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Featured Piano Teachers Near Kirkland, WA

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Here are just a few of the many teachers offering Piano lessons in Kirkland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Conor A

Instruments: Piano Drums Orchestral Percussion Latin Percussion Music

I have taught in the classroom, small group settings as well as one on one in both piano and drumset. My favorite thing about music instruction is connecting with the students on a musical and personal level.  I started studying piano at the age of 5, making it my career as a teacher after college and into adult life. Choosing to focus more on drumset and percussion studies at the age of 11, I then studied Percussion Studies in College, playing in many bands and in multiple styles. Read More

Jonathan G

Instruments: Piano Guitar Synthesizer Keyboard

It is my intention that all of my students understand the importance and opportunities of music. Music is reviving for the soul, academically productive, and a lucrative choice of career if done right. My practice materials for beginner students are flexible. I often use the Alfred or Nancy Faber series, however I find it more important that beginning students grasp general concepts, while simultaneously practicing fine touch on the keys. Read More

Oleg R

Instruments: Piano Trombone Bass Guitar Euphonium Tuba

My teaching experience dates back to my college days, as I began teaching private lessons part time 30 years ago, and have been consistently teaching students in my home studio for the last15 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy theinstrument and motivate them to practice and continue to learn. Read More

Thao H

Instruments: Piano Violin Viola

With a great passion for music and even greater passion for teaching, I am a experienced and enthusiastic instructor who loves working students.In 2015, I graudated from the University of North Texas with a Bachelor of Music in Violin Performance.During my undergraudate yeras, I earned merit scholarships, participated in orchestras, competitions, and recitals, attended prestigious music festivals, and played for some of the world's most renowned musicians, such as Charles Castleman, the Muir String Quartet, Danish String Quartet, and Vermeer String Quartet. Read More

Jacob N

Instruments: Piano Saxophone Clarinet

I am an experienced instructor who has worked with students of all ages and levels. Teaching provides me with the opportunity to spread my knowledge of the field, as well as have the chance to learn something that I may not have known about. I graduated from Cornish College of the Arts in May 2018, and since then have been refining my curriculum and playing all throughout Seattle with a wide variety of bands. Read More

Kelsey I

Instruments: Piano Guitar Voice Trumpet Drums Bass Guitar Mallet Percussion Orchestral Percussion Latin Percussion

I have been teaching for four years in many capacities, from teaching full bands, to working one on one with students of all ages. I have taught many older students who have a strong foundation in music, as well as young students with no music expierience at all. I have competed in competitions and been a featured soloist, and my love for music challenges me to be the best teacher I can be. Read More

Carl C

Instruments: Piano

I believe in individual piano lessons for my students. Traditionally I have taught using Faber's Piano Adventures and the Alfred Series. I also have used the Bastian series. However, I often adapt my lessons to match the needs of my students. I am currently designing my own curriculum to better meet the needs of my piano studio. Read More

Teacher In Spotlight

David C

Instruments: Piano Guitar Clarinet Bass Guitar Organ Ukulele Mandolin Recorder Double Bass Keyboard Classical Guitar Acoustic Guitar

Why did you choose your primary instrument?
Unfortunately I never chose a primary instrument. I chose piano at age six because there was a piano in the house. I chose clarinet in fifth grade but it did not become a primary instrument because I wanted to play in jazz band in high school and played bass because that was needed. Bass was my primary professional instrument up to about 1990 when I started playing guitar and mandolin professionally. Then when I studied to be a church musician I was back to playing piano and added organ. In essence I have become a jack-of-all-trades on instruments. I don't recommend having such diversity because it keeps one from mastering a specific instrument; though I do enjoy playing all the instruments I have chosen.

What musical accomplishments are you most proud of?
When I first started at the church I currently work at the congregation was not a singing congregation. Now they are a great singing congregation and I believe that my accompaniment approach is a key part to that singing. Another accomplishment that is important to me is that the gypsy jazz band I played in for several years played on the main stage of North America’s largest gypsy jazz festival. A great moment. I also am always glad when I run across a former student that is still playing and tell me how much it enriches their life.

Have any of your students won awards or been selected for special honors? How have they succeeded?
A clarinet student became the winner of the state solo/ensemble contest.

What do you think is the hardest thing to master on your instrument?
On guitar the hardest thing is to learn to read music without tablature. Because some pitches can be played in multiple spots it can be challenging to know where to play the notes when reading. In some instances one might have two or three solutions before one settles on the best choice. Another challenge with guitar is to play rhythm well, particularly when using a plectrum/pick. One needs to play so that it sounds smooth and does not drag. The third challenge is to play with good tone whether using fingers, fingernails, fingerpicks or a plectrum.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
On piano I build my lessons around the John Thompson method and supplement it with other materials to give a balanced foundation of many eras and genres. On guitar, if a classical beginning is chosen, I use the Noad method or the Christofer Parkening method. For other fingerstyle approaches I use Hal Leonard’s Guitar Workshop series for Fingerstyle guitar supplemented by appropriate materials from Oak Publications. For bluegrass based material I primarily use Osk Publications. If the student desires to learn gypsy-jazz I use books by Michael Hortoeitz.

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