'm also appearing on Manhattan neighborhood Network I've been doing the public access shows for 20 years I have also created hundreds of video segments on YouTube I've done video segments for drum radio.com drum magazine and classic drummer magazine I performed in the Plainview high School marching and concert bands I perform nysma solos I performed at Nassau community college in the orchestra and the jazz band I perform many many recitals ensembles at Nassau community college for 25 years I created a worldwide drum education hotline called dial a beat I have also performed in many nightclubs and concerts and the many many recording sessions in New York I have studied with Mel Fields Al Miller and Ronald Gould who was the primary percussionist for the philharmonic ballet orchestra Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Electric Guitar Acoustic Guitar
I promise you, a lesson with me is never boring. I also promise, it will always be 100% educational and enjoyable. Like I have said, music is a joyful thing and a form of art that everyone can understand. With all of this in mind, I am still training you to have a select skill that very few possess. I am also realistic with our goals. If you don't want to become the next french horn superstar, thats fine. Read More
Instruments: Piano Guitar Violin Trumpet Drums Bass Guitar Synthesizer Ukulele Recorder Double Bass Keyboard Electric Guitar Acoustic Guitar
My methods are non-traditional for some students and traditional for others. Each person learns differently and needs different methods to achieve their goals. I have used Essential Methods books, Jump Right In books, and others that I have found in my studies as a music teacher. I believe music is learned in many different ways, by ear, by reading, and by playing. We learn to talk by talking and being surrounded by those who talk. Read More
Instruments: Piano Guitar Voice Drums Organ Synthesizer Recorder Mallet Percussion Orchestral Percussion Conga Latin Percussion
I am a multi-instrumentalist, composer, producer, and improviser who is equally passionate about teaching music as I am about playing it. I graduated with a Bachelors of Music degree in Music Composition and Music Technology from the Conservatory of Music at Brooklyn College.I perform often as both a solo vocalist and technologist and with my experimental RnB group The Pluto Moons. As a soloist, my performances and recordings of my own compositions have been featured at a variety of festivals throughout the world, including the New York City Electroacoustic Music Festival, the PNEM Festival in Uden Netherlands, and the Hrlursfestival in Solleftea, Sweden. Read More
Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe
We are all lovers of music in one way or another. It's my thought to help students develop a love of learning the art of playing an instrument and being connected to the music in such a direct way. I'm very patient with a students challenges and always encourage them to never give up. I always want to stress that each one of our voices matter when creating music. My teaching style is also about having multi media available for the student to either, see, hear and experience different forms of music in our lessons. Read More
Instruments: Voice Drums
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided I wanted to become a professional musician early elementary. I was always passionate about music but I originally wanted to become a drummer. Over the years I gradually grew into desiring other aspect of music.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
During my courses of music theory, I decided to take guitar and piano lessons to under stand chords and how to arrange properly.
What advice do you have about practicing effectively?
First step is to start out slowly, or in slow motion. Coordination is built with repetitions. Get it right at a slow pace and then work on increasing your speed while still practicing the music correctly. Second step is frequent repetition with allotted breaks. These are common practice habits of disciplined performers. Split your practice time into smaller, super-concentrated chunks, working multiple times a day. Finally, practice in your brain, in vivid detail. Visualize playing your music without actually playing it. Put yourself through the music, note by note. Imagine what it feels like to press that key, or take that breath, every step of the way.
Why did you choose your primary instrument?
My primary choice was percussion.
What musical accomplishments are you most proud of?
I am proud to have worked on multiple platinum records, as well as working in the music department for TV and film.
What do you think is the hardest thing to master on your instrument?
I would say, the skill to create something on the spot with no planning while staying in time. Many people who are learning an instrumental have difficulties with incorporating improvisation while not faaling behind of going ahead of time in a music piece.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I got my inspiration for music from musicians in family. However, I had teachers that inspired me to musically evolve as a musician and branch out to other aspects of me. They inspired me by introducing me to various elements of music. One of my teachers demonstrated the duties of a composer; bringing all instrumentation together in one piece and arranging them into one piece. I thought it was absolutely amazing. Another teacher taught me that understanding other instruments like the piano will help my musicianship in ear training.
Does music run in your family? Tell us a little about your musical family members.
Music runs in both sides of my family. Coming from an African American and Ashkenazic Jewish family I was exposed to different traditions of music. Many in my family are gospel singers, jazz and pop musicians. As for my Jewish heritage, there existed both traditions of religious music, as sung at the synagogue and domestic prayers, and of secular music, such as klezmer.
What is your favorite style/genre of music to play and why?
My favorite genre of music to play is hip hop, rock and gospel because I can incorporate so many different styles to fit each and every genre. Playing these genres has helped me build a stronger ear for other sub genres.
When will I start to see results?
It depends on what your goals are for your instrument or voice, and how committed you are to getting the results you want. It also depends on what your playing or voice skills are like now, and where you want to be. If you’ve never played or sung before, then I wouldn’t expect you to be phenomenal after a few hours. Equally, if you’ve been performing for 30 years with bad habits, they won’t disappear in one lesson either. The goals you set and the results you experience will grow and evolve as you learn new skills, so really, it depends on you as an individual as much as the training you receive.
How do I know if my child is ready to start lessons?
Informal activities with music should start soon after birth, followed by more systematic classes around age three, and lessons with the goal of learning the instrument should start between six and nine. Keep in mind that these are only guidelines; exceptions will undoubtedly occur based on the child and/or teacher.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Drum lessons in Manhattan to students of all ages and abilities.
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